Susan Vogel

Biographic Data

ID3846799
NAMESusan Vogel
GIVEN NAMESSusan
FAMILY NAMEVogel
SIGNATUREVOGEL S
AFFILIATIONSSusan Vogel is a scholar and filmmaker who recently produced and directed Fold Crumple Crush: The Art of El Anatsui (2011) through her production company, Prince Street Pictures
VERIFIEDNo
TOTAL WORKS20
TOTAL CITATIONS44
AUTHOR COUNT20
EDITOR COUNT0
FIRST PUBLICATION YEAR1968
LATEST PUBLICATION YEAR2021
H-INDEX3

  • Susan Mullin Vogel: Disturbing Expectations

    Risham Majeed, Susan Vogel et al.ARTICLEAfrican Arts2021

  • Always True to the Object, in Our Fashion

    Susan Vogel, Susan Mullin VogelCHAPTERGrasping the World2019

    Museums provide an experience of most of the world’s art and artifacts that does not bear even the remotest resemblance to what their makers intended. African art provides a useful and particularly sharp instance of the distortion produced by exhibiting in museums objects made for quite different purposes. The cultural context of much of the world’s art, particularly that large segment which is religious in inspiration, is remote from the contemp…

  • A Fateful Journey: Africa in the Works of El Anatsui

    Susan Vogel, Susan Mullin VogelARTICLENka Journal of Contemporary…2011

    This thoughtful one-person exhibition by the art historian Yukiya Kawaguchi, in the ethnographic museum in Osaka, lands at the intersection of art and ethnology, Africa and internationalism. The exhibition is masterfully curated and beautifully installed, but the premise stated in the title and implied in the show’s institutional context overemphasizes the African and ethnographic sources of Anatsui’s art. Rather misrepresenting both Africa and A…

  • Des ombres sur la Seine: L'art africain, l'obscurité et le musée du quai Branly

    Susan Vogel, Susan A VogelARTICLELe Débat2007Cited by: 2

  • Whither African Art? Emerging Scholarship at the End of an Age

    Susan Vogel, Susan Mullin VogelARTICLEAfrican Arts2005Cited by: 8

    n their abundance, diversity, and complexity, the classical arts of Africa remain as rich and inex haustible a subject for study as Roman art or Shakespeare. Yet scholarship in the traditional arts of Africa seems-if anything-quite exhausted. Over the past century, African art chiefly sculpture in wood-has gradually won wide recognition as one of the great artistic achievements of humankind and become the subject of thousands of schol arly studie…

  • Africa: Sculpture

    Marla C Berns, Kathy Curnow et al.CHAPTER2003

  • Sòmonò Puppet Masquerades in Kirango, Mali

    Susan Vogel, Susan Mullin Vogel et al.ARTICLEAfrican Arts2001

    Presentation et commentaire de photographies sur les mascarades aquatiques organisees sur le fleuve Niger par l'association des jeunes de la communaute de pecheurs somono de Kirango (Mali). L'A. met notamment en relation les photographies realisees par S. Vogel en 1986 avec les materiaux historiques sur les anciennes macarades. Parmi les figures animales les plus importantes de ce theâtre de marionnettes sont notamment le chat sauvage jarawara et…

  • Language and Dutton's New Mythologies

    Susan Vogel, Susan Mullin Vogel et al.ARTICLEAfrican Arts1997

  • Exhibition-Ism: Museums and African Art

    Christine Mullen Kreamer, Mary Nooter Roberts et al.ARTICLEAfrican Arts1996

  • Africa Explores: 20Th Century African Art

    Francesco Pellizzi, Olu Oguibe et al.ARTICLEAfrican Arts1993Cited by: 10

  • Closeup: Lessons in the Art of Seeing African Sculpture from an American Collection and the Horstmann Collection

    Wyatt Macgaffey, Jerry L Thompson et al.ARTICLEAfrican Arts1991

  • "Responses to the Review of "Africa and the Renaissance

    Susan Vogel, Susan Mullin Vogel et al.ARTICLEAfrican Arts1990

  • Africa and the Renaissance: Art in Ivory

    Kathy Curnow, Susan Mullin Vogel et al.ARTICLEAfrican Arts1989Cited by: 24

    “Africa and the Renaissance: Art in Ivory“ is the eighth exhibition organized by the Center for African Art, New York, now in its fourth year. It explores the artistic and historical relationship between Africa and Renaissance Europe, as revealed by ivory objects sculpted by Africans for Europeans in the fifteenth and sixteenth centuries. The exhibition focuses on 105 carvings, drawn from private collections and museums worldwide, including the M…

  • The Art of Collecting African Art

    Paulette S Parker, Susan Vogel et al.ARTICLEAfrican Arts1988

  • African Masterpieces from the Musee de l'Homme

    Jean M Borgatti, Susan Vogel et al.ARTICLEAfrican Arts1985

  • Bringing African Art to the Metropolitan Museum

    Susan Vogel, Susan Mullin VogelARTICLEAfrican Arts1982

  • For Spirits and Kings

    Doran H Ross, Susan Vogel et al.ARTICLEAfrican Arts1982

  • African Sculpture: The Shape of Surprise

    Barbara Winston Blackmun, Marc L Ginzberg et al.ARTICLEAfrican Arts1980

  • Dogon Sculpture

    Susan Vogel, Susan A VogelARTICLEAfrican Arts1979

  • Sex-role stereotypes and self-concepts in college students

    Paul Rosenkrantz, Susan Vogel et al.ARTICLEJournal of Consulting and…1968