Amin Erfani
Biographic Data
| ID | 3852189 |
|---|---|
| NAME | Amin Erfani |
| GIVEN NAMES | Amin |
| FAMILY NAME | Erfani |
| SIGNATURE | ERFANI A |
| AFFILIATIONS | Emory University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Artaud’s Contagious Cries
.
L’Écriture et la mort
On a piece of paper, stored in one of the two suitcases that Jean Genet gave to his lawyer two weeks before his death—a testament to what he will not have published, and which will nevertheless be published by Albert Dichy thirty-four years after his death—Genet writes: “I committed the crime of escaping crime, of escaping prosecution and its risks. I said who I was, instead of living who I was, and saying who I was, I was no longer.” Through thi…
Secular Prayers
What are the aftereffects of a catastrophic event that does not intrude from the outside—as a natural disaster or terrorist attack—but is integral to a system broken from its foundation? In 1948, French Radio invited Jean Genet on the air to comment on the government’s new efforts to rehabilitate children in juvenile prisons. The radio quickly censured Genet, as it did Artaud a year prior. In the censured piece, “The Criminal Child,” Genet speaks…
Charles Baudelaire et le Théâtre du Mal
Artaud situe toujours son Théâtre de la Cruauté en-dehors du dispositif théâtral proprement dit ; de même la théâtralité de Baudelaire n'est pas théâtrale, pendant qu'elle est travaillée et travaille la question du Mal. Les Paradis artificiels permettent l'exploration de cette théâtralité sans théâtre dans le contexte d'un Mal saisi avant les questions de morale ou d'éthique
Secular Prayers
What are the aftereffects of a catastrophic event that does not intrude from the outside—as a natural disaster or terrorist attack—but is integral to a system broken from its foundation? In 1948, French Radio invited Jean Genet on the air to comment on the government’s new efforts to rehabilitate children in juvenile prisons. The radio quickly censured Genet, as it did Artaud a year prior. In the censured piece, “The Criminal Child,” Genet speaks…
Charles Baudelaire et le Théâtre du Mal
Artaud situe toujours son Théâtre de la Cruauté en-dehors du dispositif théâtral proprement dit ; de même la théâtralité de Baudelaire n'est pas théâtrale, pendant qu'elle est travaillée et travaille la question du Mal. Les Paradis artificiels permettent l'exploration de cette théâtralité sans théâtre dans le contexte d'un Mal saisi avant les questions de morale ou d'éthique
Secular Prayers
What are the aftereffects of a catastrophic event that does not intrude from the outside—as a natural disaster or terrorist attack—but is integral to a system broken from its foundation? In 1948, French Radio invited Jean Genet on the air to comment on the government’s new efforts to rehabilitate children in juvenile prisons. The radio quickly censured Genet, as it did Artaud a year prior. In the censured piece, “The Criminal Child,” Genet speaks…
Artaud’s Contagious Cries
.
L’Écriture et la mort
On a piece of paper, stored in one of the two suitcases that Jean Genet gave to his lawyer two weeks before his death—a testament to what he will not have published, and which will nevertheless be published by Albert Dichy thirty-four years after his death—Genet writes: “I committed the crime of escaping crime, of escaping prosecution and its risks. I said who I was, instead of living who I was, and saying who I was, I was no longer.” Through thi…
Art (3 works) · History (3 works) · Philosophy (3 works) · Sociology (3 works) · Criminology (2 works) · Cruelty (2 works) · History (2 works) · Humanities (2 works) · Law (2 works) · Law (2 works)