Lizzie Muller
Biographic Data
| ID | 3847433 |
|---|---|
| NAME | Lizzie Muller |
| GIVEN NAMES | Lizzie |
| FAMILY NAME | Muller |
| SIGNATURE | MULLER L |
| AFFILIATIONS | University of Technology Sydney |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 18 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 3 |
Abstracts from the Spectra 2018 Symposium Part 6: Systems
Nigel Helyer and John PottsIn our paper, we describe the findings of the research project “When Science Meets Art: An Environmental Portrait of the Shoalhaven River Valley.” This three-year project, supported by an Australia Council Synapse grant and an ARC Linkage Grant, took an interdisciplinary approach in constructing an environmental portrait of the Bundanon region in rural New South Wales. Bundanon is a vast property of 1,100 hectares in th…
Abstracts from the Spectra 2018 Symposium: Systems
September 16 2020 Abstracts from the Spectra 2018 Symposium: Systems Nigel Helyer 0000-0002-5248-3222 , Nigel Helyer University, 62 MacGibbon Parade, Old Erowal Bay, NSW, 2540, Australia. Email: [email protected] Search for other works by this author on: This Site Google Scholar John Potts 0000-0002-7617-2445 , John Potts Department of Media, Music, Communication and Cultural Studies, Macquarie University, Sydney, New South Wales, 2109, Australia.…
Emergent Knowledge in the Third Space of Art-Science
The locus of encounter between art, science and the public can be conceptualized as third space-a generative site of shared experience. This article reports on a group-based psychosocial method led by imagery and affect-the visual matrix-that enables researchers to capture and characterize knowledge emerging in third space, where disciplinary boundaries are fluid and there is no settled discourse. It presents an account of the visual matrix proce…
Psychosocial aesthetics and the art of lived experience
This article identifies the distinctive nature of arts-based psychosocial enquiry and practice in a public mental health context, focusing on two projects delivered as part of The Big Anxiety festival, in Sydney, Australia in 2017: ‘Awkward Conversations’, in which one-to-one conversations about anxiety and mental health were offered in experimental aesthetic formats; and ‘Parragirls Past, Present’, a reparative project, culminating in an immersi…
The work of the audience: Visual matrix methodology in museums
Visual matrix methodology has been designed for researching cultural imaginaries. It is an image-led, group-based method that creates a “third space” research setting to observe audience groups re-enacting lived experience of an event or process that takes place in the third space of a cultural setting. In this article, the method is described through its use in relation to an art-science exhibition, Human+ Future of the species, where three audi…
Natalie Jeremijenko, ‘X’, UTS Gallery of the University of Technology, Sydney, 11 November to 10 December 2010
Dangerous learning in edgy contexts: Creativity and innovation in the South African arts domain
In this paper, we outline a pilot project aimed at exploring the role of contextual factors in the facilitation of creativity and innovation within a range of South African art forms. Interviews with 11 people who have rich experience of the South African art domain delivered an insightful perspective on the contextual factors driving lifelong creativity and its continuous realization in innovative outcomes within these art forms
Between Real and Ideal: Documenting Media Art
This paper describes a new approach to documenting media art which seeks to place in dialogue the artist's intentions and the audience's experience. It explicitly highlights the productive tension between the ideal, conceptual existence of the work, and its actual manifestation through different iterations and exhibitions in the real world. The paper describes how the approach was developed collaboratively during the production of a documentary c…
On creative engagement
This article is concerned with the design of interactive art systems intended for display in public locations. It reviews approaches to interactive art systems and discusses the issue of creative engagement with them by the active audience. An approach to elaborating a model of creative engagement is described and exploratory work on its refinement is reported
On creative engagement
This article is concerned with the design of interactive art systems intended for display in public locations. It reviews approaches to interactive art systems and discusses the issue of creative engagement with them by the active audience. An approach to elaborating a model of creative engagement is described and exploratory work on its refinement is reported
Psychosocial aesthetics and the art of lived experience
This article identifies the distinctive nature of arts-based psychosocial enquiry and practice in a public mental health context, focusing on two projects delivered as part of The Big Anxiety festival, in Sydney, Australia in 2017: ‘Awkward Conversations’, in which one-to-one conversations about anxiety and mental health were offered in experimental aesthetic formats; and ‘Parragirls Past, Present’, a reparative project, culminating in an immersi…
The work of the audience: Visual matrix methodology in museums
Visual matrix methodology has been designed for researching cultural imaginaries. It is an image-led, group-based method that creates a “third space” research setting to observe audience groups re-enacting lived experience of an event or process that takes place in the third space of a cultural setting. In this article, the method is described through its use in relation to an art-science exhibition, Human+ Future of the species, where three audi…
Emergent Knowledge in the Third Space of Art-Science
The locus of encounter between art, science and the public can be conceptualized as third space-a generative site of shared experience. This article reports on a group-based psychosocial method led by imagery and affect-the visual matrix-that enables researchers to capture and characterize knowledge emerging in third space, where disciplinary boundaries are fluid and there is no settled discourse. It presents an account of the visual matrix proce…
Natalie Jeremijenko, ‘X’, UTS Gallery of the University of Technology, Sydney, 11 November to 10 December 2010
On creative engagement
This article is concerned with the design of interactive art systems intended for display in public locations. It reviews approaches to interactive art systems and discusses the issue of creative engagement with them by the active audience. An approach to elaborating a model of creative engagement is described and exploratory work on its refinement is reported
Between Real and Ideal: Documenting Media Art
This paper describes a new approach to documenting media art which seeks to place in dialogue the artist's intentions and the audience's experience. It explicitly highlights the productive tension between the ideal, conceptual existence of the work, and its actual manifestation through different iterations and exhibitions in the real world. The paper describes how the approach was developed collaboratively during the production of a documentary c…
Natalie Jeremijenko, ‘X’, UTS Gallery of the University of Technology, Sydney, 11 November to 10 December 2010
Dangerous learning in edgy contexts: Creativity and innovation in the South African arts domain
In this paper, we outline a pilot project aimed at exploring the role of contextual factors in the facilitation of creativity and innovation within a range of South African art forms. Interviews with 11 people who have rich experience of the South African art domain delivered an insightful perspective on the contextual factors driving lifelong creativity and its continuous realization in innovative outcomes within these art forms
Psychosocial aesthetics and the art of lived experience
This article identifies the distinctive nature of arts-based psychosocial enquiry and practice in a public mental health context, focusing on two projects delivered as part of The Big Anxiety festival, in Sydney, Australia in 2017: ‘Awkward Conversations’, in which one-to-one conversations about anxiety and mental health were offered in experimental aesthetic formats; and ‘Parragirls Past, Present’, a reparative project, culminating in an immersi…
The work of the audience: Visual matrix methodology in museums
Visual matrix methodology has been designed for researching cultural imaginaries. It is an image-led, group-based method that creates a “third space” research setting to observe audience groups re-enacting lived experience of an event or process that takes place in the third space of a cultural setting. In this article, the method is described through its use in relation to an art-science exhibition, Human+ Future of the species, where three audi…
Abstracts from the Spectra 2018 Symposium: Systems
September 16 2020 Abstracts from the Spectra 2018 Symposium: Systems Nigel Helyer 0000-0002-5248-3222 , Nigel Helyer University, 62 MacGibbon Parade, Old Erowal Bay, NSW, 2540, Australia. Email: [email protected] Search for other works by this author on: This Site Google Scholar John Potts 0000-0002-7617-2445 , John Potts Department of Media, Music, Communication and Cultural Studies, Macquarie University, Sydney, New South Wales, 2109, Australia.…
Emergent Knowledge in the Third Space of Art-Science
The locus of encounter between art, science and the public can be conceptualized as third space-a generative site of shared experience. This article reports on a group-based psychosocial method led by imagery and affect-the visual matrix-that enables researchers to capture and characterize knowledge emerging in third space, where disciplinary boundaries are fluid and there is no settled discourse. It presents an account of the visual matrix proce…
Abstracts from the Spectra 2018 Symposium Part 6: Systems
Nigel Helyer and John PottsIn our paper, we describe the findings of the research project “When Science Meets Art: An Environmental Portrait of the Shoalhaven River Valley.” This three-year project, supported by an Australia Council Synapse grant and an ARC Linkage Grant, took an interdisciplinary approach in constructing an environmental portrait of the Bundanon region in rural New South Wales. Bundanon is a vast property of 1,100 hectares in th…
Art (9 works) · Sociology (8 works) · Visual arts (8 works) · Computer Science (7 works) · Psychology (5 works) · Aesthetics (4 works) · Engineering (3 works) · Exhibition (3 works) · Social Psychology (3 works) · Social Psychology (3 works)