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Christopher Washburne

Biographic Data

ID3845594
NAMEChristopher Washburne
GIVEN NAMESChristopher
FAMILY NAMEWashburne
SIGNATUREWASHBURNE C
AFFILIATIONSColumbia University
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS16
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2014
H-INDEX2
  • Latin jazz

    Christopher Washburne•CHAPTER•The new Grove dictionary of music…•2014

  • Jazz Re‐Bordered

    Christopher Washburne•ARTICLE•Jazz Perspectives•2010

    The small nation of Denmark has served as one of the main European centers for jazz production and consumption since the 1930s. Beginning in the mid‐1980s, a number of young Danish musicians, producers, and cultural policy makers emerged who collectively transformed jazz in Denmark. This paper investigates how state‐sponsored cultural policies, an upsurge in nationalistic fervor, broader political and economic change throughout Europe, as well as…

  • Masquerading machismo

    Maiken Derno, Christopher Washburne•ARTICLE•Women & Performance a journal of…•2002•References: 3

    (2002). Masquerading machismo: La India and the staging of chusmeria on the salsa scene. Women & Performance: a journal of feminist theory: Vol. 12, No. 2, pp. 139-156

  • "Play It "Con Filin

    Christopher Washburne•ARTICLE•Latin American Music Review•1998•Cited by: 3

    L'A. explore les multiples aspects de l'expression emotionnelle de la musique Salsa et tente de preciser, d'un point de vue emic, les termes feel, swing et groove utilises par les musiciens pour exprimer la bonne interpretation du repertoire. Son objectif est de developper une methodologie susceptible d'apporter des reponses aux interrogations suivantes : Comment interpreter l'expression : jouer con filin ? Comment est produit le swing dans la sa…

  • The Clave of Jazz

    Christopher Washburne•ARTICLE•Black Music Research Journal•1997•Cited by: 13•References: 3

    The jazz literature abounds with oversimplifications, such as that jazz harmonies are exclusively based on European practices whereas jazz rhythm came by way of Africa. Acknowledging that the development of jazz music was the result of the complex processes of cultural mixing in the unique nineteenth-century urban environment of New Orleans makes it possible to put jazz antecedents into much sharper focus. This article examines one aspect in the …

  • The Clave of Jazz

    Christopher Washburne•ARTICLE•Black Music Research Journal•1997•Cited by: 13•References: 3

    The jazz literature abounds with oversimplifications, such as that jazz harmonies are exclusively based on European practices whereas jazz rhythm came by way of Africa. Acknowledging that the development of jazz music was the result of the complex processes of cultural mixing in the unique nineteenth-century urban environment of New Orleans makes it possible to put jazz antecedents into much sharper focus. This article examines one aspect in the …

  • "Play It "Con Filin

    Christopher Washburne•ARTICLE•Latin American Music Review•1998•Cited by: 3

    L'A. explore les multiples aspects de l'expression emotionnelle de la musique Salsa et tente de preciser, d'un point de vue emic, les termes feel, swing et groove utilises par les musiciens pour exprimer la bonne interpretation du repertoire. Son objectif est de developper une methodologie susceptible d'apporter des reponses aux interrogations suivantes : Comment interpreter l'expression : jouer con filin ? Comment est produit le swing dans la sa…

  • The Clave of Jazz

    Christopher Washburne•ARTICLE•Black Music Research Journal•1997•Cited by: 13•References: 3

    The jazz literature abounds with oversimplifications, such as that jazz harmonies are exclusively based on European practices whereas jazz rhythm came by way of Africa. Acknowledging that the development of jazz music was the result of the complex processes of cultural mixing in the unique nineteenth-century urban environment of New Orleans makes it possible to put jazz antecedents into much sharper focus. This article examines one aspect in the …

  • "Play It "Con Filin

    Christopher Washburne•ARTICLE•Latin American Music Review•1998•Cited by: 3

    L'A. explore les multiples aspects de l'expression emotionnelle de la musique Salsa et tente de preciser, d'un point de vue emic, les termes feel, swing et groove utilises par les musiciens pour exprimer la bonne interpretation du repertoire. Son objectif est de developper une methodologie susceptible d'apporter des reponses aux interrogations suivantes : Comment interpreter l'expression : jouer con filin ? Comment est produit le swing dans la sa…

  • Masquerading machismo

    Maiken Derno, Christopher Washburne•ARTICLE•Women & Performance a journal of…•2002•References: 3

    (2002). Masquerading machismo: La India and the staging of chusmeria on the salsa scene. Women & Performance: a journal of feminist theory: Vol. 12, No. 2, pp. 139-156

  • Jazz Re‐Bordered

    Christopher Washburne•ARTICLE•Jazz Perspectives•2010

    The small nation of Denmark has served as one of the main European centers for jazz production and consumption since the 1930s. Beginning in the mid‐1980s, a number of young Danish musicians, producers, and cultural policy makers emerged who collectively transformed jazz in Denmark. This paper investigates how state‐sponsored cultural policies, an upsurge in nationalistic fervor, broader political and economic change throughout Europe, as well as…

  • Latin jazz

    Christopher Washburne•CHAPTER•The new Grove dictionary of music…•2014

Art (5 works) · Art history (5 works) · Music History and Culture (5 works) · History (3 works) · Jazz (3 works) · Visual arts (3 works) · Cuban History and Society (2 works) · Performance art (2 works) · SALSA (2 works) · Sociology (2 works)

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