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Geoffrey Poole

Biographic Data

ID3850527
NAMEGeoffrey Poole
GIVEN NAMESGeoffrey
FAMILY NAMEPoole
SIGNATUREPOOLE G
AFFILIATIONSNewcastle University
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS7
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2006
H-INDEX2
  • Virtual conceptual necessity’, feature-dissociation and the Saussurian legacy in generative grammar

    Open Access•Noel Burton-Roberts, Geoffrey Poole•ARTICLE•Journal of Linguistics•2006•Cited by: 3

    This paper is a critique of two foundational assumptions of generative work culminating in the Minimalist Program: the assumption that, as a matter of conceptual necessity, language has a ‘double-interface property’ and the related assumption that phonology has a realizational function with respect to syntax-semantics. The issues are broached through a critique of Holmberg's (2000) analysis of Stylistic Fronting in Icelandic. We show that, althou…

  • Syntax vs. phonology

    Open Access•Noel Burton-Roberts, Geoffrey Poole•ARTICLE•Lingua•2004•Cited by: 4•References: 2

  • Representing Minimalism

    Open Access•Geoffrey Poole•ARTICLE•Journal of Linguistics•2000

    Juan Uriagereka, Rhyme and reason . Cambridge, MA: MIT Press, 1998. Pp. xliii+669. In this wide-ranging and ambitious volume, Juan Uriagereka sets as his goal both a conceptual and a technical explication of Chomsky's Minimalist Program as well as the siting of it within the broader context of scientific inquiry into the nature of human beings and the natural world. Reintroducing an old rhetorical device into modern scientific discourse, the book…

  • Chris Collins, Local economy . Cambridge, MA

    Open Access•Geoffrey Poole•ARTICLE•Journal of Linguistics•1999

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Gauntlet Recovered

    Geoffrey C Poole, Geoffrey Poole•ARTICLE•The Musical Times•1995

  • Modern Piano

    Geoffrey C Poole, Geoffrey Poole•ARTICLE•The Musical Times•1982

  • American View

    Geoffrey C Poole, Geoffrey Poole et al.•ARTICLE•The Musical Times•1981

  • Piano

    Geoffrey C Poole, Geoffrey Poole et al.•ARTICLE•The Musical Times•1980

  • Piano

    Geoffrey C Poole, Geoffrey Poole•ARTICLE•The Musical Times•1979

  • Syntax vs. phonology

    Open Access•Noel Burton-Roberts, Geoffrey Poole•ARTICLE•Lingua•2004•Cited by: 4•References: 2

  • Virtual conceptual necessity’, feature-dissociation and the Saussurian legacy in generative grammar

    Open Access•Noel Burton-Roberts, Geoffrey Poole•ARTICLE•Journal of Linguistics•2006•Cited by: 3

    This paper is a critique of two foundational assumptions of generative work culminating in the Minimalist Program: the assumption that, as a matter of conceptual necessity, language has a ‘double-interface property’ and the related assumption that phonology has a realizational function with respect to syntax-semantics. The issues are broached through a critique of Holmberg's (2000) analysis of Stylistic Fronting in Icelandic. We show that, althou…

  • Piano

    Geoffrey C Poole, Geoffrey Poole•ARTICLE•The Musical Times•1979

  • Piano

    Geoffrey C Poole, Geoffrey Poole et al.•ARTICLE•The Musical Times•1980

  • American View

    Geoffrey C Poole, Geoffrey Poole et al.•ARTICLE•The Musical Times•1981

  • Modern Piano

    Geoffrey C Poole, Geoffrey Poole•ARTICLE•The Musical Times•1982

  • The Gauntlet Recovered

    Geoffrey C Poole, Geoffrey Poole•ARTICLE•The Musical Times•1995

  • Chris Collins, Local economy . Cambridge, MA

    Open Access•Geoffrey Poole•ARTICLE•Journal of Linguistics•1999

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Representing Minimalism

    Open Access•Geoffrey Poole•ARTICLE•Journal of Linguistics•2000

    Juan Uriagereka, Rhyme and reason . Cambridge, MA: MIT Press, 1998. Pp. xliii+669. In this wide-ranging and ambitious volume, Juan Uriagereka sets as his goal both a conceptual and a technical explication of Chomsky's Minimalist Program as well as the siting of it within the broader context of scientific inquiry into the nature of human beings and the natural world. Reintroducing an old rhetorical device into modern scientific discourse, the book…

  • Syntax vs. phonology

    Open Access•Noel Burton-Roberts, Geoffrey Poole•ARTICLE•Lingua•2004•Cited by: 4•References: 2

  • Virtual conceptual necessity’, feature-dissociation and the Saussurian legacy in generative grammar

    Open Access•Noel Burton-Roberts, Geoffrey Poole•ARTICLE•Journal of Linguistics•2006•Cited by: 3

    This paper is a critique of two foundational assumptions of generative work culminating in the Minimalist Program: the assumption that, as a matter of conceptual necessity, language has a ‘double-interface property’ and the related assumption that phonology has a realizational function with respect to syntax-semantics. The issues are broached through a critique of Holmberg's (2000) analysis of Stylistic Fronting in Icelandic. We show that, althou…

Art (4 works) · Philosophy (4 works) · Philosophy (4 works) · Art history (3 works) · Computer Science (3 works) · Diverse Musicological Studies (3 works) · Linguistics (3 works) · Music Technology and Sound Studies (3 works) · Piano (3 works) · Epistemology (2 works)

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