Kerry Murphy
Biographic Data
| ID | 3833161 |
|---|---|
| NAME | Kerry Murphy |
| GIVEN NAMES | Kerry |
| FAMILY NAME | Murphy |
| SIGNATURE | MURPHY K |
| AFFILIATIONS | The University of Melbourne |
| ORCID | 0000-0001-7926-8277 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1985 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Louise Dyer and the Exposition internationale, Paris 1937: Forging the ‘amitié Franco-Australienne’
Henri Kowalski (1841–1916): A French Musician in Colonial Australia
French virtuoso pianist and composer Henri Kowalski visited Australia in 1880 and then returned in 1885 when he settled in Sydney for twelve years. This article explores his introduction of French repertoire, institutional practices and musical instruments to colonial Sydney. It demonstrates that for a short period at the end of the nineteenth century, there was a much stronger French presence in musical life in Australia than has previously been…
Selected Bibliography of the Writings of Thérèse Radic
G.W.L. Marshall-Hall: Portrait of a Lost Crusader: An Introduction to the Marshall-Hall Collection of the Grainger Museum, University of Melbourne, Music Monograph 5 (Nedlands: University of Wester
Saint-Saëns’ poème lyrique Hélène , Nellie Melba and Beyond
Saint-Saëns’ poéme lyrique Hélène of 1904 was not, as is continually claimed, written for the Australian soprano Nellie Melba; however, she premiered it and, for a short while at least, was eager to promote it. Saint-Saëns loved Melba’s interpretation of the role of Hélène, and also loved the work, believing it to be the best operatic work he had ever written. Yet its performance at the Paris Opéra in 1919 was described, by one critic, as the ‘co…
The Musical Voyager: Berlioz in Europe. Ed. by David Charlton and Katharine Ellis. * Berlioz: Scenes from the Life and Work. Ed. by Peter Bloom
These two recent edited books on Berlioz and Berlioz’s world present a wealth of stimulating new material. Berlioz: Scenes from the Life and Work is a splendid looking, meticulously edited and presented book, with a characteristically stylish introduction by Peter Bloom. The Musical Voyager: Berlioz in Europe is not so attractive: material is crammed tightly onto the page and the layout has inconsistencies. But both books make a substantial contr…
Music criticism in nineteenth-century France: La Revue et gazette musicale de Paris , 1834–1880 by Katharine Ellis
The American musicologist Vincent Duckles claimed in 1970, 'When the story of 19th-century musical scholarship is told in flail detail, that story will owe much to the evidence to be found in the contemporaneous press' (Acta musicologica, 42). The advent of RIPM (xix) has done much to facilitate access to the nineteenth-century musical press but still, very little secondary literature is available that analyses the musical press or its critics in…
Joseph Mainzer's ‘Sacred and Beautiful Mission’: An Aspect of Parisian Musical Life of the 1830s
Journal Article JOSEPH MAINZER'S ‘SACRED AND BEAUTIFUL MISSION’: AN ASPECT OF PARISIAN MUSICAL LIFE OF THE 1830s Get access KERRY MURPHY KERRY MURPHY Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 75, Issue 1, February 1994, Pages 33–46, https://doi.org/10.1093/ml/75.1.33 Published: 01 February 1994
Music in Paris in the 1830s
This book forms the fourth volume of an ongoing series on 19th-century French musical life, under the general editorship of Robert Cohen and Yves Gérard, published by Pendragon in collaboration with the Centre for Studies in 19th-century Music. The majority of the volumes already published or in preparation are volumes of source materials, such as selected facsimile stage manuals for Parisian operatic premieres, and the reproduction. of musical e…
Attribution of some unsigned articles of Berlioz in the Revue et Gazette Musicale de Paris (1834–1837)
Since 1967 the New Berlioz Edition (NBE) has been regularly issuing new editions of Berlioz's music. 2 NBE is published by Barenreiter-Verlag under the general editorship of Hugh Macdonald. His music criticism however still remains largely uncollected. This lack is in the process of being remedied by a joint team of French, American and Canadian researchers who are compiling and publishing Berlioz's complete music criticism in a twelve-volume set…
The Overture in France, 1790-1810
Henri Kowalski (1841–1916): A French Musician in Colonial Australia
French virtuoso pianist and composer Henri Kowalski visited Australia in 1880 and then returned in 1885 when he settled in Sydney for twelve years. This article explores his introduction of French repertoire, institutional practices and musical instruments to colonial Sydney. It demonstrates that for a short period at the end of the nineteenth century, there was a much stronger French presence in musical life in Australia than has previously been…
Joseph Mainzer's ‘Sacred and Beautiful Mission’: An Aspect of Parisian Musical Life of the 1830s
Journal Article JOSEPH MAINZER'S ‘SACRED AND BEAUTIFUL MISSION’: AN ASPECT OF PARISIAN MUSICAL LIFE OF THE 1830s Get access KERRY MURPHY KERRY MURPHY Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 75, Issue 1, February 1994, Pages 33–46, https://doi.org/10.1093/ml/75.1.33 Published: 01 February 1994
Attribution of some unsigned articles of Berlioz in the Revue et Gazette Musicale de Paris (1834–1837)
Since 1967 the New Berlioz Edition (NBE) has been regularly issuing new editions of Berlioz's music. 2 NBE is published by Barenreiter-Verlag under the general editorship of Hugh Macdonald. His music criticism however still remains largely uncollected. This lack is in the process of being remedied by a joint team of French, American and Canadian researchers who are compiling and publishing Berlioz's complete music criticism in a twelve-volume set…
The Overture in France, 1790-1810
Music in Paris in the 1830s
This book forms the fourth volume of an ongoing series on 19th-century French musical life, under the general editorship of Robert Cohen and Yves Gérard, published by Pendragon in collaboration with the Centre for Studies in 19th-century Music. The majority of the volumes already published or in preparation are volumes of source materials, such as selected facsimile stage manuals for Parisian operatic premieres, and the reproduction. of musical e…
Joseph Mainzer's ‘Sacred and Beautiful Mission’: An Aspect of Parisian Musical Life of the 1830s
Journal Article JOSEPH MAINZER'S ‘SACRED AND BEAUTIFUL MISSION’: AN ASPECT OF PARISIAN MUSICAL LIFE OF THE 1830s Get access KERRY MURPHY KERRY MURPHY Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 75, Issue 1, February 1994, Pages 33–46, https://doi.org/10.1093/ml/75.1.33 Published: 01 February 1994
Music criticism in nineteenth-century France: La Revue et gazette musicale de Paris , 1834–1880 by Katharine Ellis
The American musicologist Vincent Duckles claimed in 1970, 'When the story of 19th-century musical scholarship is told in flail detail, that story will owe much to the evidence to be found in the contemporaneous press' (Acta musicologica, 42). The advent of RIPM (xix) has done much to facilitate access to the nineteenth-century musical press but still, very little secondary literature is available that analyses the musical press or its critics in…
The Musical Voyager: Berlioz in Europe. Ed. by David Charlton and Katharine Ellis. * Berlioz: Scenes from the Life and Work. Ed. by Peter Bloom
These two recent edited books on Berlioz and Berlioz’s world present a wealth of stimulating new material. Berlioz: Scenes from the Life and Work is a splendid looking, meticulously edited and presented book, with a characteristically stylish introduction by Peter Bloom. The Musical Voyager: Berlioz in Europe is not so attractive: material is crammed tightly onto the page and the layout has inconsistencies. But both books make a substantial contr…
Selected Bibliography of the Writings of Thérèse Radic
G.W.L. Marshall-Hall: Portrait of a Lost Crusader: An Introduction to the Marshall-Hall Collection of the Grainger Museum, University of Melbourne, Music Monograph 5 (Nedlands: University of Wester
Saint-Saëns’ poème lyrique Hélène , Nellie Melba and Beyond
Saint-Saëns’ poéme lyrique Hélène of 1904 was not, as is continually claimed, written for the Australian soprano Nellie Melba; however, she premiered it and, for a short while at least, was eager to promote it. Saint-Saëns loved Melba’s interpretation of the role of Hélène, and also loved the work, believing it to be the best operatic work he had ever written. Yet its performance at the Paris Opéra in 1919 was described, by one critic, as the ‘co…
Henri Kowalski (1841–1916): A French Musician in Colonial Australia
French virtuoso pianist and composer Henri Kowalski visited Australia in 1880 and then returned in 1885 when he settled in Sydney for twelve years. This article explores his introduction of French repertoire, institutional practices and musical instruments to colonial Sydney. It demonstrates that for a short period at the end of the nineteenth century, there was a much stronger French presence in musical life in Australia than has previously been…
Louise Dyer and the Exposition internationale, Paris 1937: Forging the ‘amitié Franco-Australienne’
Art (9 works) · Art history (8 works) · Literature (6 works) · History (5 works) · Musicology and Musical Analysis (5 works) · Musical (4 works) · Aesthetics (3 works) · Classics (3 works) · History (3 works) · Visual arts (3 works)