Miasol Eguíbar Holgado
Biographic Data
| ID | 384120 |
|---|---|
| NAME | Miasol Eguíbar Holgado |
| GIVEN NAMES | Miasol Eguíbar |
| FAMILY NAME | Holgado |
| SIGNATURE | HOLGADO M E |
| AFFILIATIONS | Universidad de Oviedo |
| ORCID | 0000-0002-7110-4873 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Queer Utopia, Transfeminism, and Solidarity in Janelle Monáe’s Dirty Computer Universe
This article explores the central role of queer utopianism and transfeminist coalitional visions in Janelle Monáe’s dirty computer multiplatform universe. In Dirty Computer (album/film 2018), and short story collection The Memory Librarian (2022), Monáe presents a dystopic future where anyone who deviates from the norm in terms of gender, sexuality, or self-expression is considered a dirty computer. Miasol Eguíbar-Holgado’s analysis focuses on th…
Indigenous diasporas in speculative fiction
This article explores diasporic dimensions of Indigenous experiences and narratives on Turtle Island, by looking at the Indigenous speculative fiction novels The Back of the Turtle (2014) by Thomas King, The Marrow Thieves (2017) by Cherie Dimaline, and The Moon of the Crusted Snow (2018) by Waubgeshig Rice. The three evoke (post)apocalyptic or dystopic futures involving environmental crises and destruction. As Indigenous peoples have historicall…
Cosmopolitanism and strange encounters in George Elliott Clarke'sThe Motorcyclist
This article engages a form of cosmopolitanism that departs from universalist precepts, and instead underscores the role of situated difference in establishing productive dialogues among particular world views. It also works with the associated concept of the cosmopolitan stranger to delineate relationships among othered groups. Reading encounters between strangers in George Elliott Clarke’s 2016 novel The Motorcyclist, it attempts to illustrate …
The Location of Settled Diasporas in Nova Scotian Fiction
This article offers a comparative study between two novels by Nova Scotian writers: George and Rue (2006), by George Elliott Clarke, and No Great Mischief (2000), by Alistair MacLeod. The main purpose of this analysis is to transform some of the pervasive assumptions that dominate interpretations of diasporic ontologies. Most conceptual contexts of diaspora, constructed around the idea of a homeland that is located elsewhere, can only partially b…
Reading the Body Racial in Black Canadian/ Black Scottish Nonfiction
This essay compares two works of nonfiction and their various engagements with ontological and emotional dimensions of mixed-race subjectivities: I contrast the essay "Born Again Indian" (2010) by Canadian writer Dorothy Mills-Proctor with Scottish writer Jackie Kay's autobiography Red Dust Road (2011). The two writers share a biracial background (Mills-Proctor, black and Native; Kay, black and white) as well as the double displacement that comes…
Reading the Body Racial in Black Canadian/ Black Scottish Nonfiction
This essay compares two works of nonfiction and their various engagements with ontological and emotional dimensions of mixed-race subjectivities: I contrast the essay "Born Again Indian" (2010) by Canadian writer Dorothy Mills-Proctor with Scottish writer Jackie Kay's autobiography Red Dust Road (2011). The two writers share a biracial background (Mills-Proctor, black and Native; Kay, black and white) as well as the double displacement that comes…
Reading the Body Racial in Black Canadian/ Black Scottish Nonfiction
This essay compares two works of nonfiction and their various engagements with ontological and emotional dimensions of mixed-race subjectivities: I contrast the essay "Born Again Indian" (2010) by Canadian writer Dorothy Mills-Proctor with Scottish writer Jackie Kay's autobiography Red Dust Road (2011). The two writers share a biracial background (Mills-Proctor, black and Native; Kay, black and white) as well as the double displacement that comes…
The Location of Settled Diasporas in Nova Scotian Fiction
This article offers a comparative study between two novels by Nova Scotian writers: George and Rue (2006), by George Elliott Clarke, and No Great Mischief (2000), by Alistair MacLeod. The main purpose of this analysis is to transform some of the pervasive assumptions that dominate interpretations of diasporic ontologies. Most conceptual contexts of diaspora, constructed around the idea of a homeland that is located elsewhere, can only partially b…
Indigenous diasporas in speculative fiction
This article explores diasporic dimensions of Indigenous experiences and narratives on Turtle Island, by looking at the Indigenous speculative fiction novels The Back of the Turtle (2014) by Thomas King, The Marrow Thieves (2017) by Cherie Dimaline, and The Moon of the Crusted Snow (2018) by Waubgeshig Rice. The three evoke (post)apocalyptic or dystopic futures involving environmental crises and destruction. As Indigenous peoples have historicall…
Cosmopolitanism and strange encounters in George Elliott Clarke'sThe Motorcyclist
This article engages a form of cosmopolitanism that departs from universalist precepts, and instead underscores the role of situated difference in establishing productive dialogues among particular world views. It also works with the associated concept of the cosmopolitan stranger to delineate relationships among othered groups. Reading encounters between strangers in George Elliott Clarke’s 2016 novel The Motorcyclist, it attempts to illustrate …
Queer Utopia, Transfeminism, and Solidarity in Janelle Monáe’s Dirty Computer Universe
This article explores the central role of queer utopianism and transfeminist coalitional visions in Janelle Monáe’s dirty computer multiplatform universe. In Dirty Computer (album/film 2018), and short story collection The Memory Librarian (2022), Monáe presents a dystopic future where anyone who deviates from the norm in terms of gender, sexuality, or self-expression is considered a dirty computer. Miasol Eguíbar-Holgado’s analysis focuses on th…
Sociology (5 works) · Art (4 works) · Gender Studies (4 works) · Political science (4 works) · Politics (4 works) · Aesthetics (3 works) · Art history (3 works) · Gender Studies (3 works) · History (3 works) · History (3 works)