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Robert Emmett Mueller

Biographic Data

ID3847676
NAMERobert Emmett Mueller
GIVEN NAMESRobert Emmett
FAMILY NAMEMueller
SIGNATUREMUELLER R E
AFFILIATIONS30 Homestead Lane, Roosevelt, NJ 08555, U.S.A.
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR1999
H-INDEX1
  • Visic

    Robert Emmett Mueller, Robert Mueller•ARTICLE•Leonardo•1999•References: 3

    June 01 1999 Visic: A Proposal for a True Color Music Robert Emmett Mueller Robert Emmett Mueller 30 Homestead Lane, Roosevelt, NJ 08555, U.S.A. Search for other works by this author on: This Site Google Scholar Author and Article Information Robert Emmett Mueller 30 Homestead Lane, Roosevelt, NJ 08555, U.S.A. Received: February 02 1996 Online Issn: 1530-9282 Print Issn: 0024-094X © 1999 ISAST1999 Leonardo (1999) 32 (3): 177–179. https://doi.org/…

  • An Experiment in Art

    Robert Emmett Mueller, Robert Mueller•ARTICLE•Leonardo•1996

  • Schemas

    Robert Emmett Mueller, Robert Mueller•ARTICLE•Leonardo•1991•Cited by: 1

    In the 1940s climate of artistic confusion, the author, then a student of art in New York City, had the impulse to try to create an extremely minimal art form. He developed the conviction that significant art could be made by using the most elementary media—a conviction confirmed by the history of art. Establishing certain basic constraints, he began to draw a series of crow-quill black-and-white images, inspired in part by Picasso illustrations …

  • The Leonardo Paradox

    Robert Emmett Mueller, Robert Mueller•ARTICLE•Leonardo•1990

    If someday a computer that achieves a high level of human creativity is designed and programmed, it would perhaps not be unlike Leonardo da Vinci in its scientific and artistic output. Such a device would give rise to some curious paradoxes due, in large part, to the reproducibility and communicability of electronic systems such as computers. While many fear that such a device would in its final form mark the death of the personal human imaginati…

  • Mnemesthetics

    Robert Emmett Mueller, Robert Mueller•ARTICLE•Leonardo•1988

    Art is discussed as the way valuable moments of human consciousness are captured in media so that we can relive these moments as vividly as if they were happening now . Our first exposure to a work of art begins to establish a general memory of our consciousness of it. The next time we experience that work of art we compare our immediate consciousness of it with our residual memory of it. The two conditions that set art apart from other experienc…

  • Schemas

    Robert Emmett Mueller, Robert Mueller•ARTICLE•Leonardo•1991•Cited by: 1

    In the 1940s climate of artistic confusion, the author, then a student of art in New York City, had the impulse to try to create an extremely minimal art form. He developed the conviction that significant art could be made by using the most elementary media—a conviction confirmed by the history of art. Establishing certain basic constraints, he began to draw a series of crow-quill black-and-white images, inspired in part by Picasso illustrations …

  • Mnemesthetics

    Robert Emmett Mueller, Robert Mueller•ARTICLE•Leonardo•1988

    Art is discussed as the way valuable moments of human consciousness are captured in media so that we can relive these moments as vividly as if they were happening now . Our first exposure to a work of art begins to establish a general memory of our consciousness of it. The next time we experience that work of art we compare our immediate consciousness of it with our residual memory of it. The two conditions that set art apart from other experienc…

  • The Leonardo Paradox

    Robert Emmett Mueller, Robert Mueller•ARTICLE•Leonardo•1990

    If someday a computer that achieves a high level of human creativity is designed and programmed, it would perhaps not be unlike Leonardo da Vinci in its scientific and artistic output. Such a device would give rise to some curious paradoxes due, in large part, to the reproducibility and communicability of electronic systems such as computers. While many fear that such a device would in its final form mark the death of the personal human imaginati…

  • Schemas

    Robert Emmett Mueller, Robert Mueller•ARTICLE•Leonardo•1991•Cited by: 1

    In the 1940s climate of artistic confusion, the author, then a student of art in New York City, had the impulse to try to create an extremely minimal art form. He developed the conviction that significant art could be made by using the most elementary media—a conviction confirmed by the history of art. Establishing certain basic constraints, he began to draw a series of crow-quill black-and-white images, inspired in part by Picasso illustrations …

  • An Experiment in Art

    Robert Emmett Mueller, Robert Mueller•ARTICLE•Leonardo•1996

  • Visic

    Robert Emmett Mueller, Robert Mueller•ARTICLE•Leonardo•1999•References: 3

    June 01 1999 Visic: A Proposal for a True Color Music Robert Emmett Mueller Robert Emmett Mueller 30 Homestead Lane, Roosevelt, NJ 08555, U.S.A. Search for other works by this author on: This Site Google Scholar Author and Article Information Robert Emmett Mueller 30 Homestead Lane, Roosevelt, NJ 08555, U.S.A. Received: February 02 1996 Online Issn: 1530-9282 Print Issn: 0024-094X © 1999 ISAST1999 Leonardo (1999) 32 (3): 177–179. https://doi.org/…

Art (5 works) · Computer Science (4 works) · Aesthetic Perception and Analysis (3 works) · Aesthetics (3 works) · Visual arts (3 works) · Cognitive science (2 works) · Epistemology (2 works) · Philosophy (2 works) · Psychology (2 works) · Architecture and Art History Studies (1 works)

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