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Jonathan Kulp

Biographic Data

ID3845557
NAMEJonathan Kulp
GIVEN NAMESJonathan
FAMILY NAMEKulp
SIGNATUREKULP J
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2006
H-INDEX1
  • A Mi Ciudad Nativa/To My Native City: Art Songs of Latin America. Volume 2 (review)

    Jonathan Kulp•ARTICLE•Latin American Music Review•2006

    Reviewed by: A Mi Ciudad Nativa/To My Native City: Art Songs of Latin America Jonathan Kulp Patricia Caicedo (Soprano) and Eugenia Gassull (Piano). A Mi Ciudad Nativa/To My Native City: Art Songs of Latin America. Vol. 2. Barcelona: Mundo Arts, 2005. In her bio, Colombian-born Patricia Caicedo is described as a "soprano and musicologist," indicating that her activities go beyond the simple performance of songs. She is something of an ambassador f…

  • Carlos Guastavino: A Re-evaluation of His Harmonic Language

    Jonathan Kulp•ARTICLE•Latin American Music Review•2006

    Carlos Guastavino:A Re-evaluation of His Harmonic Language1 Jonathan Kulp (bio) ¡Viva el atonalismo! ¡Viva la dodecafonía! ¡Viva la música concreta! Eso es una porquería...son bodrios, son mentiras, son falsedades, son...La música, la música auténtica es armonía, melodía, y ritmo, perfectamente to-na-les. Es la única forma de hacer música. Carlos Guastavino2 Carlos Guastavino (1912–2000) needs no introduction within his native Argentina, as he is…

  • Carlos Guastavino: The Intersection of Musica culta and Musica popular in Argentine Song

    Jonathan Kulp•ARTICLE•Latin American Music Review•2003•Cited by: 1

    In the history of Argentine art music, few composers have been able to blend the worlds of música culta and música popular more successfully than Carlos Guastavino (1912-2000). More than simply borrowing elements of popular music to give his concert music a distinctive national flavor, he created works that, in the hands of the right performers, could thrive easily and convincingly in both environments. This is especially true in the genre of son…

  • Guastavino, Carlos

    Jonathan Kulp•CHAPTER•The new Grove dictionary of music…•2001

  • Carlos Guastavino: The Intersection of Musica culta and Musica popular in Argentine Song

    Jonathan Kulp•ARTICLE•Latin American Music Review•2003•Cited by: 1

    In the history of Argentine art music, few composers have been able to blend the worlds of música culta and música popular more successfully than Carlos Guastavino (1912-2000). More than simply borrowing elements of popular music to give his concert music a distinctive national flavor, he created works that, in the hands of the right performers, could thrive easily and convincingly in both environments. This is especially true in the genre of son…

  • Guastavino, Carlos

    Jonathan Kulp•CHAPTER•The new Grove dictionary of music…•2001

  • Carlos Guastavino: The Intersection of Musica culta and Musica popular in Argentine Song

    Jonathan Kulp•ARTICLE•Latin American Music Review•2003•Cited by: 1

    In the history of Argentine art music, few composers have been able to blend the worlds of música culta and música popular more successfully than Carlos Guastavino (1912-2000). More than simply borrowing elements of popular music to give his concert music a distinctive national flavor, he created works that, in the hands of the right performers, could thrive easily and convincingly in both environments. This is especially true in the genre of son…

  • A Mi Ciudad Nativa/To My Native City: Art Songs of Latin America. Volume 2 (review)

    Jonathan Kulp•ARTICLE•Latin American Music Review•2006

    Reviewed by: A Mi Ciudad Nativa/To My Native City: Art Songs of Latin America Jonathan Kulp Patricia Caicedo (Soprano) and Eugenia Gassull (Piano). A Mi Ciudad Nativa/To My Native City: Art Songs of Latin America. Vol. 2. Barcelona: Mundo Arts, 2005. In her bio, Colombian-born Patricia Caicedo is described as a "soprano and musicologist," indicating that her activities go beyond the simple performance of songs. She is something of an ambassador f…

  • Carlos Guastavino: A Re-evaluation of His Harmonic Language

    Jonathan Kulp•ARTICLE•Latin American Music Review•2006

    Carlos Guastavino:A Re-evaluation of His Harmonic Language1 Jonathan Kulp (bio) ¡Viva el atonalismo! ¡Viva la dodecafonía! ¡Viva la música concreta! Eso es una porquería...son bodrios, son mentiras, son falsedades, son...La música, la música auténtica es armonía, melodía, y ritmo, perfectamente to-na-les. Es la única forma de hacer música. Carlos Guastavino2 Carlos Guastavino (1912–2000) needs no introduction within his native Argentina, as he is…

Art (3 works) · Art history (3 works) · Literature (3 works) · Diverse Musicological Studies (2 works) · History (2 works) · Music History and Culture (2 works) · Visual arts (2 works) · Afro-Latin American Studies (1 works) · Ballet (1 works) · Bartok (1 works)

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