Eugenio Donato
Biographic Data
| ID | 3853120 |
|---|---|
| NAME | Eugenio Donato |
| GIVEN NAMES | Eugenio |
| FAMILY NAME | Donato |
| SIGNATURE | DONATO E |
| AFFILIATIONS | University of Messina |
| VERIFIED | No |
| TOTAL WORKS | 23 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 23 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1963 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Combined Methodologies for the Survey and Documentation of Historical Buildings
In the last few years, new technologies have become indispensable tools for specialists in the field of cultural heritage for the analysis, reconstruction and interpretation of data but also for promotion of artefacts or buildings sometimes inaccessible or in a bad state of conservation. The discipline of geomatics offer many opportunities and solutions for integrated digital surveys and the documentation of heritage (point-based methods, image-b…
Death and the Critic
The Script of Decadence
The Language of Movies and Antonioni's Double Vision
Ending/Closure
The Writ of the Eye
"Who Signs "Flaubert
It seems to me that with regard to my situation you suffer from a tic or a redhibitory vice. It does not bother me, have no fear of that. I have long since made up my mind on the matters you mention. I will merely tell you that all the words you use-hurry, this is the moment, it is now time, your place will be taken, establish yourself and outside the laware for me a vocabulary empty of meaning. It is as if you were speaking to an Algonquin-I don…
Qui Signe 'Flaubert
Tu me parais avoir a mon endroit un tic ou vice redhibitoire. II ne m'embete pas, n'aie aucune crainte. Mon parti est pris la-dessus depuis longtemps. Je te dirai seulement que tous ces mots se dpe^cher, c'est le moment, il est temps, place prise, se poser et hors la loi sont pour moi un vocabulaire vide de sens. C'est comme si tu parlais a un Algonquin.-Comprends pas. Arriver, a quoi? . . . Etre connu n'est pas ma principale affaire.1
Historical Imagination and the Idioms of Criticism for Edward Said
Eugenio Donato, Historical Imagination and the Idioms of Criticism for Edward Said, boundary 2, Vol. 8, No. 1, The Problems of Reading in Contemporary American Criticism: A Symposium (Autumn, 1979), pp. 39-56
The Ruins of Memory
Topographies of Memory
If a literary text is by necessity a representation, then all theories of literature, whether they postulate the function of literature to be the mimetic representation of a non-textual reality or, within the broader context of intertextuality, the repetition, displacement, or reinscription of purely 'textual' entities, necessarily associate with each text a 'memory.' The representative function of the text is essentially bound to such a 'memory,…
"Here, Now"/"Always Already"
Flaubert and the Question of History
The Structuralist Controversy
Levi-Strauss and the Protocols of Distance
Structuralism
Critical concepts especially if they end in ism rarely have uneventful lives. More often than not their appearance is sudden and surrounded by an atmosphere of crisis, then, when one thinks they are well established they disappear from the intellectual scene unobtrusively before running the full course of their projected promises leaving behind a trail of surprised commentaries. In this respect Structuralism is no exception. For a very short time…
The Structuralist Controversy
The Shape of Fiction
Language, Vision, and Phenomenology
Of Structuralism and Literature
Tristes Tropiques
Death and History in Poliziano's Stanze
Poliziano's literary renown presents something of a paradox; his poetical output is scarce, his main poem left unfinished; one should add that his poetical experience (striving toward light, highly stylized verses almost frozen in the purity of their form) is not easy to reconcile with his humanistic output. The more successful attempts at understanding Poliziano's total literary work-as for example that of Garin 1-have looked at the poet through…
Tesauro's Poetics
The literary quarrel that followed the publication of Marino's Adone brought into sharp focus the discrepancy between the taste of the period and its poetical theories which had not evolved so rapidly. Yet in no sense could the theoreticians have disregarded the work, so obvious was Marino's break with that literary tradition rooted in the Aristotelian poetics of the cinquecento. Sixteenth century Italian poetical theory was primarily concerned w…
Combined Methodologies for the Survey and Documentation of Historical Buildings
In the last few years, new technologies have become indispensable tools for specialists in the field of cultural heritage for the analysis, reconstruction and interpretation of data but also for promotion of artefacts or buildings sometimes inaccessible or in a bad state of conservation. The discipline of geomatics offer many opportunities and solutions for integrated digital surveys and the documentation of heritage (point-based methods, image-b…
Flaubert and the Question of History
Structuralism
Critical concepts especially if they end in ism rarely have uneventful lives. More often than not their appearance is sudden and surrounded by an atmosphere of crisis, then, when one thinks they are well established they disappear from the intellectual scene unobtrusively before running the full course of their projected promises leaving behind a trail of surprised commentaries. In this respect Structuralism is no exception. For a very short time…
Tesauro's Poetics
The literary quarrel that followed the publication of Marino's Adone brought into sharp focus the discrepancy between the taste of the period and its poetical theories which had not evolved so rapidly. Yet in no sense could the theoreticians have disregarded the work, so obvious was Marino's break with that literary tradition rooted in the Aristotelian poetics of the cinquecento. Sixteenth century Italian poetical theory was primarily concerned w…
Death and History in Poliziano's Stanze
Poliziano's literary renown presents something of a paradox; his poetical output is scarce, his main poem left unfinished; one should add that his poetical experience (striving toward light, highly stylized verses almost frozen in the purity of their form) is not easy to reconcile with his humanistic output. The more successful attempts at understanding Poliziano's total literary work-as for example that of Garin 1-have looked at the poet through…
Tristes Tropiques
Of Structuralism and Literature
Language, Vision, and Phenomenology
The Structuralist Controversy
The Shape of Fiction
Structuralism
Critical concepts especially if they end in ism rarely have uneventful lives. More often than not their appearance is sudden and surrounded by an atmosphere of crisis, then, when one thinks they are well established they disappear from the intellectual scene unobtrusively before running the full course of their projected promises leaving behind a trail of surprised commentaries. In this respect Structuralism is no exception. For a very short time…
The Structuralist Controversy
Levi-Strauss and the Protocols of Distance
"Here, Now"/"Always Already"
Flaubert and the Question of History
The Ruins of Memory
Topographies of Memory
If a literary text is by necessity a representation, then all theories of literature, whether they postulate the function of literature to be the mimetic representation of a non-textual reality or, within the broader context of intertextuality, the repetition, displacement, or reinscription of purely 'textual' entities, necessarily associate with each text a 'memory.' The representative function of the text is essentially bound to such a 'memory,…
Historical Imagination and the Idioms of Criticism for Edward Said
Eugenio Donato, Historical Imagination and the Idioms of Criticism for Edward Said, boundary 2, Vol. 8, No. 1, The Problems of Reading in Contemporary American Criticism: A Symposium (Autumn, 1979), pp. 39-56
Qui Signe 'Flaubert
Tu me parais avoir a mon endroit un tic ou vice redhibitoire. II ne m'embete pas, n'aie aucune crainte. Mon parti est pris la-dessus depuis longtemps. Je te dirai seulement que tous ces mots se dpe^cher, c'est le moment, il est temps, place prise, se poser et hors la loi sont pour moi un vocabulaire vide de sens. C'est comme si tu parlais a un Algonquin.-Comprends pas. Arriver, a quoi? . . . Etre connu n'est pas ma principale affaire.1
Ending/Closure
The Writ of the Eye
"Who Signs "Flaubert
It seems to me that with regard to my situation you suffer from a tic or a redhibitory vice. It does not bother me, have no fear of that. I have long since made up my mind on the matters you mention. I will merely tell you that all the words you use-hurry, this is the moment, it is now time, your place will be taken, establish yourself and outside the laware for me a vocabulary empty of meaning. It is as if you were speaking to an Algonquin-I don…
The Language of Movies and Antonioni's Double Vision
The Script of Decadence
Death and the Critic
Combined Methodologies for the Survey and Documentation of Historical Buildings
In the last few years, new technologies have become indispensable tools for specialists in the field of cultural heritage for the analysis, reconstruction and interpretation of data but also for promotion of artefacts or buildings sometimes inaccessible or in a bad state of conservation. The discipline of geomatics offer many opportunities and solutions for integrated digital surveys and the documentation of heritage (point-based methods, image-b…
Philosophy (17 works) · Art (14 works) · History (8 works) · Literature (7 works) · Epistemology (6 works) · Linguistics (6 works) · Psychology (5 works) · French Literature and Criticism (3 works) · Historical and Literary Analyses (3 works) · Law (3 works)