Phyllis Zuckerman
Biographic Data
| ID | 3853307 |
|---|---|
| NAME | Phyllis Zuckerman |
| GIVEN NAMES | Phyllis |
| FAMILY NAME | Zuckerman |
| SIGNATURE | ZUCKERMAN P |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 1978 |
| H-INDEX | 0 |
History, Fiction, and Legend in Nerval's Angelique
In Angelique Nerval presents two conceptions of history. In the first, history is like a painting or a spectacle, an object which can be transcended by a spectator. In the second, history is a system of signs which cannot be made into a totality or object for a transcendental subject. History is a cultural tradition-a system of symbolic differences-which in passing itself on from generation to generation erases itself and presents itself as natur…
Le poetique: Desbordes-Valmore et Nerval
Ideology and the Patriarchal Family: Nerval and Flora Tristan
In A Alexandre Nerval defines madness as the disappearance of a perspective from which comedy would be possible. The tone of this introduction seems to be ironic, and in it Nerval compares himself to a variety of writers, both comic and tragic, Ariosto, Crebillon fils, Scarron, Tasso, and Dante. But he distinguishes himself from his colleague and collaborator Dumas, for whom the interchangeability of history and fiction is a game. Nerval is drive…
Comedy, Tragedy, and Madness in Nerval's Roman Tragique
Stendhal: Fiction and the Themes of Freedom
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Stendhal: Fiction and the Themes of Freedom
Comedy, Tragedy, and Madness in Nerval's Roman Tragique
Ideology and the Patriarchal Family: Nerval and Flora Tristan
In A Alexandre Nerval defines madness as the disappearance of a perspective from which comedy would be possible. The tone of this introduction seems to be ironic, and in it Nerval compares himself to a variety of writers, both comic and tragic, Ariosto, Crebillon fils, Scarron, Tasso, and Dante. But he distinguishes himself from his colleague and collaborator Dumas, for whom the interchangeability of history and fiction is a game. Nerval is drive…
Le poetique: Desbordes-Valmore et Nerval
History, Fiction, and Legend in Nerval's Angelique
In Angelique Nerval presents two conceptions of history. In the first, history is like a painting or a spectacle, an object which can be transcended by a spectator. In the second, history is a system of signs which cannot be made into a totality or object for a transcendental subject. History is a cultural tradition-a system of symbolic differences-which in passing itself on from generation to generation erases itself and presents itself as natur…
Art (5 works) · French Literature and Critical Theory (4 works) · Literature (3 works) · Art history (2 works) · Historical and Literary Analyses (2 works) · History (2 works) · Philosophy (2 works) · Aesthetics (1 works) · Classicism (1 works) · Comedy (1 works)