Dick Higgins
Biographic Data
| ID | 3848258 |
|---|---|
| NAME | Dick Higgins |
| GIVEN NAMES | Dick |
| FAMILY NAME | Higgins |
| SIGNATURE | HIGGINS D |
| AFFILIATIONS | (1938-1998), The University of Illinois at Chicago, Gallery 400, School of Art and Design (M/C 033), College of Architecture and the Arts, 400 South Peoria Street, Chicago, IL 60607-7034, U.S.A. |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 2001 |
| H-INDEX | 1 |
Intermedia
February 01 2001 Intermedia Dick Higgins, Dick Higgins (1938-1998), The University of Illinois at Chicago, Gallery 400, School of Art and Design (M/C 033), College of Architecture and the Arts, 400 South Peoria Street, Chicago, IL 60607-7034, U.S.A. Search for other works by this author on: This Site Google Scholar Hannah Higgins Hannah Higgins (educator), The University of Illinois at Chicago, Gallery 400, School of Art and Design (M/C 033), Col…
Ages of the Avant-Garde
Bonnie Marranca, Meredith Monk, Richard Foreman, Carolee Schneemann, Maria Irene Fornes, Deborah Jowitt, Deborah Hay, Rachel Rosenthal, Jill Johnston, Kenneth Bernard, Yvonne Rainer, Jean-Claude van Itallie, Dick Higgins, Richard Kostelanetz, Judith Malina, Joyce Aaron, Herbert Blau, Anna Halprin, Barbara Hammer, Rosalyn Drexler, Rochelle Owens, Allan Kaprow, Ages of the Avant-Garde, Performing Arts Journal, Vol. 16, No. 1, Bodies of Work (Jan., …
X (Kostelanetz + Cage)
Pattern Poetry as Paradigm
From roughly the eighteenth century until the 1970s, pattern poetry, that is, poetry in which a visual image is formed by the placement of words or letters, when it received any attention at all, was strongly under attack by almost all critics and observers. This was not because of its mimesis, since until the early twentieth century most visual art was itself mimetic. Rather, the feeling was that the pattern poem was intermedial, that it lay con…
Horizons
Written for the lay reader as well as for academic literary theorists, this book bridges the gulf between the artistic avant-garde in music, visual arts, and experimental literature and the general public. Higgins delves into multiple areas, but here is an example of one kind of poem he works with: those pieces that move like thisthose pieces i say are snowflakes i saythose pieces that move like thisthose piecesAlong with many other artistsJohn C…
A Dialectic of Centuries
The Origin of Happening
Intermedia
February 01 2001 Intermedia Dick Higgins, Dick Higgins (1938-1998), The University of Illinois at Chicago, Gallery 400, School of Art and Design (M/C 033), College of Architecture and the Arts, 400 South Peoria Street, Chicago, IL 60607-7034, U.S.A. Search for other works by this author on: This Site Google Scholar Hannah Higgins Hannah Higgins (educator), The University of Illinois at Chicago, Gallery 400, School of Art and Design (M/C 033), Col…
Horizons
Written for the lay reader as well as for academic literary theorists, this book bridges the gulf between the artistic avant-garde in music, visual arts, and experimental literature and the general public. Higgins delves into multiple areas, but here is an example of one kind of poem he works with: those pieces that move like thisthose pieces i say are snowflakes i saythose pieces that move like thisthose piecesAlong with many other artistsJohn C…
The Origin of Happening
A Dialectic of Centuries
Horizons
Written for the lay reader as well as for academic literary theorists, this book bridges the gulf between the artistic avant-garde in music, visual arts, and experimental literature and the general public. Higgins delves into multiple areas, but here is an example of one kind of poem he works with: those pieces that move like thisthose pieces i say are snowflakes i saythose pieces that move like thisthose piecesAlong with many other artistsJohn C…
Pattern Poetry as Paradigm
From roughly the eighteenth century until the 1970s, pattern poetry, that is, poetry in which a visual image is formed by the placement of words or letters, when it received any attention at all, was strongly under attack by almost all critics and observers. This was not because of its mimesis, since until the early twentieth century most visual art was itself mimetic. Rather, the feeling was that the pattern poem was intermedial, that it lay con…
Ages of the Avant-Garde
Bonnie Marranca, Meredith Monk, Richard Foreman, Carolee Schneemann, Maria Irene Fornes, Deborah Jowitt, Deborah Hay, Rachel Rosenthal, Jill Johnston, Kenneth Bernard, Yvonne Rainer, Jean-Claude van Itallie, Dick Higgins, Richard Kostelanetz, Judith Malina, Joyce Aaron, Herbert Blau, Anna Halprin, Barbara Hammer, Rosalyn Drexler, Rochelle Owens, Allan Kaprow, Ages of the Avant-Garde, Performing Arts Journal, Vol. 16, No. 1, Bodies of Work (Jan., …
X (Kostelanetz + Cage)
Intermedia
February 01 2001 Intermedia Dick Higgins, Dick Higgins (1938-1998), The University of Illinois at Chicago, Gallery 400, School of Art and Design (M/C 033), College of Architecture and the Arts, 400 South Peoria Street, Chicago, IL 60607-7034, U.S.A. Search for other works by this author on: This Site Google Scholar Hannah Higgins Hannah Higgins (educator), The University of Illinois at Chicago, Gallery 400, School of Art and Design (M/C 033), Col…
Art history (4 works) · Art (3 works) · History (3 works) · Aesthetics (2 works) · Literature (2 works) · Philosophy (2 works) · Poetry (2 works) · Poetry Analysis and Criticism (2 works) · The arts (2 works) · Visual arts (2 works)