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T’ai Smith

Biographic Data

ID3849200
NAMET’ai Smith
GIVEN NAMEST’ai
FAMILY NAMESmith
SIGNATURESMITH T
AFFILIATIONST’ai Smith, Department of Art History, Visual Art and Theory, University of British Columbia. Email: [email protected].
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS7
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2021
H-INDEX2
  • Crypto Art: A Decentralized View

    Massimo Franceschet, Giovanni Colavizza et al.•ARTICLE•Leonardo•2021•Cited by: 2

    Crypto art is limited-edition digital art, cryptographically registered with a token on a blockchain. Tokens represent a transparent, auditable origin and provenance for a piece of digital art. Blockchain technology allows tokens to be held and securely traded without the involvement of third parties. Crypto art draws its origins from conceptual art-sharing the immaterial and distributive nature of artworks, the tight blending of artworks with cu…

  • On Weaving: New Expanded Edition

    Anni Albers, Manuel Cirauqui et al.•BOOK•On Weaving•2017

  • Limits of the Tactile and the Optical: Bauhaus Fabric in the Frame of Photography

    T’ai Smith•ARTICLE•Grey Room•2006•Cited by: 5•References: 1

    October 01 2006 Limits of the Tactile and the Optical: Bauhaus Fabric in the Frame of Photography T'ai Smith T'ai Smith Search for other works by this author on: This Site Google Scholar Author and Article Information T'ai Smith Online ISSN: 1536-0105 Print ISSN: 1526-3819 © 2006 by Grey Room, Inc. and the Massachusetts Institute of Technology.2006 Grey Room (2006) (25): 6–31. https://doi.org/10.1162/grey.2006.1.25.6 Cite Icon Cite Permissions Sh…

  • Limits of the Tactile and the Optical: Bauhaus Fabric in the Frame of Photography

    T’ai Smith•ARTICLE•Grey Room•2006•Cited by: 5•References: 1

    October 01 2006 Limits of the Tactile and the Optical: Bauhaus Fabric in the Frame of Photography T'ai Smith T'ai Smith Search for other works by this author on: This Site Google Scholar Author and Article Information T'ai Smith Online ISSN: 1536-0105 Print ISSN: 1526-3819 © 2006 by Grey Room, Inc. and the Massachusetts Institute of Technology.2006 Grey Room (2006) (25): 6–31. https://doi.org/10.1162/grey.2006.1.25.6 Cite Icon Cite Permissions Sh…

  • Crypto Art: A Decentralized View

    Massimo Franceschet, Giovanni Colavizza et al.•ARTICLE•Leonardo•2021•Cited by: 2

    Crypto art is limited-edition digital art, cryptographically registered with a token on a blockchain. Tokens represent a transparent, auditable origin and provenance for a piece of digital art. Blockchain technology allows tokens to be held and securely traded without the involvement of third parties. Crypto art draws its origins from conceptual art-sharing the immaterial and distributive nature of artworks, the tight blending of artworks with cu…

  • Limits of the Tactile and the Optical: Bauhaus Fabric in the Frame of Photography

    T’ai Smith•ARTICLE•Grey Room•2006•Cited by: 5•References: 1

    October 01 2006 Limits of the Tactile and the Optical: Bauhaus Fabric in the Frame of Photography T'ai Smith T'ai Smith Search for other works by this author on: This Site Google Scholar Author and Article Information T'ai Smith Online ISSN: 1536-0105 Print ISSN: 1526-3819 © 2006 by Grey Room, Inc. and the Massachusetts Institute of Technology.2006 Grey Room (2006) (25): 6–31. https://doi.org/10.1162/grey.2006.1.25.6 Cite Icon Cite Permissions Sh…

  • On Weaving: New Expanded Edition

    Anni Albers, Manuel Cirauqui et al.•BOOK•On Weaving•2017

  • Crypto Art: A Decentralized View

    Massimo Franceschet, Giovanni Colavizza et al.•ARTICLE•Leonardo•2021•Cited by: 2

    Crypto art is limited-edition digital art, cryptographically registered with a token on a blockchain. Tokens represent a transparent, auditable origin and provenance for a piece of digital art. Blockchain technology allows tokens to be held and securely traded without the involvement of third parties. Crypto art draws its origins from conceptual art-sharing the immaterial and distributive nature of artworks, the tight blending of artworks with cu…

Computer Science (3 works) · Art (2 works) · Artificial Intelligence (2 works) · Visual arts (2 works) · Architecture and Computational Design (1 works) · Art (1 works) · Art History and Market Analysis (1 works) · Art, Politics, and Modernism (1 works) · Art, Technology, and Culture (1 works) · Artificial Intelligence (1 works)

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