Antoinette Lafarge
Biographic Data
| ID | 3848263 |
|---|---|
| NAME | Antoinette Lafarge |
| GIVEN NAMES | Antoinette |
| FAMILY NAME | Lafarge |
| SIGNATURE | LAFARGE A |
| AFFILIATIONS | Department of Studio Art University of California, Irvine Irvine, CA 92697, U.S.A. E-mail: <> |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 1 |
Media Commedia
The authors discuss what they term “media commedia”: performance works melding comedic performance traditions with new media technologies. They focus on The Roman Forum Project, a series of mixed-reality performance projects they produced whose subject is contemporary American politics and media as seen through the eyes of ancient Romans. They discuss the developing relationship between the Internet and public discourse; their use of avatars to e…
Shift-CTRL
February 01 2002 SHIFT-CTRL Antoinette Lafarge, Antoinette Lafarge Department of Studio Art University of California, Irvine Irvine, CA 92697, U.S.A. E-mail: [email protected] Search for other works by this author on: This Site Google Scholar Robert Nideffer, Robert Nideffer 2127 Glendon Avenue Los Angeles, CA 90025, U.S.A. E-mail: [email protected] Search for other works by this author on: This Site Google Scholar Natalie Bookchin, Natalie Bookchi…
The Bearded Lady and the Shaven Man
THE AUTHOR CONSIDERS THE MONA LISA AS A MAJOR SITE of artistic investigations of gender and identity. Specifically, she analyzes the symbiotic relationship between two landmark reinventions of the Mona Lisa: first, Marcel Duchamp’s notorious L.H.O.O.Q. (Mona-Lisa-with-a-mustache), and second, Lillian Schwartz’s pioneering use of computers to demonstrate that the main model for the Mona Lisa was Leonardo himself. Both L.H.O.O.Q. and Schwartz’s Mon…
A World Exhilarating and Wrong
IN 1994, THE AUTHOR BEGAN USING THE MULTI-USER ENVIRONMENTS known as MOOs as a type of performance space or online theater. Technically, MOOs are a form of computer software and database accessible by multiple users via the Internet. Practically, however, users experience MOOs as a form of shared fiction that they create and inhabit simultaneously. The drama unfolds as text into a unique form of verbal theater with its own rules of structure and …
The Bearded Lady and the Shaven Man
THE AUTHOR CONSIDERS THE MONA LISA AS A MAJOR SITE of artistic investigations of gender and identity. Specifically, she analyzes the symbiotic relationship between two landmark reinventions of the Mona Lisa: first, Marcel Duchamp’s notorious L.H.O.O.Q. (Mona-Lisa-with-a-mustache), and second, Lillian Schwartz’s pioneering use of computers to demonstrate that the main model for the Mona Lisa was Leonardo himself. Both L.H.O.O.Q. and Schwartz’s Mon…
A World Exhilarating and Wrong
IN 1994, THE AUTHOR BEGAN USING THE MULTI-USER ENVIRONMENTS known as MOOs as a type of performance space or online theater. Technically, MOOs are a form of computer software and database accessible by multiple users via the Internet. Practically, however, users experience MOOs as a form of shared fiction that they create and inhabit simultaneously. The drama unfolds as text into a unique form of verbal theater with its own rules of structure and …
The Bearded Lady and the Shaven Man
THE AUTHOR CONSIDERS THE MONA LISA AS A MAJOR SITE of artistic investigations of gender and identity. Specifically, she analyzes the symbiotic relationship between two landmark reinventions of the Mona Lisa: first, Marcel Duchamp’s notorious L.H.O.O.Q. (Mona-Lisa-with-a-mustache), and second, Lillian Schwartz’s pioneering use of computers to demonstrate that the main model for the Mona Lisa was Leonardo himself. Both L.H.O.O.Q. and Schwartz’s Mon…
Shift-CTRL
February 01 2002 SHIFT-CTRL Antoinette Lafarge, Antoinette Lafarge Department of Studio Art University of California, Irvine Irvine, CA 92697, U.S.A. E-mail: [email protected] Search for other works by this author on: This Site Google Scholar Robert Nideffer, Robert Nideffer 2127 Glendon Avenue Los Angeles, CA 90025, U.S.A. E-mail: [email protected] Search for other works by this author on: This Site Google Scholar Natalie Bookchin, Natalie Bookchi…
Media Commedia
The authors discuss what they term “media commedia”: performance works melding comedic performance traditions with new media technologies. They focus on The Roman Forum Project, a series of mixed-reality performance projects they produced whose subject is contemporary American politics and media as seen through the eyes of ancient Romans. They discuss the developing relationship between the Internet and public discourse; their use of avatars to e…
Art (4 works) · Visual arts (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Improvisation (2 works) · The Internet (2 works) · World Wide Web (2 works) · Aesthetic Perception and Analysis (1 work) · Ancient history (1 work) · Archaeology (1 work)