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Sally J Cole

Biographic Data

ID3839798
NAMESally J Cole
GIVEN NAMESSally J
FAMILY NAMECole
SIGNATURECOLE S J
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS28
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2006
H-INDEX3
  • Chronology and Cultural Variation in Basketmaker Ii

    Mona C Charles, Mona Charles et al.•ARTICLE•KIVA•2006•Cited by: 16•References: 13

    Chronometric dates, architecture, durable material culture, and rock art are examined to assess variation in Basketmaker II between approximately 1000 B.C. and A.D. 500. Data from alcove and open sites in eight eastern and western regions of the Colorado Plateau are compared. The overall similarities indicate that Basketmaker II is a shared system in which local and regional populations participated momentarily and over time. The system was in pl…

  • Rogue Diamonds

    Open Access•Sally Cole, Sally J Cole et al.•ARTICLE•Anthropologica•2003

    Ellen Bielawski, Vancouver: Douglas and McIntyre, 2003, 256 pages.Reviewer: Sally Cole Concordia UniversityEllen Bielawski builds on early classic experiments in reflexive anthropological writing on Canadian north in Rogue Diamonds, a critical and personal account of her years working as anthropologist, researcher and treaty negotiator with Akaitcho Treaty 8 of Lutselk'e. Following on Hugh Brody's one-man tradition of writing political landscape …

  • Roots of Anasazi and Pueblo Imagery in Basketmaker II Rock Art and Material Culture

    Sally Cole, Sally J Cole•ARTICLE•KIVA•1994•Cited by: 5•References: 15

    Rock art and analogous material culture of the Anasazi-Western Pueblo tradition on the Colorado Plateau are subjects of this paper. I argue that Anasazi and Pueblo imagery dating from approximately 500 B.C. to A.D. 1450 can be linked back to Basketmaker II times (approximately 500 B.C. to A.D. 450). Support for this premise lies in continuity of representations in material culture over time. The continuity demonstrates conceptual consistencies in…

  • A Field Guide to Rock Art Symbols of the Greater Southwest

    Sally Cole, Sally J Cole et al.•ARTICLE•The American Indian Quarterly•1994•Cited by: 4

  • Katsina Iconography in Homol'ovi Rock Art

    Sally Cole, Sally J Cole•ARTICLE•KIVA•1989•Cited by: 3•References: 11

    Structurally consistent representations of katsina masks and masked katsinas are identifiable as katsina iconography of the Hopi and Zuni and provide comparative examples for the identification of katsina iconography at the Homol'ovi site group. An inventory of Homol'ovi rock art produced 72 examples of comparable mask and katsina representations in the vicinities of Homol'ovi II and Homol'ovi IV. Similar masks and katsinas are represented on cer…

  • Chronology and Cultural Variation in Basketmaker Ii

    Mona C Charles, Mona Charles et al.•ARTICLE•KIVA•2006•Cited by: 16•References: 13

    Chronometric dates, architecture, durable material culture, and rock art are examined to assess variation in Basketmaker II between approximately 1000 B.C. and A.D. 500. Data from alcove and open sites in eight eastern and western regions of the Colorado Plateau are compared. The overall similarities indicate that Basketmaker II is a shared system in which local and regional populations participated momentarily and over time. The system was in pl…

  • Roots of Anasazi and Pueblo Imagery in Basketmaker II Rock Art and Material Culture

    Sally Cole, Sally J Cole•ARTICLE•KIVA•1994•Cited by: 5•References: 15

    Rock art and analogous material culture of the Anasazi-Western Pueblo tradition on the Colorado Plateau are subjects of this paper. I argue that Anasazi and Pueblo imagery dating from approximately 500 B.C. to A.D. 1450 can be linked back to Basketmaker II times (approximately 500 B.C. to A.D. 450). Support for this premise lies in continuity of representations in material culture over time. The continuity demonstrates conceptual consistencies in…

  • A Field Guide to Rock Art Symbols of the Greater Southwest

    Sally Cole, Sally J Cole et al.•ARTICLE•The American Indian Quarterly•1994•Cited by: 4

  • Katsina Iconography in Homol'ovi Rock Art

    Sally Cole, Sally J Cole•ARTICLE•KIVA•1989•Cited by: 3•References: 11

    Structurally consistent representations of katsina masks and masked katsinas are identifiable as katsina iconography of the Hopi and Zuni and provide comparative examples for the identification of katsina iconography at the Homol'ovi site group. An inventory of Homol'ovi rock art produced 72 examples of comparable mask and katsina representations in the vicinities of Homol'ovi II and Homol'ovi IV. Similar masks and katsinas are represented on cer…

  • Katsina Iconography in Homol'ovi Rock Art

    Sally Cole, Sally J Cole•ARTICLE•KIVA•1989•Cited by: 3•References: 11

    Structurally consistent representations of katsina masks and masked katsinas are identifiable as katsina iconography of the Hopi and Zuni and provide comparative examples for the identification of katsina iconography at the Homol'ovi site group. An inventory of Homol'ovi rock art produced 72 examples of comparable mask and katsina representations in the vicinities of Homol'ovi II and Homol'ovi IV. Similar masks and katsinas are represented on cer…

  • Roots of Anasazi and Pueblo Imagery in Basketmaker II Rock Art and Material Culture

    Sally Cole, Sally J Cole•ARTICLE•KIVA•1994•Cited by: 5•References: 15

    Rock art and analogous material culture of the Anasazi-Western Pueblo tradition on the Colorado Plateau are subjects of this paper. I argue that Anasazi and Pueblo imagery dating from approximately 500 B.C. to A.D. 1450 can be linked back to Basketmaker II times (approximately 500 B.C. to A.D. 450). Support for this premise lies in continuity of representations in material culture over time. The continuity demonstrates conceptual consistencies in…

  • A Field Guide to Rock Art Symbols of the Greater Southwest

    Sally Cole, Sally J Cole et al.•ARTICLE•The American Indian Quarterly•1994•Cited by: 4

  • Rogue Diamonds

    Open Access•Sally Cole, Sally J Cole et al.•ARTICLE•Anthropologica•2003

    Ellen Bielawski, Vancouver: Douglas and McIntyre, 2003, 256 pages.Reviewer: Sally Cole Concordia UniversityEllen Bielawski builds on early classic experiments in reflexive anthropological writing on Canadian north in Rogue Diamonds, a critical and personal account of her years working as anthropologist, researcher and treaty negotiator with Akaitcho Treaty 8 of Lutselk'e. Following on Hugh Brody's one-man tradition of writing political landscape …

  • Chronology and Cultural Variation in Basketmaker Ii

    Mona C Charles, Mona Charles et al.•ARTICLE•KIVA•2006•Cited by: 16•References: 13

    Chronometric dates, architecture, durable material culture, and rock art are examined to assess variation in Basketmaker II between approximately 1000 B.C. and A.D. 500. Data from alcove and open sites in eight eastern and western regions of the Colorado Plateau are compared. The overall similarities indicate that Basketmaker II is a shared system in which local and regional populations participated momentarily and over time. The system was in pl…

History (5 works) · Archaeology (4 works) · Rock art (4 works) · Archaeology and ancient environmental studies (3 works) · Archaeology and Rock Art Studies (3 works) · Geography (3 works) · Geology (3 works) · Geology (3 works) · Art (2 works) · History (2 works)

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