Andrew Padgett
Biographic Data
| ID | 3855580 |
|---|---|
| NAME | Andrew Padgett |
| GIVEN NAMES | Andrew |
| FAMILY NAME | Padgett |
| SIGNATURE | PADGETT A |
| AFFILIATIONS | Institute for Literature |
| ORCID | 0009-0002-2170-9118 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
The Dialectic of Musical Socialist Realism
At the time of his death in 1975, Dmitri Shostakovich was widely recognised as the greatest composer of his generation, and the first master of the socialist realist symphony. However, Shostakovich’s successes were hard-won. They came on the back of denunciations in Pravda of two earlier ‘formalist’ works. In an effort to win the support of the Party leadership, Shostakovich subsequently transformed his compositional style to produce his popular …
Reading Adorno
Fear's Slave
This paper investigates the purpose of society's construction of 'others' through the gaze of the mass media. During times of crisis, the paper argues, Western mass media are faced with an irreconcilable paradox: the simultaneous demand for, and denial of, a fear-inspiring other (the Soviet Union, Al Qaeda, etc.) This paradigm of otherness was overcome in the period post-Cold War and pre-9/11 as the US media was able to demonise 'others' at home …
Coca-Cola, MTV and the Laboratory of Culture in the New Russia1
Fear's Slave
This paper investigates the purpose of society's construction of 'others' through the gaze of the mass media. During times of crisis, the paper argues, Western mass media are faced with an irreconcilable paradox: the simultaneous demand for, and denial of, a fear-inspiring other (the Soviet Union, Al Qaeda, etc.) This paradigm of otherness was overcome in the period post-Cold War and pre-9/11 as the US media was able to demonise 'others' at home …
Coca-Cola, MTV and the Laboratory of Culture in the New Russia1
Fear's Slave
This paper investigates the purpose of society's construction of 'others' through the gaze of the mass media. During times of crisis, the paper argues, Western mass media are faced with an irreconcilable paradox: the simultaneous demand for, and denial of, a fear-inspiring other (the Soviet Union, Al Qaeda, etc.) This paradigm of otherness was overcome in the period post-Cold War and pre-9/11 as the US media was able to demonise 'others' at home …
Reading Adorno
The Dialectic of Musical Socialist Realism
At the time of his death in 1975, Dmitri Shostakovich was widely recognised as the greatest composer of his generation, and the first master of the socialist realist symphony. However, Shostakovich’s successes were hard-won. They came on the back of denunciations in Pravda of two earlier ‘formalist’ works. In an effort to win the support of the Party leadership, Shostakovich subsequently transformed his compositional style to produce his popular …
Art (4 works) · Philosophy (3 works) · Aesthetics (2 works) · Epistemology (2 works) · Literature (2 works) · Musicology and Musical Analysis (2 works) · Psychoanalysis (2 works) · Psychology (2 works) · Advertising (1 works) · Biology (1 works)