Carlos Morton
Biographic Data
| ID | 3852674 |
|---|---|
| NAME | Carlos Morton |
| GIVEN NAMES | Carlos |
| FAMILY NAME | Morton |
| SIGNATURE | MORTON C |
| AFFILIATIONS | University of California System |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1974 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Los Sinpadre
Los Sinpadre (título original Los Fatherless) es una obra inédita del reconocido dramaturgo chicano Carlos Morton, inspirada en un cuento del escritor Margarito Rodríguez. La versión original bilingüe, que trata sobre las pandillas juveniles de la zona fronteriza México-E.U.A., se estrenó en 1991 bajo la dirección de Cora Cardona en el Teatro Dallas (Texas). La versión que publicamos aquí, con permiso del dramaturgo, fue realizada en colaboración…
Corridos!! Ballads of the Borderlands (review)
Rewriting Southwestern History
Un viaje íntimo de la adolescencia a la madurez en la mente de un escritor de teatro chicano, al tiempo que utiliza experiencias personales, la historia, la mitología y eventos contemporáneos para reinventar su persona y para reescribir la historia del Suroeste de los Estados Unidos desde el punto de vista del hombre colonizado. Las remembranzas del autor Carlos Morton caen dentro del género autobiográfico, a medida que el artista lucha por encon…
Celebrating 500 Years of Mestizaje
Celebrating 500 Years of Mestizaje Get access Carlos Morton Carlos Morton Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 16, Issue 3, Fall 1989-1990, Pages 20–22, https://doi.org/10.2307/467560 Published: 01 September 1990
Los Vendidos
Nuyorican Theatre
Hector Rodriquez, at age thirteen, was considered a “hopeless incorrigible” by his teachers at a “600 School” for problem children in New York City. Rodriquez could not read or write, nor did he show the slightest inclination for mathematics or science. He spent his days playing hooky on Lower East Side street corners, or else he would go up to Times Square to hustle money. Rodriquez seemed destined to lead the life of the hundreds of other playe…
The Off-Center Theatre
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Teatro Campesino
Among the ancient Aztecs and Mayans, the sign of the serpent was often one of rebirth and transfiguration. So it is with the Mexican and Chicano of today—heirs of those moss-covered symbols etched on stone—who are using La Serpiente to signify change. Like the serpent that sheds its old skin, The Teatro Campesino of San Juan Bautista, California, is growing into a new way of life that revolves around the spiritual and material reconquest of their…
The Teatro Campesino
Among the ancient Aztecs and Mayans, the sign of the serpent was often one of rebirth and transfiguration. So it is with the Mexican and Chicano of today—heirs of those moss-covered symbols etched on stone—who are using La Serpiente to signify change. Like the serpent that sheds its old skin, The Teatro Campesino of San Juan Bautista, California, is growing into a new way of life that revolves around the spiritual and material reconquest of their…
The Teatro Campesino
Among the ancient Aztecs and Mayans, the sign of the serpent was often one of rebirth and transfiguration. So it is with the Mexican and Chicano of today—heirs of those moss-covered symbols etched on stone—who are using La Serpiente to signify change. Like the serpent that sheds its old skin, The Teatro Campesino of San Juan Bautista, California, is growing into a new way of life that revolves around the spiritual and material reconquest of their…
The Off-Center Theatre
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Nuyorican Theatre
Hector Rodriquez, at age thirteen, was considered a “hopeless incorrigible” by his teachers at a “600 School” for problem children in New York City. Rodriquez could not read or write, nor did he show the slightest inclination for mathematics or science. He spent his days playing hooky on Lower East Side street corners, or else he would go up to Times Square to hustle money. Rodriquez seemed destined to lead the life of the hundreds of other playe…
Celebrating 500 Years of Mestizaje
Celebrating 500 Years of Mestizaje Get access Carlos Morton Carlos Morton Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 16, Issue 3, Fall 1989-1990, Pages 20–22, https://doi.org/10.2307/467560 Published: 01 September 1990
Los Vendidos
Rewriting Southwestern History
Un viaje íntimo de la adolescencia a la madurez en la mente de un escritor de teatro chicano, al tiempo que utiliza experiencias personales, la historia, la mitología y eventos contemporáneos para reinventar su persona y para reescribir la historia del Suroeste de los Estados Unidos desde el punto de vista del hombre colonizado. Las remembranzas del autor Carlos Morton caen dentro del género autobiográfico, a medida que el artista lucha por encon…
Corridos!! Ballads of the Borderlands (review)
Los Sinpadre
Los Sinpadre (título original Los Fatherless) es una obra inédita del reconocido dramaturgo chicano Carlos Morton, inspirada en un cuento del escritor Margarito Rodríguez. La versión original bilingüe, que trata sobre las pandillas juveniles de la zona fronteriza México-E.U.A., se estrenó en 1991 bajo la dirección de Cora Cardona en el Teatro Dallas (Texas). La versión que publicamos aquí, con permiso del dramaturgo, fue realizada en colaboración…
Art (7 works) · History (4 works) · Latin American and Latino Studies (4 works) · History (3 works) · Humanities (3 works) · Center (category theory (2 works) · Computer Science (2 works) · Law (2 works) · Law (2 works) · Mathematics (2 works)