Kerry Mccarthy

Biographic Data

ID3833175
NAMEKerry Mccarthy
GIVEN NAMESKerry
FAMILY NAMEMccarthy
SIGNATUREMCCARTHY K
AFFILIATIONSOregon Medical Research Center
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS2
AUTHOR COUNT12
EDITOR COUNT1
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2025
H-INDEX1

  • Singing the Reformation in Windsor

    Open AccessKerry MccarthyARTICLEThe Journal of Ecclesiastical…2025References: 3

    Robert Testwood (c. 1490–1543), professional singer and evangelical mischief-maker, is the subject of many colourful anecdotes in Foxe’s Acts and monuments , including a scene in which Testwood mocks the veneration of the Virgin Mary by sabotaging a performance of a polyphonic motet in St George’s Chapel, Windsor. This act of sonic iconoclasm can be dated securely to mid-May 1538. It can be placed in a rich context of surveillance, propaganda, di…

  • What's in store for UK climate policy in the next five years? Reflections from environmental leaders past, present and future

    Open AccessLaurie Parsons, Candice Howarth et al.ARTICLEGeo Geography and Environment2024References: 4

    In light of the UK's 2024 general election and new government, UK policy on climate change is likely to see a shift in direction. This paper presents the proceedings of an event held at the UK Royal Geographical Society (with IBG) (RGS‐IBG) in February 2024, exploring the path ahead for UK climate policy. Four expert panelists were asked to reflect on the achievements and shortcomings of climate policy over the past five years and to provide insi…

  • Philips's 1628 Paradisus and the triumph of the Eucharist

    Open AccessKerry MccarthyARTICLERenaissance Studies2011

    Peter Philips (1560/61–1628) was among the first English composers to embrace the musical style of the Italianate Baroque. His Paradisus sacris cantionibus consitus , printed during his final year at the Brussels court of the Archdukes Albert and Isabella, is a large collection of accompanied monodies, duets and trios, a number of them lavishly ornamented. Some of the texts he sets in this book are drawn from the common stock of post‐Tridentine d…

  • Evidence of Things Past

    Open AccessKerry MccarthyARTICLEJournal of the Royal Musical…2010Cited by: 1

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  • Brought to Speake English with the Rest: Byrd's Motet Contrafacta

    Kerry MccarthyARTICLEThe Musical Times2007Cited by: 1

  • William Mundy's ‘Vox Patris Caelestis’ and the Assumption of the Virgin Mary

    Kerry MccarthyARTICLEMusic and Letters2004

    William Mundy composed the votive antiphon Vox patris caelestis during the brief English Counter-Reformation under the reign of Mary Tudor (1553–8). Unlike the majority of earlier votive antiphons, Vox patris refers to a specific liturgical and theological event, the Assumption of the Virgin Mary. The text is an elaborate network of tropes on the Song of Songs, interwoven with other scriptural and literary topics traditionally linked to the feast…

  • Tomkins, John

    Peter Le Huray, John A Irving et al.CHAPTERThe new Grove dictionary of music…2001

  • Tomkins, Thomas

    Peter Le Huray, John A Irving et al.CHAPTERThe new Grove dictionary of music…2001

  • Tomkins, Robert

    Peter Le Huray, John A Irving et al.CHAPTERThe new Grove dictionary of music…2001

  • Tomkins, Giles

    Peter Le Huray, John A Irving et al.CHAPTERThe new Grove dictionary of music…2001

  • Byrd, William

    Joseph Kerman, Kerry MccarthyCHAPTERThe new Grove dictionary of music…2001

  • Tomkins, Nathaniel

    Peter Le Huray, John A Irving et al.CHAPTERThe new Grove dictionary of music…2001

  • Tomkins family

    Peter Le Huray, John A Irving et al.CHAPTERThe new Grove dictionary of music…2001