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R S White

Biographic Data

ID3843085
NAMER S White
GIVEN NAMESR S
FAMILY NAMEWhite
SIGNATUREWHITE R S
AFFILIATIONSThe University of Western Australia
ORCID0000-0002-8321-5722
VERIFIEDYes
TOTAL WORKS30
TOTAL CITATIONS24
AUTHOR COUNT28
EDITOR COUNT2
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2021
H-INDEX3
  • History of Emotions: Where Are We

    Peter N Stearns, Juanita Feros Ruys et al.•ARTICLE•Emotions History Culture Society•2021

    As we celebrate the tenth anniversary of the establishment of the CHE, the Australian Research Council Centre of Excellence for the History of Emotion (initially focusing on Europe 1100–1800 and with the late Professor Philippa Maddern as its founding Director) and the fifth anniversary of the launch of the journal Emotions: History, Culture, Society (founding Editors: Katie Barclay, Andrew Lynch, Giovanni Tarantino), it is only pertinent that we…

  • Louis Charland (1958–2021)

    Charles Zika, R S White•ARTICLE•Emotions History Culture Society•2021

  • Keats's Anatomy of Melancholy: Lamia, Isabella, The Eve of St Agnes and Other Poems (1820)

    Robert White, R S White•BOOK•Keats's Anatomy of Melancholy•2020

    This book is conceived as a sustained critical study of John Keats’s collection of poems, Lamia, Isabella, The Eve of St Agnes, And Other Poems (1820). It was published in the 2020 bicentenary. It treats the collection as an authorially organised and thematically unified volume rather than as a collection of occasional poems. An important thread, which I follow through the volume as a major unifying principle, has also gone largely unnoticed by c…

  • Multidimensional Unity: ‘A Dozen Features of Propriety’

    Robert White, R S White•CHAPTER•Keats's Anatomy of Melancholy•2020

    This chapter considers the collection as a whole, suggesting some stylistic and thematic links and similitudes which establish the volume as one which has a considered unity. These facets are summarized as (1) enchantment and disenchantment (Fraistat), (2) dreams and visions, (3) the theme of loss, (4) a word, ‘adieu’, (5) bringing back the past, (6) antithetical states and contrast (7), the concept behind Milton’s ‘L’Allegro’ and ‘Il Penseroso’,…

  • Hamlet and Emotions

    Open Access•Paul Megna, Bríd Phillips et al.•BOOK•Hamlet and Emotions•2019

  • Autodidactic sonnets

    Open Access•Robert White, R S White et al.•ARTICLE•Cogent Arts and Humanities•2016

    True to one of the themes in this issue of our journal, my essay raises two broadly pedagogical questions. First, what did Shakespeare learn about writing sonnets from his most accomplished contemporaries, Sidney and Spenser, and secondly what does he teach his own readers about how to read his sonnets? A single answer to both is proposed: he learned and taught that the abiding and primary subject of the sonnet is the sonnet itself and the kind o…

  • Shakespeare and Emotions

    Open Access•R S White, Mark Houlahan et al.•BOOK•Shakespeare and Emotions•2015

    This collection of essays approaches the works of Shakespeare from the topical perspective of the History of Emotions. Contributions come from established and emergent scholars from a range of discipl

  • John Keats

    Open Access•R S White•BOOK•John Keats•2010

    At the heart of this 'Literary Life' are fresh interpretations of Keats's most loved poems, alongside other neglected but rich poems. The readings are placed in the context of his letters to family an

  • ‘Aesculapius’

    Open Access•R S White•CHAPTER•John Keats•2010

    Seven years is a long time in a young man’s life, and those from the ages of 14 to 21 are arguably the most impressionable of all, especially to somebody just orphaned. During this period of his youth (August 1810 to March 1817) Keats was qualifying himself to be a doctor. Since these are in some ways his ‘lost years’, seen by only a few critics as significant to his later career as poet but by most as a ‘false start’, I make no apology that this…

  • Natural Law in English Renaissance Literature

    R S White•BOOK•Natural Law in English…•2009

  • Pacifism and English Literature

    Open Access•R S White•BOOK•Pacifism and English Literature•2008

    This timely book traces ideas of pacifism in English literature, particularly poetry. Early chapters, drawing on religious and secular traditions, provide intellectual contexts. There follows a chrono

  • Medieval Pacifism

    Open Access•R S White•CHAPTER•Pacifism and English Literature•2008

    There can be no certain answer to the question, ‘When did Britons acquire a concept of peace?’. The answer may well be ‘Not yet’, since the British Isles, and even England in particular, have been virtually continuously in a state of war, declared or undeclared, since its human origins up until the present day. Peace may have been spoken of as a reality only in a relative sense, after laying down arms in one conflict and before taking them up at …

  • I'm Not Too Sure what I Told you the Last Time: Methological Notes on Accounts from High-Risk Activists in the Irish Republican Movement

    Robert White, R S White•ARTICLE•Mobilization An International…•2007•Cited by: 6•References: 6

    Social movement research often draws on intensive interviews with activists to provide rich, detailed information on recruitment processes. Intensive interview data, however, are subject to misunderstandings between researchers and respondents, poor memories, the possibility that respondents will intentionally mislead in their presentation of self, and other threats. Veterans or members of the Provisional IRA and Provisional Sinn Féin were interv…

  • Solomon and gaenor: A Welsh-Jewish Romeo and Juliet

    R S White•ARTICLE•AUMLA-Journal of the Australasian…•2006

  • Shakespeare Studies in Australia

    R S White•ARTICLE•AUMLA-Journal of the Australasian…•2003•Cited by: 1

    White discusses the historical, social, and political contexts, and a range of discourses and theater practices relevant to contemporary reading and performance of William Shakespeare. Shakespeare was an English poet and playwright who is now regarded as the greatest writer of the English language and the world's pre-eminent dramatist

  • Comparing State Repression of Pro-State Vigilantes and Anti-State Insurgents: Northern Ireland, 1972-75

    Robert White, R S White•ARTICLE•Mobilization An International…•1999•Cited by: 12•References: 9

    I compare the repression of "pro-state" paramilitary violence with the repression of anti-state insurgent violence. The setting examined is Northern Ireland between August 1972 and November 1975. During this time period, "pro-state" Protestant paramilitaries and "anti-state" Irish Republican paramilitaries engaged in significant levels of violence. Among the state's responses to this violence were the internment, without charge or trial, of suspe…

  • The deformity of theory in psychoanalysis

    Robert White, R S White et al.•ARTICLE•Angelaki•1998•References: 2

  • Comme on Dit’: The Proverb in Calvin’s Sermons

    Robert White, R S White•ARTICLE•AUMLA-Journal of the Australasian…•1997

  • Missing a Generation: The rat man and hamlet

    Robert White, R S White•ARTICLE•Angelaki•1997•References: 12

  • Interlocutors, Interpellants, Interpreters, Interpretants

    Robert White, R S White•ARTICLE•Canadian Review of American Studies•1994•References: 1

    William Styron. The Confessions of Nat Turner. Vintage International Edition. New York: Vintage Books, 1993. Albert E. Stone. The Return of Nat Turner: History, Literature, and Cultural Politics in Sixties America. Athens: University of Georgia Press, 1992. Even though Vintage has recently brought out a twenty-fifth anniversary edition of The Confessions of Nat Turner, and even though Samuel Coale's 1991 William Styron Revisited argues that, even…

  • Theatrum mundi: The Theatre Metaphor in Calvin

    Robert White, R S White•ARTICLE•Australian Journal of French…•1994•Cited by: 5

  • Reception and Response: Hearer Creativity and the Analysis of Spoken and Written Texts

    Ronald K S Macaulay, Graham Mcgregor et al.•ARTICLE•Language•1992

    Introduction Graham McGregor and R.S. White Part 1: Contexts of Responsiveness 1. Attending the Hearing: Listening in Legal Settings Peter Goodrich 2. Therapeutic Listening Richard G. Tedeschi 3. 'Listening In': Negotiating Relationships Between Listeners and Presenters on Radio Phone-in Programmes Deborah Cameron and Deborah Hills 4. Who is Context? John Pellowe Part 2: Listener Response and Communication 5. Eavesdropper Response and the Analysi…

  • Functions of poems and songs in Elizabethan romance and romantic comedy

    R S White, Rachel White•ARTICLE•English Studies•1987•References: 1

  • Borderline Cases: The Private‐Eye Novels of Howard Engel

    Open Access•Robert White, R S White•ARTICLE•Journal of American Culture•1986

  • Some Techniques for Mechanical Excavation in Salvage Archaeology

    David M Horn, J R Murray et al.•ARTICLE•Journal of Field Archaeology•1986

Next
  • Comparing State Repression of Pro-State Vigilantes and Anti-State Insurgents: Northern Ireland, 1972-75

    Robert White, R S White•ARTICLE•Mobilization An International…•1999•Cited by: 12•References: 9

    I compare the repression of "pro-state" paramilitary violence with the repression of anti-state insurgent violence. The setting examined is Northern Ireland between August 1972 and November 1975. During this time period, "pro-state" Protestant paramilitaries and "anti-state" Irish Republican paramilitaries engaged in significant levels of violence. Among the state's responses to this violence were the internment, without charge or trial, of suspe…

  • I'm Not Too Sure what I Told you the Last Time: Methological Notes on Accounts from High-Risk Activists in the Irish Republican Movement

    Robert White, R S White•ARTICLE•Mobilization An International…•2007•Cited by: 6•References: 6

    Social movement research often draws on intensive interviews with activists to provide rich, detailed information on recruitment processes. Intensive interview data, however, are subject to misunderstandings between researchers and respondents, poor memories, the possibility that respondents will intentionally mislead in their presentation of self, and other threats. Veterans or members of the Provisional IRA and Provisional Sinn Féin were interv…

  • Theatrum mundi: The Theatre Metaphor in Calvin

    Robert White, R S White•ARTICLE•Australian Journal of French…•1994•Cited by: 5

  • Shakespeare Studies in Australia

    R S White•ARTICLE•AUMLA-Journal of the Australasian…•2003•Cited by: 1

    White discusses the historical, social, and political contexts, and a range of discourses and theater practices relevant to contemporary reading and performance of William Shakespeare. Shakespeare was an English poet and playwright who is now regarded as the greatest writer of the English language and the world's pre-eminent dramatist

  • Innocent Victims: Poetic Justice in Shakespearean Tragedy

    R S White, Richard Hillman•ARTICLE•Renaissance and Reformation•1969

    When R.S. White begins one of his final sentences with the urgent plea that "The tired impasse into which contemporary Shakespearean criticism has been led by its constant insistence upon the old questions (Hamlet's 'madness,' Lear's 'resurrection,' Othello's 'jealousy,' and so on) should be rejected in favour of a fresher, more relevant approach" (p. 132),we might momentarily imagine ourselves within earshot of a New Historicist or otherwise pos…

  • Let Wonder Seem Familiar: Endings in Shakespeare's Romance Vision

    R S White, Barry Thorne•ARTICLE•Renaissance and Reformation•1969

    remodeler la culture populaire.Fondations, sermons, catéchismes, visites pasto- rales, nouvelles associations et nouveaux séminaires, encouragés par les élites laïques, donnèrent l'élan.Une association particulièrement vigoureuse, le Compagnie du Saint-Sacre- ment, patronnée par les plus hautes classes de la société, mit tout en oeuvre pour renforcer la discipline, enfluencer les législateurs, entraver l'expression de la culture populaire, appuya…

  • Ibsen in France: Romain Rolland and Norwegian Drama

    Robert White, R S White•ARTICLE•AUMLA-Journal of the Australasian…•1973

  • A Mug's Game: Critical Shortcutting

    Robert White, R S White•ARTICLE•Canadian Review of American Studies•1984

    Marie Boroff. Language and the Poet : Verbal Artistry in Frost, Stevens, and Moore. Chicago: University of Chicago Press, 1979. 198 pp. Daniel Hoffman, ed. Harvard Guide to Contemporary American Writing. Cambridge, Mass.: Harvard University Press, 1979. 618 pp. Rushworth M. Kidder. E. E. Cummings: An Introduction to the Poetry. New York: Columbia University Press, 1979.275 + xxviii pp. David Shapiro. John Ashbery: An Introduction to the Poetry. N…

  • Borderline Cases: The Private‐Eye Novels of Howard Engel

    Open Access•Robert White, R S White•ARTICLE•Journal of American Culture•1986

  • Some Techniques for Mechanical Excavation in Salvage Archaeology

    David M Horn, J R Murray et al.•ARTICLE•Journal of Field Archaeology•1986

  • Some Techniques for Mechanical Excavation in Salvage Archaeology

    David M Horn, J R Murray et al.•ARTICLE•Journal of Field Archaeology•1986

    Two techniques that were used for mechanical excavation of archaeological sites in California are discussed. One technique involves excavation by soil strata and the other employs arbitrary 10 cm levels. The development of a method for large-scale hydraulic screening using recirculated water is also described. Advantages and drawbacks to mechanized excavation are discussed; and it is concluded that controlled scientific excavation can sometimes b…

  • Functions of poems and songs in Elizabethan romance and romantic comedy

    R S White, Rachel White•ARTICLE•English Studies•1987•References: 1

  • Reception and Response: Hearer Creativity and the Analysis of Spoken and Written Texts

    Ronald K S Macaulay, Graham Mcgregor et al.•ARTICLE•Language•1992

    Introduction Graham McGregor and R.S. White Part 1: Contexts of Responsiveness 1. Attending the Hearing: Listening in Legal Settings Peter Goodrich 2. Therapeutic Listening Richard G. Tedeschi 3. 'Listening In': Negotiating Relationships Between Listeners and Presenters on Radio Phone-in Programmes Deborah Cameron and Deborah Hills 4. Who is Context? John Pellowe Part 2: Listener Response and Communication 5. Eavesdropper Response and the Analysi…

  • Interlocutors, Interpellants, Interpreters, Interpretants

    Robert White, R S White•ARTICLE•Canadian Review of American Studies•1994•References: 1

    William Styron. The Confessions of Nat Turner. Vintage International Edition. New York: Vintage Books, 1993. Albert E. Stone. The Return of Nat Turner: History, Literature, and Cultural Politics in Sixties America. Athens: University of Georgia Press, 1992. Even though Vintage has recently brought out a twenty-fifth anniversary edition of The Confessions of Nat Turner, and even though Samuel Coale's 1991 William Styron Revisited argues that, even…

  • Theatrum mundi: The Theatre Metaphor in Calvin

    Robert White, R S White•ARTICLE•Australian Journal of French…•1994•Cited by: 5

  • Comme on Dit’: The Proverb in Calvin’s Sermons

    Robert White, R S White•ARTICLE•AUMLA-Journal of the Australasian…•1997

  • Missing a Generation: The rat man and hamlet

    Robert White, R S White•ARTICLE•Angelaki•1997•References: 12

  • The deformity of theory in psychoanalysis

    Robert White, R S White et al.•ARTICLE•Angelaki•1998•References: 2

  • Comparing State Repression of Pro-State Vigilantes and Anti-State Insurgents: Northern Ireland, 1972-75

    Robert White, R S White•ARTICLE•Mobilization An International…•1999•Cited by: 12•References: 9

    I compare the repression of "pro-state" paramilitary violence with the repression of anti-state insurgent violence. The setting examined is Northern Ireland between August 1972 and November 1975. During this time period, "pro-state" Protestant paramilitaries and "anti-state" Irish Republican paramilitaries engaged in significant levels of violence. Among the state's responses to this violence were the internment, without charge or trial, of suspe…

  • Shakespeare Studies in Australia

    R S White•ARTICLE•AUMLA-Journal of the Australasian…•2003•Cited by: 1

    White discusses the historical, social, and political contexts, and a range of discourses and theater practices relevant to contemporary reading and performance of William Shakespeare. Shakespeare was an English poet and playwright who is now regarded as the greatest writer of the English language and the world's pre-eminent dramatist

  • Solomon and gaenor: A Welsh-Jewish Romeo and Juliet

    R S White•ARTICLE•AUMLA-Journal of the Australasian…•2006

  • I'm Not Too Sure what I Told you the Last Time: Methological Notes on Accounts from High-Risk Activists in the Irish Republican Movement

    Robert White, R S White•ARTICLE•Mobilization An International…•2007•Cited by: 6•References: 6

    Social movement research often draws on intensive interviews with activists to provide rich, detailed information on recruitment processes. Intensive interview data, however, are subject to misunderstandings between researchers and respondents, poor memories, the possibility that respondents will intentionally mislead in their presentation of self, and other threats. Veterans or members of the Provisional IRA and Provisional Sinn Féin were interv…

  • Pacifism and English Literature

    Open Access•R S White•BOOK•Pacifism and English Literature•2008

    This timely book traces ideas of pacifism in English literature, particularly poetry. Early chapters, drawing on religious and secular traditions, provide intellectual contexts. There follows a chrono

  • Medieval Pacifism

    Open Access•R S White•CHAPTER•Pacifism and English Literature•2008

    There can be no certain answer to the question, ‘When did Britons acquire a concept of peace?’. The answer may well be ‘Not yet’, since the British Isles, and even England in particular, have been virtually continuously in a state of war, declared or undeclared, since its human origins up until the present day. Peace may have been spoken of as a reality only in a relative sense, after laying down arms in one conflict and before taking them up at …

  • Natural Law in English Renaissance Literature

    R S White•BOOK•Natural Law in English…•2009

  • John Keats

    Open Access•R S White•BOOK•John Keats•2010

    At the heart of this 'Literary Life' are fresh interpretations of Keats's most loved poems, alongside other neglected but rich poems. The readings are placed in the context of his letters to family an

  • ‘Aesculapius’

    Open Access•R S White•CHAPTER•John Keats•2010

    Seven years is a long time in a young man’s life, and those from the ages of 14 to 21 are arguably the most impressionable of all, especially to somebody just orphaned. During this period of his youth (August 1810 to March 1817) Keats was qualifying himself to be a doctor. Since these are in some ways his ‘lost years’, seen by only a few critics as significant to his later career as poet but by most as a ‘false start’, I make no apology that this…

  • Shakespeare and Emotions

    Open Access•R S White, Mark Houlahan et al.•BOOK•Shakespeare and Emotions•2015

    This collection of essays approaches the works of Shakespeare from the topical perspective of the History of Emotions. Contributions come from established and emergent scholars from a range of discipl

  • Autodidactic sonnets

    Open Access•Robert White, R S White et al.•ARTICLE•Cogent Arts and Humanities•2016

    True to one of the themes in this issue of our journal, my essay raises two broadly pedagogical questions. First, what did Shakespeare learn about writing sonnets from his most accomplished contemporaries, Sidney and Spenser, and secondly what does he teach his own readers about how to read his sonnets? A single answer to both is proposed: he learned and taught that the abiding and primary subject of the sonnet is the sonnet itself and the kind o…

Art (18 works) · Literature (14 works) · History (13 works) · Psychology (9 works) · Law (8 works) · Poetry (8 works) · Political science (8 works) · History (7 works) · Philosophy (7 works) · Art history (6 works)

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