Candice Hopkins
Biographic Data
| ID | 3848173 |
|---|---|
| NAME | Candice Hopkins |
| GIVEN NAMES | Candice |
| FAMILY NAME | Hopkins |
| SIGNATURE | HOPKINS C |
| AFFILIATIONS | Candice Hopkins (curator), 303 East 8th Avenue, Vancouver BC, Canada V5T 1S1. |
| ORCID | 0000-0003-3207-7267 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Siempre estamos dando la vuelta hacia atrás a propósito: Reflexiones sobre tres décadas de práctica curatorial indígena
En cherokee, la frase Ni ’Go Tlunh a Doh ka significa “siempre estamos dando la vuelta hacia atrás... a propósito”. Ese el nombre de una exposición curada en 1986 por Jimmie Durham y Jean Fisher, y también es una metáfora adecuada y una forma provechosa dar inicio a un conjunto de reflexiones sobre la historia reciente de la práctica curatorial indígena. Dar la vuelta hacia atrás puede implicar girar en el mismo lugar, pero es también una táctica…
Coded Territories: Tracing Indigenous Pathways in New Media Art
This collection of essays provides a historical and contemporary context for Indigenous new media arts practice in Canada. The writers are established artists, scholars, and curators who cover thematic concepts and underlying approaches to new media from a distinctly Indigenous perspective. Through discourse and narrative analysis, the writers discuss a number of topics ranging from how Indigenous worldviews inform unique approaches to new media …
Making Things Our Own: The Indigenous Aesthetic in Digital Storytelling
This essay makes use of the characteristics of oral story-telling to define indigenous perspectives on narrative and to provide a framework in which to interpret video and new media art created by Zacharias Kunuk, Nation to Nation's Cyberpowwow project and Paula Giese's Native American Indian Resources
Making Things Our Own: The Indigenous Aesthetic in Digital Storytelling
This essay makes use of the characteristics of oral story-telling to define indigenous perspectives on narrative and to provide a framework in which to interpret video and new media art created by Zacharias Kunuk, Nation to Nation's Cyberpowwow project and Paula Giese's Native American Indian Resources
Making Things Our Own: The Indigenous Aesthetic in Digital Storytelling
This essay makes use of the characteristics of oral story-telling to define indigenous perspectives on narrative and to provide a framework in which to interpret video and new media art created by Zacharias Kunuk, Nation to Nation's Cyberpowwow project and Paula Giese's Native American Indian Resources
Coded Territories: Tracing Indigenous Pathways in New Media Art
This collection of essays provides a historical and contemporary context for Indigenous new media arts practice in Canada. The writers are established artists, scholars, and curators who cover thematic concepts and underlying approaches to new media from a distinctly Indigenous perspective. Through discourse and narrative analysis, the writers discuss a number of topics ranging from how Indigenous worldviews inform unique approaches to new media …
Siempre estamos dando la vuelta hacia atrás a propósito: Reflexiones sobre tres décadas de práctica curatorial indígena
En cherokee, la frase Ni ’Go Tlunh a Doh ka significa “siempre estamos dando la vuelta hacia atrás... a propósito”. Ese el nombre de una exposición curada en 1986 por Jimmie Durham y Jean Fisher, y también es una metáfora adecuada y una forma provechosa dar inicio a un conjunto de reflexiones sobre la historia reciente de la práctica curatorial indígena. Dar la vuelta hacia atrás puede implicar girar en el mismo lugar, pero es también una táctica…
Art (2 works) · Artistic and Creative Research (2 works) · Aesthetics (1 works) · Anthropology (1 works) · Art Education and Development (1 works) · Computer Science (1 works) · Digital Storytelling (1 works) · Digital Storytelling and Education (1 works) · Geography (1 works) · History (1 works)