Hans-Thies Lehmann
Biographic Data
| ID | 3852986 |
|---|---|
| NAME | Hans-Thies Lehmann |
| GIVEN NAMES | Hans-Thies |
| FAMILY NAME | Lehmann |
| SIGNATURE | LEHMANN H |
| AFFILIATIONS | Goethe University Frankfurt |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Teatro Pós-dramático, doze anos depois
Este texto faz um balanço dos doze anos de emergência da prática e do termo Pós-dramático e alguns de seus desdobramentos e questões para as artes cênicas. Discutem-se as mudanças pelas quais a cena contemporânea foi protagonista desde 1999 e, em consequência, as mudanças que devemos considerar ao ler e analisar o pós-dramático; entre elas, a ênfase no trabalho colaborativo; as novas relações entre teatro e sociedade; os usos do coro; a atenção à…
Lost in Translation
December 01 2008 Lost in Translation? Hans-Thies Lehmann, Hans-Thies Lehmann Search for other works by this author on: This Site Google Scholar Karen Jürs-Munby, Karen Jürs-Munby Search for other works by this author on: This Site Google Scholar Elinor Fuchs Elinor Fuchs Search for other works by this author on: This Site Google Scholar Author and Article Information Hans-Thies Lehmann Karen Jürs-Munby Elinor Fuchs Online Issn: 1531-4715 Print Is…
Postdramatic Theatre
Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence o…
Brechtblock
The poet-playwright speaks for himself, in German
Newness and Pleasure
By undertaking a close reading of the Mahagonny Songs, we can discern the troubled and complex relationship between capitalism, pleasure, desire, and violence
Arbeitsfelder der Theaterwissenschaft
Bertolt Brechts "Hauspostille". Text und kollektives Lesen
Bertolt Brechts "Hauspostille". Text und kollektives Lesen
Teatro Pós-dramático, doze anos depois
Este texto faz um balanço dos doze anos de emergência da prática e do termo Pós-dramático e alguns de seus desdobramentos e questões para as artes cênicas. Discutem-se as mudanças pelas quais a cena contemporânea foi protagonista desde 1999 e, em consequência, as mudanças que devemos considerar ao ler e analisar o pós-dramático; entre elas, a ênfase no trabalho colaborativo; as novas relações entre teatro e sociedade; os usos do coro; a atenção à…
Bertolt Brechts "Hauspostille". Text und kollektives Lesen
Bertolt Brechts "Hauspostille". Text und kollektives Lesen
Arbeitsfelder der Theaterwissenschaft
Brechtblock
The poet-playwright speaks for himself, in German
Newness and Pleasure
By undertaking a close reading of the Mahagonny Songs, we can discern the troubled and complex relationship between capitalism, pleasure, desire, and violence
Postdramatic Theatre
Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence o…
Lost in Translation
December 01 2008 Lost in Translation? Hans-Thies Lehmann, Hans-Thies Lehmann Search for other works by this author on: This Site Google Scholar Karen Jürs-Munby, Karen Jürs-Munby Search for other works by this author on: This Site Google Scholar Elinor Fuchs Elinor Fuchs Search for other works by this author on: This Site Google Scholar Author and Article Information Hans-Thies Lehmann Karen Jürs-Munby Elinor Fuchs Online Issn: 1531-4715 Print Is…
Teatro Pós-dramático, doze anos depois
Este texto faz um balanço dos doze anos de emergência da prática e do termo Pós-dramático e alguns de seus desdobramentos e questões para as artes cênicas. Discutem-se as mudanças pelas quais a cena contemporânea foi protagonista desde 1999 e, em consequência, as mudanças que devemos considerar ao ler e analisar o pós-dramático; entre elas, a ênfase no trabalho colaborativo; as novas relações entre teatro e sociedade; os usos do coro; a atenção à…
Art (7 works) · German Literature and Culture Studies (3 works) · Philosophy (3 works) · Psychology (3 works) · Theatre and Performance Studies (3 works) · Computer Science (2 works) · History (2 works) · History (2 works) · Kierkegaardian Philosophy and Influence (2 works) · Linguistics (2 works)