Anna Granville Hatcher
Biographic Data
| ID | 3842532 |
|---|---|
| NAME | Anna Granville Hatcher |
| GIVEN NAMES | Anna Granville |
| FAMILY NAME | Hatcher |
| SIGNATURE | HATCHER A G |
| AFFILIATIONS | Johns Hopkins University |
| VERIFIED | No |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 14 |
| AUTHOR COUNT | 18 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1943 |
| LATEST PUBLICATION YEAR | 1970 |
| H-INDEX | 2 |
Aristotle's matta bestialitade in Dante's Inferno
Eso Lo Da La Edad
Lucifer's Legs, Again
Marcabru's A la Fontana del Vergier
The "Detto del Gatto Lupesco" Again
The significance of the Old Italian poem about the gatto lupesco has been discussed in recent years by Guerrieri Crocetti (Giorn. ital. di fl. V, 19-32; Filologia romanza III, 113-121) and by Spitzer (I shall quote from the re-edition in Romanische Literaturstudien, 1959, p. 488-507); the former considered it a serious poem (. . . un lavoro in cui tutto & serio e grave in ogni sua parte ) with allegorical implications, a fore-runner, albeit a ver…
Studia philologica et litteraria in honorem L. Spitzer
An Introduction to the Analysis of English Noun Compounds
1960). An Introduction to the Analysis of English Noun Compounds. WORD: Vol. 16, No. 3, pp. 356-373
Se Hace Algo vs. Algo se Hace
Syntax and the Sentence
Modern Appositional Compounds of Inanimate Reference
IN HIS 'Morphology' (A Modern English Grammar, Vol. VI, 1942), Jespersen makes the startling statement (p. 148) that, in collecting examples of appositional compounds, he has been able to find only three referring to inanimate objects: subject matter, pathway, and courtyard.' That this reference is not as rare as Jespersen's experience would indicate is shown by Koziol's list of appositional compounds, which contains a score of examples like pumi…
Modern English Word-Formation and Neo-Latin: A Study of the Origins of English (French, Italian, German) Copulative Compounds
The Use of the Progressive Form in English: A New Approach
Perhaps the most problematical feature of verbal usage in modern English is the alternation of simple and progressive forms. According to the traditional opinion, the progressive is intended to emphasize durative aspect; but while this emphasis, as well as the contrast it offers to that of the simple form, is well illustrated in such an example as While we were talking, the telephone rang, there are countless cases in which the peculiar force of …
The English Construction A Friend of Mine
[Don't] Buy but One
tN HIS discussion of 'The Doiuble Negative,' AXIr. A/Iencken lists a number 1 of examples containing one, two, and esen six expletive negatives (Nobody aint never said nothial' about sendin' no flowers to nobody'). In this same list, along with 'I will zzo! be responsible for any debts only by myself,' we also find the type with not . . . but: 'Please don't buy lvat one' (store advertisement in Baltimore, 1936) and 'The government last year could…
T. L.' Again
Epic Patterns in Old French: A Venture into Stylistics Via Syntax
Le Type Timbre-Poste
Reflexive Verbs: Latin, Old French, Modern French
Syntax and the Sentence
An Introduction to the Analysis of English Noun Compounds
1960). An Introduction to the Analysis of English Noun Compounds. WORD: Vol. 16, No. 3, pp. 356-373
Studia philologica et litteraria in honorem L. Spitzer
The Use of the Progressive Form in English: A New Approach
Perhaps the most problematical feature of verbal usage in modern English is the alternation of simple and progressive forms. According to the traditional opinion, the progressive is intended to emphasize durative aspect; but while this emphasis, as well as the contrast it offers to that of the simple form, is well illustrated in such an example as While we were talking, the telephone rang, there are countless cases in which the peculiar force of …
Le Type Timbre-Poste
Reflexive Verbs: Latin, Old French, Modern French
Epic Patterns in Old French: A Venture into Stylistics Via Syntax
Le Type Timbre-Poste
T. L.' Again
[Don't] Buy but One
tN HIS discussion of 'The Doiuble Negative,' AXIr. A/Iencken lists a number 1 of examples containing one, two, and esen six expletive negatives (Nobody aint never said nothial' about sendin' no flowers to nobody'). In this same list, along with 'I will zzo! be responsible for any debts only by myself,' we also find the type with not . . . but: 'Please don't buy lvat one' (store advertisement in Baltimore, 1936) and 'The government last year could…
The English Construction A Friend of Mine
Modern English Word-Formation and Neo-Latin: A Study of the Origins of English (French, Italian, German) Copulative Compounds
The Use of the Progressive Form in English: A New Approach
Perhaps the most problematical feature of verbal usage in modern English is the alternation of simple and progressive forms. According to the traditional opinion, the progressive is intended to emphasize durative aspect; but while this emphasis, as well as the contrast it offers to that of the simple form, is well illustrated in such an example as While we were talking, the telephone rang, there are countless cases in which the peculiar force of …
Modern Appositional Compounds of Inanimate Reference
IN HIS 'Morphology' (A Modern English Grammar, Vol. VI, 1942), Jespersen makes the startling statement (p. 148) that, in collecting examples of appositional compounds, he has been able to find only three referring to inanimate objects: subject matter, pathway, and courtyard.' That this reference is not as rare as Jespersen's experience would indicate is shown by Koziol's list of appositional compounds, which contains a score of examples like pumi…
Syntax and the Sentence
Se Hace Algo vs. Algo se Hace
An Introduction to the Analysis of English Noun Compounds
1960). An Introduction to the Analysis of English Noun Compounds. WORD: Vol. 16, No. 3, pp. 356-373
Studia philologica et litteraria in honorem L. Spitzer
The "Detto del Gatto Lupesco" Again
The significance of the Old Italian poem about the gatto lupesco has been discussed in recent years by Guerrieri Crocetti (Giorn. ital. di fl. V, 19-32; Filologia romanza III, 113-121) and by Spitzer (I shall quote from the re-edition in Romanische Literaturstudien, 1959, p. 488-507); the former considered it a serious poem (. . . un lavoro in cui tutto & serio e grave in ogni sua parte ) with allegorical implications, a fore-runner, albeit a ver…
Marcabru's A la Fontana del Vergier
Lucifer's Legs, Again
Eso Lo Da La Edad
Aristotle's matta bestialitade in Dante's Inferno
Philosophy (11 works) · Art (10 works) · Linguistics (8 works) · History (6 works) · Philosophy (6 works) · History (5 works) · Literature (5 works) · Humanities (4 works) · Psychology (4 works) · Lexicography and Language Studies (3 works)