Graham Carr
Biographic Data
| ID | 3841610 |
|---|---|
| NAME | Graham Carr |
| GIVEN NAMES | Graham |
| FAMILY NAME | Carr |
| SIGNATURE | CARR G |
| AFFILIATIONS | Concordia University |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Coercive cinema
Screen studies theorists have long maintained that the cinematic apparatus is geared towards the production of consent. 1 But such a focus can risk developing unbalanced accounts of screen culture that privilege the analysis of discourse while ignoring the centrality of material infrastructures to the reproduction of coercive power.In analysing the ways in which cinema is conscripted into the processes of building hegemony, it is possible to over…
“No Political Significance of Any Kind”
The article examines the history of Glenn Gould's 1957 concert tour of the ussr as a pivotal moment in the Cold War and the evolution of Canadian cultural diplomacy. Classical music was a disarming weapon in the conduct of foreign relations because it was understood to have universal significance that transcended politics and ideology, even though the critical rhetoric of music performance often invoked notions of artistic power and triumph. Goul…
A Rejoinder to Gordon Darroch and Chad Gaffield
Radical Literature and Cultural Validation
THE iNVlSffilUTYOFRADiCAL FICTION in the writing and teaching of cultural history has long frustrated critics on the left Eager shift radically the political balance of the literary tradition, they have called repeatedly for the publication of anthologies and reprint series that would recirculate and reclaim works which have previously been marginalized by mainstream criticism. The launch in 1990 of Merlin Radical Fiction (MRF) is one response th…
Design as Content
The Knights in Fiction
“All We North Americans”
The Literature of Labour
“All We North Americans”
The Literature of Labour
Design as Content
The Knights in Fiction
A Rejoinder to Gordon Darroch and Chad Gaffield
Radical Literature and Cultural Validation
THE iNVlSffilUTYOFRADiCAL FICTION in the writing and teaching of cultural history has long frustrated critics on the left Eager shift radically the political balance of the literary tradition, they have called repeatedly for the publication of anthologies and reprint series that would recirculate and reclaim works which have previously been marginalized by mainstream criticism. The launch in 1990 of Merlin Radical Fiction (MRF) is one response th…
“No Political Significance of Any Kind”
The article examines the history of Glenn Gould's 1957 concert tour of the ussr as a pivotal moment in the Cold War and the evolution of Canadian cultural diplomacy. Classical music was a disarming weapon in the conduct of foreign relations because it was understood to have universal significance that transcended politics and ideology, even though the critical rhetoric of music performance often invoked notions of artistic power and triumph. Goul…
Coercive cinema
Screen studies theorists have long maintained that the cinematic apparatus is geared towards the production of consent. 1 But such a focus can risk developing unbalanced accounts of screen culture that privilege the analysis of discourse while ignoring the centrality of material infrastructures to the reproduction of coercive power.In analysing the ways in which cinema is conscripted into the processes of building hegemony, it is possible to over…
Political science (7 works) · Sociology (6 works) · Law (4 works) · Art (3 works) · Media studies (3 works) · Canadian Identity and History (2 works) · History (2 works) · Law (2 works) · Politics (2 works) · Aesthetics (1 work)