Margaret J King
Biographic Data
| ID | 3852810 |
|---|---|
| NAME | Margaret J King |
| GIVEN NAMES | Margaret J |
| FAMILY NAME | King |
| SIGNATURE | KING M J |
| AFFILIATIONS | University of Hawaii System |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 27 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 3 |
Themeatics
Since Disney Imagineering introduced the theme park in 1955, themeatics has ruled public space, becoming a mixed reality of virtual and nonvirtual, media and built design, as hyperreality. This “unified field theory” of the arts consolidates many styles and disciplines as mixed media, conferring meaning and engaging attention in immersive experiences that readily embody innovation. Through hyperreality, themeatics works as the dominant aesthetic …
Deep Culture
Walt Disney
The Audience in the Wilderness
(1996). The Audience in the Wilderness: The Disney Nature Films. Journal of Popular Film and Television: Vol. 24, Walt Disney, pp. 60-68
Feminism and the humanities year at the humanities research centre, ANU
Fear of Flying
Commentary
The New American Muse
Disneyland and Walt Disney World
The Disney parks—Disneyland in California and Walt Disney World in Florida—presented a radical refinement and departure from the traditions of the amusement park: the theme park. Designed for the values of long distance travel, suburban lifestyle, family life, the major vacation excursion, and the new visual culture of telecommunications, these places have grown to attain the status of national popular culture capitals. Because of their importanc…
Empires of Popular Culture
Judaism for the Millions
Margaret J. King, Sheldon J. Hersninow; Judaism for the Millions: Harry Kemelman’s “Rabbi Books”, MELUS, Volume 5, Issue 4, 1 December 1978, Pages 83–93, h
Disneyland and Walt Disney World
The Disney parks—Disneyland in California and Walt Disney World in Florida—presented a radical refinement and departure from the traditions of the amusement park: the theme park. Designed for the values of long distance travel, suburban lifestyle, family life, the major vacation excursion, and the new visual culture of telecommunications, these places have grown to attain the status of national popular culture capitals. Because of their importanc…
The Audience in the Wilderness
(1996). The Audience in the Wilderness: The Disney Nature Films. Journal of Popular Film and Television: Vol. 24, Walt Disney, pp. 60-68
The New American Muse
Judaism for the Millions
Margaret J. King, Sheldon J. Hersninow; Judaism for the Millions: Harry Kemelman’s “Rabbi Books”, MELUS, Volume 5, Issue 4, 1 December 1978, Pages 83–93, h
Empires of Popular Culture
Judaism for the Millions
Margaret J. King, Sheldon J. Hersninow; Judaism for the Millions: Harry Kemelman’s “Rabbi Books”, MELUS, Volume 5, Issue 4, 1 December 1978, Pages 83–93, h
Commentary
The New American Muse
Disneyland and Walt Disney World
The Disney parks—Disneyland in California and Walt Disney World in Florida—presented a radical refinement and departure from the traditions of the amusement park: the theme park. Designed for the values of long distance travel, suburban lifestyle, family life, the major vacation excursion, and the new visual culture of telecommunications, these places have grown to attain the status of national popular culture capitals. Because of their importanc…
Fear of Flying
Feminism and the humanities year at the humanities research centre, ANU
The Audience in the Wilderness
(1996). The Audience in the Wilderness: The Disney Nature Films. Journal of Popular Film and Television: Vol. 24, Walt Disney, pp. 60-68
Walt Disney
Deep Culture
Themeatics
Since Disney Imagineering introduced the theme park in 1955, themeatics has ruled public space, becoming a mixed reality of virtual and nonvirtual, media and built design, as hyperreality. This “unified field theory” of the arts consolidates many styles and disciplines as mixed media, conferring meaning and engaging attention in immersive experiences that readily embody innovation. Through hyperreality, themeatics works as the dominant aesthetic …
Sociology (9 works) · Art (7 works) · Media studies (7 works) · History (6 works) · Computer Science (5 works) · Media, Gender, and Advertising (5 works) · Citation (4 works) · Library science (4 works) · Advertising (3 works) · Aesthetics (3 works)