Dawn Cunningham
Biographic Data
| ID | 3855236 |
|---|---|
| NAME | Dawn Cunningham |
| GIVEN NAMES | Dawn |
| FAMILY NAME | Cunningham |
| SIGNATURE | CUNNINGHAM D |
| AFFILIATIONS | Saint Michael's College |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Elucidating Opposites
A religious diptych provided medieval people with opportunities to access the transcendental and to engage in meditation on spiritual routes to salvation. The binary format of the diptych lent itself to pairings of images that could include oppositions or iconographic contradictions. By manipulating these pairings, artists and patrons could enhance the complexity of the theological messages as well as of the relationship between art and user. Lik…
Sacrament and sculpture
The twelfth-century choir screen, or pontile, sculpted with Passion scenes by the Campionesi for Modena Cathedral, Italy, dominates the nave and dictates both visual and physical access to the sacred east end of the church. In the past, such monuments were viewed primarily as barriers between the privileged clerics and the laity but recently scholars have begun to examine them as integral parts of the audience's experience of the rituals performe…
One pontile, two pontili
As a living monument, Modena Cathedral has been subjected to numerous alterations since its foundation in the eleventh century. The choir screens, or pontili , demarcating the edge of the presbytery are one part of the church that underwent radical changes as they were adapted, removed, reused, and replaced. The appearance of the first screen, consecrated in 1106, is disputed. A.C. Quintavalle's proposal that the Genesis scenes by Wiligelmo, curr…
One pontile, two pontili
As a living monument, Modena Cathedral has been subjected to numerous alterations since its foundation in the eleventh century. The choir screens, or pontili , demarcating the edge of the presbytery are one part of the church that underwent radical changes as they were adapted, removed, reused, and replaced. The appearance of the first screen, consecrated in 1106, is disputed. A.C. Quintavalle's proposal that the Genesis scenes by Wiligelmo, curr…
One pontile, two pontili
As a living monument, Modena Cathedral has been subjected to numerous alterations since its foundation in the eleventh century. The choir screens, or pontili , demarcating the edge of the presbytery are one part of the church that underwent radical changes as they were adapted, removed, reused, and replaced. The appearance of the first screen, consecrated in 1106, is disputed. A.C. Quintavalle's proposal that the Genesis scenes by Wiligelmo, curr…
Sacrament and sculpture
The twelfth-century choir screen, or pontile, sculpted with Passion scenes by the Campionesi for Modena Cathedral, Italy, dominates the nave and dictates both visual and physical access to the sacred east end of the church. In the past, such monuments were viewed primarily as barriers between the privileged clerics and the laity but recently scholars have begun to examine them as integral parts of the audience's experience of the rituals performe…
Elucidating Opposites
A religious diptych provided medieval people with opportunities to access the transcendental and to engage in meditation on spiritual routes to salvation. The binary format of the diptych lent itself to pairings of images that could include oppositions or iconographic contradictions. By manipulating these pairings, artists and patrons could enhance the complexity of the theological messages as well as of the relationship between art and user. Lik…
Art (3 works) · Historical and Religious Studies of Rome (3 works) · Ancient history (2 works) · Archaeology (2 works) · Byzantine Studies and History (2 works) · Choir (2 works) · History (2 works) · Literature (2 works) · Philosophy (2 works) · Theology (2 works)