Simon Order
Biographic Data
| ID | 384134 |
|---|---|
| NAME | Simon Order |
| GIVEN NAMES | Simon |
| FAMILY NAME | Order |
| SIGNATURE | ORDER S |
| AFFILIATIONS | Murdoch University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
The everyday experiences of female electric vehicle owners: Insights from Western Australia
Viral Stagings Across the Globe: Performing Identity in the Era of Covid-19
This special issue of the Journal of Intercultural Studies is titled ‘Performing Identity in the Era of COVID-19’, and co-mingles our current critical inquiries into the pandemic meaning of ‘performance’’ with our earlier research in global diasporas. While invoking our previous historical context of ‘the era of COVID-19’, we shift focus from migratory liminality to the many ways that we can re-think the notions of performance, performing, and pe…
The Vision Impaired as a Radio Audience: Meeting Their Audio Needs in the 21st Century
Vision Australia Radio (VAR) is part of the Australian Radio for the Print Handicapped (RPH) community radio network providing a radio reading service to listeners with a vision impairment. Like mainstream media, it faces the challenge of ensuring the service is fit for purpose in the digital age. There is little preexisting research on the behaviour and interests of the vision-impaired as a discrete audience demographic. This paper reports on a …
Necropolitics in a post-apocalyptic zombie diaspora: The case of AMC's The Walking Dead
American Movie Classics' (AMC) popular television series The Walking Dead (2010–present) transports viewers into an apocalyptic zombie dystopia where the lines between safety and precarity, being governed and governing, or being alive and/or dead slip and change. Utilizing Achille Mbembe's term "necropolitics", the article explores The Walking Dead's representation of governance and power in terms of individual and group security. While the zombi…
All the lonely people, where do they all belong: Community radio and social connection
The Community Broadcasting Association of Australia (CBAA) asserts that community radio should promote a culturally diverse society by representing those sections of the community much less visible in the mainstream media. This echoes the Australian Federal Government’s vision of social inclusion/cohesion in a society in which all Australians are valued and are able to participate fully. There are those, however, who are marginalised by mainstrea…
The liminal music studio: Between the geographical and the virtual
The dramatic anthropological shifts in music production practices in the post-analogue world have been primarily driven by the ever-increasing functionality of digital audio technologies. Technologies are pertinent actors in the music production process, more than ever before. A new trend in music production is a move towards the mobile tablet computer as a production tool. This article emerged from my own practice-led research into music product…
Towards a contingencybased approach to value for community radio
Community radio in Australia is now well established and considered an important part of the radio sector, however, in today’s economically driven world it is at the bottom of the media money pile. In order to argue for its continuing existence, funding and development in an ever-changing media landscape, some means of capturing its value is essential. This article describes the development of a theoretical framework of value for community radio.…
Necropolitics in a post-apocalyptic zombie diaspora: The case of AMC's The Walking Dead
American Movie Classics' (AMC) popular television series The Walking Dead (2010–present) transports viewers into an apocalyptic zombie dystopia where the lines between safety and precarity, being governed and governing, or being alive and/or dead slip and change. Utilizing Achille Mbembe's term "necropolitics", the article explores The Walking Dead's representation of governance and power in terms of individual and group security. While the zombi…
The liminal music studio: Between the geographical and the virtual
The dramatic anthropological shifts in music production practices in the post-analogue world have been primarily driven by the ever-increasing functionality of digital audio technologies. Technologies are pertinent actors in the music production process, more than ever before. A new trend in music production is a move towards the mobile tablet computer as a production tool. This article emerged from my own practice-led research into music product…
Towards a contingencybased approach to value for community radio
Community radio in Australia is now well established and considered an important part of the radio sector, however, in today’s economically driven world it is at the bottom of the media money pile. In order to argue for its continuing existence, funding and development in an ever-changing media landscape, some means of capturing its value is essential. This article describes the development of a theoretical framework of value for community radio.…
The liminal music studio: Between the geographical and the virtual
The dramatic anthropological shifts in music production practices in the post-analogue world have been primarily driven by the ever-increasing functionality of digital audio technologies. Technologies are pertinent actors in the music production process, more than ever before. A new trend in music production is a move towards the mobile tablet computer as a production tool. This article emerged from my own practice-led research into music product…
All the lonely people, where do they all belong: Community radio and social connection
The Community Broadcasting Association of Australia (CBAA) asserts that community radio should promote a culturally diverse society by representing those sections of the community much less visible in the mainstream media. This echoes the Australian Federal Government’s vision of social inclusion/cohesion in a society in which all Australians are valued and are able to participate fully. There are those, however, who are marginalised by mainstrea…
The Vision Impaired as a Radio Audience: Meeting Their Audio Needs in the 21st Century
Vision Australia Radio (VAR) is part of the Australian Radio for the Print Handicapped (RPH) community radio network providing a radio reading service to listeners with a vision impairment. Like mainstream media, it faces the challenge of ensuring the service is fit for purpose in the digital age. There is little preexisting research on the behaviour and interests of the vision-impaired as a discrete audience demographic. This paper reports on a …
Necropolitics in a post-apocalyptic zombie diaspora: The case of AMC's The Walking Dead
American Movie Classics' (AMC) popular television series The Walking Dead (2010–present) transports viewers into an apocalyptic zombie dystopia where the lines between safety and precarity, being governed and governing, or being alive and/or dead slip and change. Utilizing Achille Mbembe's term "necropolitics", the article explores The Walking Dead's representation of governance and power in terms of individual and group security. While the zombi…
Viral Stagings Across the Globe: Performing Identity in the Era of Covid-19
This special issue of the Journal of Intercultural Studies is titled ‘Performing Identity in the Era of COVID-19’, and co-mingles our current critical inquiries into the pandemic meaning of ‘performance’’ with our earlier research in global diasporas. While invoking our previous historical context of ‘the era of COVID-19’, we shift focus from migratory liminality to the many ways that we can re-think the notions of performance, performing, and pe…
The everyday experiences of female electric vehicle owners: Insights from Western Australia
Political science (4 works) · Sociology (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Psychology (3 works) · Radio, Podcasts, and Digital Media (3 works) · Art (2 works) · Business (2 works) · Crime, Deviance, and Social Control (2 works) · Gothic Literature and Media Analysis (2 works)