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Leonardo Acosta

Biographic Data

ID3845653
NAMELeonardo Acosta
GIVEN NAMESLeonardo
FAMILY NAMEAcosta
SIGNATUREACOSTA L
ORCID0009-0008-5265-7916
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2005
H-INDEX1
  • On Generic Complexes and Other Topics in Cuban Popular Music

    Open Access•Leonardo Acosta, Daniel Whitesell et al.•ARTICLE•Journal of Popular Music Studies•2005

  • Cubano Be, Cubano Bop

    Leonardo Acosta, Daniel S Whitesell•BOOK•Cubano Be Cubano Bop•2003

    "Based on unprecedented research in Cuba, the direct testimonial of scores of Cuban musicians, and the author's unique experience as a prominent jazz musician, Cubano Be, Cubano Bop is destined to take its place among the path-breaking classics of jazz history. The work pays tribute not only to a distinguished lineage of Cuban jazz musicians and composers, but also to the rich musical exchanges between Cuban and American jazz throughout the twent…

  • From the Drum to the Synthesizer

    Open Access•Leonardo Acosta, Marjorie Kirstein•ARTICLE•Latin American Perspectives•1989•Cited by: 1

    The circumstances of Cuban music-its history, sources, tendencies, and products-are different from any other form in the country. Because of this, as much as because of the specific qualities of music, the problems of Cuban are of a very different order from any other manifestation of Cuban culture. In general, the history of Cuban literature, theater, and plastic arts follows a more or less common rule. Their first whimpers sprang from the bosom…

  • Musica y descolonizacion

    Maria Elizabeth Lucas, Leonardo Acosta•ARTICLE•Latin American Music Review•1988

  • From the Drum to the Synthesizer

    Open Access•Leonardo Acosta, Marjorie Kirstein•ARTICLE•Latin American Perspectives•1989•Cited by: 1

    The circumstances of Cuban music-its history, sources, tendencies, and products-are different from any other form in the country. Because of this, as much as because of the specific qualities of music, the problems of Cuban are of a very different order from any other manifestation of Cuban culture. In general, the history of Cuban literature, theater, and plastic arts follows a more or less common rule. Their first whimpers sprang from the bosom…

  • Musica y descolonizacion

    Maria Elizabeth Lucas, Leonardo Acosta•ARTICLE•Latin American Music Review•1988

  • From the Drum to the Synthesizer

    Open Access•Leonardo Acosta, Marjorie Kirstein•ARTICLE•Latin American Perspectives•1989•Cited by: 1

    The circumstances of Cuban music-its history, sources, tendencies, and products-are different from any other form in the country. Because of this, as much as because of the specific qualities of music, the problems of Cuban are of a very different order from any other manifestation of Cuban culture. In general, the history of Cuban literature, theater, and plastic arts follows a more or less common rule. Their first whimpers sprang from the bosom…

  • Cubano Be, Cubano Bop

    Leonardo Acosta, Daniel S Whitesell•BOOK•Cubano Be Cubano Bop•2003

    "Based on unprecedented research in Cuba, the direct testimonial of scores of Cuban musicians, and the author's unique experience as a prominent jazz musician, Cubano Be, Cubano Bop is destined to take its place among the path-breaking classics of jazz history. The work pays tribute not only to a distinguished lineage of Cuban jazz musicians and composers, but also to the rich musical exchanges between Cuban and American jazz throughout the twent…

  • On Generic Complexes and Other Topics in Cuban Popular Music

    Open Access•Leonardo Acosta, Daniel Whitesell et al.•ARTICLE•Journal of Popular Music Studies•2005

Art (4 works) · Cuban History and Society (3 works) · Popular music (2 works) · Visual arts (2 works) · Art history (1 work) · Citation (1 work) · Computer Science (1 work) · Cuba (1 work) · Cultural and Mythological Studies (1 work) · Cultural and Social Studies in Latin America (1 work)

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