Alan Lee
Biographic Data
| ID | 3849093 |
|---|---|
| NAME | Alan Lee |
| GIVEN NAMES | Alan |
| FAMILY NAME | Lee |
| SIGNATURE | LEE A |
| AFFILIATIONS | Flinders University Australia |
| ORCID | 0000-0002-8820-7836 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Skepticism about Modern Art
From the earliest days of abstract and nonobjective art, there have been no widely accepted criteria by which to judge the value or significance of innovation. Only in the visual arts has radical experimentation become the mainstream of creative endeavor, a condition that makes the vocational education of visual artists problematic. The philosopher’s institutional theory stands to describe this condition, but, because it is not a generative theor…
Kandinsky's Teaching at the Bauhaus
Colour
A book for anyone interested in either colour or the primary/secondary quality distinction. What do we mean when we talk about colour? Why can't there be brown light or anything transparent white? Why can green be bluish but not reddish? These puzzle propositions from Wittgenstein's Remarks on Colour are, for the first time, subjected to a detailed examination in an investigation that brings together philosophy, phenomenology, psychology and phys…
Seurat and Science
A Critical Account of Some of Joseph Albers' Concepts of Color
A Critical Account of Some of Josef Albers' Concepts of Color
Joseph Albers’ book Interaction of Color is widely influential but, according to Lee, has not received close critical attention. Lee undertakes to refute Albers’ general claims about colour experience (that colour deceives continually) and to show that Albers’ system of perceptual education is fundamentally misleading (Albers ‘places practice before theory’). Four topics in Albers’ account of colour are examined critically: additive and subtracti…
A Critical Account of Some of Josef Albers' Concepts of Color
Joseph Albers’ book Interaction of Color is widely influential but, according to Lee, has not received close critical attention. Lee undertakes to refute Albers’ general claims about colour experience (that colour deceives continually) and to show that Albers’ system of perceptual education is fundamentally misleading (Albers ‘places practice before theory’). Four topics in Albers’ account of colour are examined critically: additive and subtracti…
A Critical Account of Some of Josef Albers' Concepts of Color
Joseph Albers’ book Interaction of Color is widely influential but, according to Lee, has not received close critical attention. Lee undertakes to refute Albers’ general claims about colour experience (that colour deceives continually) and to show that Albers’ system of perceptual education is fundamentally misleading (Albers ‘places practice before theory’). Four topics in Albers’ account of colour are examined critically: additive and subtracti…
A Critical Account of Some of Joseph Albers' Concepts of Color
Seurat and Science
Colour
A book for anyone interested in either colour or the primary/secondary quality distinction. What do we mean when we talk about colour? Why can't there be brown light or anything transparent white? Why can green be bluish but not reddish? These puzzle propositions from Wittgenstein's Remarks on Colour are, for the first time, subjected to a detailed examination in an investigation that brings together philosophy, phenomenology, psychology and phys…
Kandinsky's Teaching at the Bauhaus
Skepticism about Modern Art
From the earliest days of abstract and nonobjective art, there have been no widely accepted criteria by which to judge the value or significance of innovation. Only in the visual arts has radical experimentation become the mainstream of creative endeavor, a condition that makes the vocational education of visual artists problematic. The philosopher’s institutional theory stands to describe this condition, but, because it is not a generative theor…
Art (4 works) · Color perception and design (4 works) · Visual arts (4 works) · Aesthetic Perception and Analysis (3 works) · Aesthetics (3 works) · Art history (3 works) · Computer Science (3 works) · Epistemology (3 works) · Philosophy (3 works) · History (2 works)