Argelia González Hurtado
Biographic Data
| ID | 3845735 |
|---|---|
| NAME | Argelia González Hurtado |
| GIVEN NAMES | Argelia González |
| FAMILY NAME | Hurtado |
| SIGNATURE | HURTADO A G |
| AFFILIATIONS | St. Mary's College of Maryland |
| ORCID | 0000-0002-3288-8476 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Resistance and Revival
Through the use of the documentary genre, a group of Mexican indigenous women video-makers and their collaborators are depicting contemporary indigenous women. Occupying transformative roles in their communities, indigenous women are pioneers opening new cultural and social spaces to work toward a more equitable society. The main scenarios of their struggle are indigenous marginalization and women's marginalization under patriarchy. The documenta…
Narrando la diáspora indígena a través de la cámara de Yolanda Cruz
El artículo explora las primeras obras documentales de la cineasta chatina Yolanda Cruz: Guenati’zá, The Ones Who Come to Visit (2004) y Sueños binacionales/Bi-National Dreams (2005). El análisis de estos documentales se centra en las estrategias cinematográficas que Cruz utiliza para representar la migración indígena de los pueblos de Oaxaca a los Estados Unidos. Se arguye que estos documentales revelan una noción de identidad basada en actos de…
Resistance and Revival
Through the use of the documentary genre, a group of Mexican indigenous women video-makers and their collaborators are depicting contemporary indigenous women. Occupying transformative roles in their communities, indigenous women are pioneers opening new cultural and social spaces to work toward a more equitable society. The main scenarios of their struggle are indigenous marginalization and women's marginalization under patriarchy. The documenta…
Narrando la diáspora indígena a través de la cámara de Yolanda Cruz
El artículo explora las primeras obras documentales de la cineasta chatina Yolanda Cruz: Guenati’zá, The Ones Who Come to Visit (2004) y Sueños binacionales/Bi-National Dreams (2005). El análisis de estos documentales se centra en las estrategias cinematográficas que Cruz utiliza para representar la migración indígena de los pueblos de Oaxaca a los Estados Unidos. Se arguye que estos documentales revelan una noción de identidad basada en actos de…
Resistance and Revival
Through the use of the documentary genre, a group of Mexican indigenous women video-makers and their collaborators are depicting contemporary indigenous women. Occupying transformative roles in their communities, indigenous women are pioneers opening new cultural and social spaces to work toward a more equitable society. The main scenarios of their struggle are indigenous marginalization and women's marginalization under patriarchy. The documenta…
Art (2 works) · Humanities (2 works) · Ethnology (1 work) · Gender Studies (1 work) · Gender, Feminism, and Media (1 work) · Indigenous (1 work) · Latin American and Latino Studies (1 work) · Patriarchy (1 work) · Political and Social Dynamics in Chile and Latin America (1 work) · Political science (1 work)