Liz Kim
Biographic Data
| ID | 3847782 |
|---|---|
| NAME | Liz Kim |
| GIVEN NAMES | Liz |
| FAMILY NAME | Kim |
| SIGNATURE | KIM L |
| AFFILIATIONS | Texas A&M University – Kingsville |
| ORCID | 0009-0007-8414-6726 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Id, libidinal economy, and social media
This paper develops a new approach to psychoanalytic media studies by applying the neuropsychoanalytic model of the brain by Mark Solms. It proposes that the conscious id is the driving force behind our social networks online, and that Lacanian real is equivalent to Friston free energy. Using Solms’s model, online experience is theorized, according to the psychoanalytic concepts of Freud and Lacan, between affective consciousness and linguistic c…
Introduction to Gender, Intersectionality, and Asian Diasporic Video Art
Calling on Queer Asians
This article considers Richard Fung’s Orientations (1984) as a work of early pan-Asian community organization and self-recognition for lgbtq + Asian North Americans. Located between the founding of the community as a part of the legacy of Third World Liberation Front and aids activism starting in the mid-1980s, the video was made at a key juncture when visibility and self-affirmation were the main objectives for Asian North American queer communi…
Philip Mallory Jones’s Electronic Consciousness in Afrodiasporic Video
Philip Mallory Jones’s videomation was an early video image processing technique from the 1970s that superimposed multiple forms of image-making to convey the aesthetics of Afrodiasporic rhythms. While videomation’s application in Jones’s collaboration with Gunilla Mallory Jones in Beyond the Mountains, More Mountains (1975) was a disillusionment that tested the limits of Afrodiasporic connections between the US and Haiti, he later refined this t…
Dance movements of baksy as a paradigm of development of the Kazakh dance art
The interaction of traditional and innovative aspects in choreographic art leads to the emergence of a different palette of interpretations and stylizations of folk dance, and most frequently, in order to determine the most important aspects, there is a need to resort to its origins, management of the knowledge of traditional material, its early stages of formation. In this article, the authors investigated the origination of Kazakh dance from th…
Much ado about medium
Early American video history is often characterized as difficult and heterogeneous, and this is in part due to the conflicting theoretical approaches to the notion of 'medium'. In early 1970s New York, there were two major strands of discourse on video: one saw and described video through a techno-utopian lens based on Marshall McLuhan's media theories, and the other, still steeped in the legacies of Clement Greenberg, treated video as though it …
Manet and the Logic of Practice
No prominent works on this page.
Manet and the Logic of Practice
Much ado about medium
Early American video history is often characterized as difficult and heterogeneous, and this is in part due to the conflicting theoretical approaches to the notion of 'medium'. In early 1970s New York, there were two major strands of discourse on video: one saw and described video through a techno-utopian lens based on Marshall McLuhan's media theories, and the other, still steeped in the legacies of Clement Greenberg, treated video as though it …
Dance movements of baksy as a paradigm of development of the Kazakh dance art
The interaction of traditional and innovative aspects in choreographic art leads to the emergence of a different palette of interpretations and stylizations of folk dance, and most frequently, in order to determine the most important aspects, there is a need to resort to its origins, management of the knowledge of traditional material, its early stages of formation. In this article, the authors investigated the origination of Kazakh dance from th…
Introduction to Gender, Intersectionality, and Asian Diasporic Video Art
Calling on Queer Asians
This article considers Richard Fung’s Orientations (1984) as a work of early pan-Asian community organization and self-recognition for lgbtq + Asian North Americans. Located between the founding of the community as a part of the legacy of Third World Liberation Front and aids activism starting in the mid-1980s, the video was made at a key juncture when visibility and self-affirmation were the main objectives for Asian North American queer communi…
Philip Mallory Jones’s Electronic Consciousness in Afrodiasporic Video
Philip Mallory Jones’s videomation was an early video image processing technique from the 1970s that superimposed multiple forms of image-making to convey the aesthetics of Afrodiasporic rhythms. While videomation’s application in Jones’s collaboration with Gunilla Mallory Jones in Beyond the Mountains, More Mountains (1975) was a disillusionment that tested the limits of Afrodiasporic connections between the US and Haiti, he later refined this t…
Id, libidinal economy, and social media
This paper develops a new approach to psychoanalytic media studies by applying the neuropsychoanalytic model of the brain by Mark Solms. It proposes that the conscious id is the driving force behind our social networks online, and that Lacanian real is equivalent to Friston free energy. Using Solms’s model, online experience is theorized, according to the psychoanalytic concepts of Freud and Lacan, between affective consciousness and linguistic c…
Art (4 works) · Sociology (4 works) · Computer Science (3 works) · Psychology (3 works) · Aesthetics (2 works) · Art history (2 works) · Asian Culture and Media Studies (2 works) · Gender Studies (2 works) · History (2 works) · Literature (2 works)