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Dave Harker

Biographic Data

ID384867
NAMEDave Harker
GIVEN NAMESDave
FAMILY NAMEHarker
SIGNATUREHARKER D
AFFILIATIONSCenter for Whale Research
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS46
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2007
H-INDEX4
  • The Black Bear Hunt in New Jersey: A Constructionist Analysis of an Intractable Conflict

    Dave Harker, Diane Bates et al.•ARTICLE•Society and Animals•2007•Cited by: 8

    The black bear hunt in New Jersey represents a symbolic clash of understandings about how human beings should live with nonhuman animals who typify intractable conflicts involving potentially dangerous mammals. Manifest and latent content analysis of newspaper editorial materials—written over a 10-year period, ending in 2005—document 2 findings. First, hunt supporters and opponents promote specific constructions of bears, hunters, and other actor…

  • The wonderful world of Ifpi: Music Industry Rhetoric, the Critics and the Classical Marxist Critique

    Open Access•Dave Harker•ARTICLE•Popular Music•1997•Cited by: 5•References: 4

    Serious students of popular music and song are rightly curious about the workings of the music business; but when we try to find out about how the industry works, even in terms of economics, we find that virtually all the empirical data comes from internal sources, from the International Federation of Phonographic Industries (IFPI), or from affiliates such as the British Phonographic Industries (BPI) and the Recording Industry Association of Amer…

  • Debate: Taking fun seriously

    Open Access•Dave Harker•ARTICLE•Popular Music•1996•Cited by: 2•References: 11

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Folk Protest and Political Music in the United States

    David King Dunaway, Robin Denselow et al.•ARTICLE•Journal of American Folklore•1992

  • The Price You Pay: An Introduction to the Life and Songs of Laurence Price

    Open Access•Dave Harker•ARTICLE•The Sociological Review•1986•References: 5

  • Corvan: A Victorian Entertainer and His Songs

    Open Access•Dave Harker•ARTICLE•Popular Music•1984•Cited by: 3

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • One for the Money: Politics and Popular Song

    Avron White, Dave Harker•ARTICLE•British Journal of Sociology•1983•Cited by: 21

  • May Cecil Sharp be praised

    Dave Harker•ARTICLE•History Workshop Journal•1982•Cited by: 2

    May Cecil Sharp be praised? Get access Dave Harker Dave Harker Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 14, Issue 1, AUTUMN 1982, Pages 45–62, https://doi.org/10.1093/hwj/14.1.45 Published: 01 October 1982

  • The making of the Tyneside concert hall

    Open Access•Dave Harker•ARTICLE•Popular Music•1981•Cited by: 5•References: 1

    If the North East is typical of other English regions, then the following propositions will have to be severely modified or given up: that there was a distinct 'break' between pre-industrial and industrial workers' culture; that concert hall was a London phenomenon; that it originated mainly from petit-bourgeois 'free-and-eases'; and that it reached its peak in Edwardian England, as music hall. Further, I will contend that 'leisure' and 'work' ca…

  • One for the Money: Politics and Popular Song

    Avron White, Dave Harker•ARTICLE•British Journal of Sociology•1983•Cited by: 21

  • The Black Bear Hunt in New Jersey: A Constructionist Analysis of an Intractable Conflict

    Dave Harker, Diane Bates et al.•ARTICLE•Society and Animals•2007•Cited by: 8

    The black bear hunt in New Jersey represents a symbolic clash of understandings about how human beings should live with nonhuman animals who typify intractable conflicts involving potentially dangerous mammals. Manifest and latent content analysis of newspaper editorial materials—written over a 10-year period, ending in 2005—document 2 findings. First, hunt supporters and opponents promote specific constructions of bears, hunters, and other actor…

  • The wonderful world of Ifpi: Music Industry Rhetoric, the Critics and the Classical Marxist Critique

    Open Access•Dave Harker•ARTICLE•Popular Music•1997•Cited by: 5•References: 4

    Serious students of popular music and song are rightly curious about the workings of the music business; but when we try to find out about how the industry works, even in terms of economics, we find that virtually all the empirical data comes from internal sources, from the International Federation of Phonographic Industries (IFPI), or from affiliates such as the British Phonographic Industries (BPI) and the Recording Industry Association of Amer…

  • The making of the Tyneside concert hall

    Open Access•Dave Harker•ARTICLE•Popular Music•1981•Cited by: 5•References: 1

    If the North East is typical of other English regions, then the following propositions will have to be severely modified or given up: that there was a distinct 'break' between pre-industrial and industrial workers' culture; that concert hall was a London phenomenon; that it originated mainly from petit-bourgeois 'free-and-eases'; and that it reached its peak in Edwardian England, as music hall. Further, I will contend that 'leisure' and 'work' ca…

  • Corvan: A Victorian Entertainer and His Songs

    Open Access•Dave Harker•ARTICLE•Popular Music•1984•Cited by: 3

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Debate: Taking fun seriously

    Open Access•Dave Harker•ARTICLE•Popular Music•1996•Cited by: 2•References: 11

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • May Cecil Sharp be praised

    Dave Harker•ARTICLE•History Workshop Journal•1982•Cited by: 2

    May Cecil Sharp be praised? Get access Dave Harker Dave Harker Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 14, Issue 1, AUTUMN 1982, Pages 45–62, https://doi.org/10.1093/hwj/14.1.45 Published: 01 October 1982

  • The making of the Tyneside concert hall

    Open Access•Dave Harker•ARTICLE•Popular Music•1981•Cited by: 5•References: 1

    If the North East is typical of other English regions, then the following propositions will have to be severely modified or given up: that there was a distinct 'break' between pre-industrial and industrial workers' culture; that concert hall was a London phenomenon; that it originated mainly from petit-bourgeois 'free-and-eases'; and that it reached its peak in Edwardian England, as music hall. Further, I will contend that 'leisure' and 'work' ca…

  • May Cecil Sharp be praised

    Dave Harker•ARTICLE•History Workshop Journal•1982•Cited by: 2

    May Cecil Sharp be praised? Get access Dave Harker Dave Harker Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 14, Issue 1, AUTUMN 1982, Pages 45–62, https://doi.org/10.1093/hwj/14.1.45 Published: 01 October 1982

  • One for the Money: Politics and Popular Song

    Avron White, Dave Harker•ARTICLE•British Journal of Sociology•1983•Cited by: 21

  • Corvan: A Victorian Entertainer and His Songs

    Open Access•Dave Harker•ARTICLE•Popular Music•1984•Cited by: 3

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Price You Pay: An Introduction to the Life and Songs of Laurence Price

    Open Access•Dave Harker•ARTICLE•The Sociological Review•1986•References: 5

  • Folk Protest and Political Music in the United States

    David King Dunaway, Robin Denselow et al.•ARTICLE•Journal of American Folklore•1992

  • Debate: Taking fun seriously

    Open Access•Dave Harker•ARTICLE•Popular Music•1996•Cited by: 2•References: 11

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The wonderful world of Ifpi: Music Industry Rhetoric, the Critics and the Classical Marxist Critique

    Open Access•Dave Harker•ARTICLE•Popular Music•1997•Cited by: 5•References: 4

    Serious students of popular music and song are rightly curious about the workings of the music business; but when we try to find out about how the industry works, even in terms of economics, we find that virtually all the empirical data comes from internal sources, from the International Federation of Phonographic Industries (IFPI), or from affiliates such as the British Phonographic Industries (BPI) and the Recording Industry Association of Amer…

  • The Black Bear Hunt in New Jersey: A Constructionist Analysis of an Intractable Conflict

    Dave Harker, Diane Bates et al.•ARTICLE•Society and Animals•2007•Cited by: 8

    The black bear hunt in New Jersey represents a symbolic clash of understandings about how human beings should live with nonhuman animals who typify intractable conflicts involving potentially dangerous mammals. Manifest and latent content analysis of newspaper editorial materials—written over a 10-year period, ending in 2005—document 2 findings. First, hunt supporters and opponents promote specific constructions of bears, hunters, and other actor…

Art (8 works) · History (6 works) · History (4 works) · Political science (4 works) · Politics (4 works) · Sociology (4 works) · Diverse Musicological Studies (3 works) · Economics (3 works) · Law (3 works) · Law (3 works)

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