Marc A Weiner
Biographic Data
| ID | 3853206 |
|---|---|
| NAME | Marc A Weiner |
| GIVEN NAMES | Marc A |
| FAMILY NAME | Weiner |
| SIGNATURE | WEINER M A |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1980 |
| LATEST PUBLICATION YEAR | 1997 |
| H-INDEX | 1 |
Wagner
Richard Wagner and the Anti-Semitic Imagination
Richard Wagner and the Anti-Semitic Imagination
Judge for Yourselves
Reading the Ideal
In a highly publicized interview at Columbia University in October 1995, Edward Said asked Daniel Barenboim to reflect upon the relationship between Wagner's well-known antisemitism and the makeup of his music dramas. It was Barenboim, after all, who had attempted, albeit unsuccessfully, to perform excerpts from Wagner's works with the Israeli Philharmonic and thus to break the ban on this music that had
Undertones of Insurrection
Urwaldmusik and the Borders of German Identity
To the popular imagination of the Weimar Republic, jazz functioned as an acoustical sign of national, social, racial, and sexual difference. Viewed within the cultural vocabulary of the time as fundamentally antithetical to German cultural traditions, the music both acted as an icon of non-German forces and provided an acoustical screen for the projection of fears regarding rapid and violent political and social change in postwar Germany. The tem…
Gerhart Hauptmann's "Die versunkene Glocke" and the Cultural Vocabulary of Pre-Fascist Germany
Zwieback and Madeleine
Zwieback and Madeleine
Gerhart Hauptmann's "Die versunkene Glocke" and the Cultural Vocabulary of Pre-Fascist Germany
Urwaldmusik and the Borders of German Identity
To the popular imagination of the Weimar Republic, jazz functioned as an acoustical sign of national, social, racial, and sexual difference. Viewed within the cultural vocabulary of the time as fundamentally antithetical to German cultural traditions, the music both acted as an icon of non-German forces and provided an acoustical screen for the projection of fears regarding rapid and violent political and social change in postwar Germany. The tem…
Undertones of Insurrection
Richard Wagner and the Anti-Semitic Imagination
Richard Wagner and the Anti-Semitic Imagination
Judge for Yourselves
Reading the Ideal
In a highly publicized interview at Columbia University in October 1995, Edward Said asked Daniel Barenboim to reflect upon the relationship between Wagner's well-known antisemitism and the makeup of his music dramas. It was Barenboim, after all, who had attempted, albeit unsuccessfully, to perform excerpts from Wagner's works with the Israeli Philharmonic and thus to break the ban on this music that had
Wagner
Art (6 works) · German Literature and Culture Studies (4 works) · History (4 works) · Linguistics (4 works) · Literature (4 works) · Musicology and Musical Analysis (4 works) · Philosophy (4 works) · Italian Fascism and Post-war Society (3 works) · Jewish and Middle Eastern Studies (3 works) · Aesthetics (2 works)