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Clemencia Rodríguez

Biographic Data

ID3855746
NAMEClemencia Rodríguez
GIVEN NAMESClemencia
FAMILY NAMERodríguez
SIGNATURERODRIGUEZ C
AFFILIATIONSUniversity of Oklahoma
ORCID0000-0002-3045-595X
VERIFIEDYes
TOTAL WORKS18
TOTAL CITATIONS37
AUTHOR COUNT18
EDITOR COUNT0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2024
H-INDEX4
  • PhillyCAM: A Hub for Media Makers on Ranstead Street

    Open Access•Clemencia Rodríguez•ARTICLE•MEDIACIONES•2024

    This article fulfills a double objective: on the one hand, it presents in detail and richly an outstanding experience of community television in an important city such as Philadelphia. It does so based on a particular event, such as the presence and work of a lady -television producer, who has a track record in this field and is recognized for her experience and creativity. And on the other hand, it presents a narrative based on the ethnographic …

  • Roots and trajectories: Essays on the legacy of Jesús Martín-Barbero in global communication studies

    Open Access•Clemencia Rodríguez, Patrick D Murphy et al.•ARTICLE•Media Culture & Society•2024•References: 18

    “Roots and Trajectories: Essays on the Legacy of Jesús Martín-Barbero in Global Communication Studies” is an introduction to this special collection for Media, Culture & Society’s Crosscurrents. Our introduction serves to contextualize and frame the role of Martín-Barbero’s theoretical roots and epistemological gaze in the essays authored by Omar Rincón (Colombia), Amparo Marroquín Parducci (El Salvador), Marwan Kraidy (Lebanon) and Nick Couldry …

  • Between incursions and appropriations: Digital technologies and pluriversal modernities in the Global South

    Open Access•Sreedhar Nemmani, Clemencia Rodríguez•ARTICLE•Communication Culture and Critique•2023•References: 11

    Based on a recent body of scholarship that addresses the epistemologies of the South, our goal is to incite a shift in how we conceptualize technology adoption in the Global South. We interrogate the notion that the role of digital technologies in these regions follows a linear model of progress from traditional lifeways toward industrial modernity. Joining a recent shift toward decolonizing the study of the flow of digital technologies in the Gl…

  • Media and Communications

    Open Access•N Couldry, Clemencia Rodríguez et al.•CHAPTER•Rethinking Society for the 21st…•2018

    Developments in digital technologies over the last 30 years have expanded massively human beings' capacity to communicate across time and space (Section 13.1).Media infrastructures have simultaneously acquired huge complexity.By "media" we mean technologies for the production, dissemination, and reception of communication, but also the contents distributed through those technologies and the institutions associated with their production, dissemina…

  • Media, communication and the struggle for social progress

    Open Access•N Couldry, Clemencia Rodríguez et al.•ARTICLE•Global Media and Communication•2018•Cited by: 4•References: 3

    This article discusses the role of media and communications in contributing to social progress, as elaborated in a landmark international project – the International Panel on Social Progress. First, it analyses how media and digital platforms have contributed to global inequality by examining media access and infrastructure across world regions. Second, it looks at media governance and the different mechanisms of corporatized control over media p…

  • Studying media at the margins: Learning from the field

    Clemencia Rodríguez•CHAPTER•Media Activism in the Digital Age•2017

    This chapter draws from specific research studies on community/alternative/citizens' media to reflect on how we theorize media at the margins. At the margins, media tend to be less universal, less driven by global trends and markets, and more grounded in local time, place, interest, and need; this is one of the first aspects we can identify as a major difference between media at the center and media at the margins. At the margins, media have gene…

  • How Can We Tell the Story of the Colombian War: Bastardized Narratives and Citizen Celebrities

    Omar Rincón, Clemencia Rodríguez•ARTICLE•Popular Communication•2015•Cited by: 3•References: 1

    This article explores how popular culture theory can be used in postconflict situations to raise awareness about human rights violations. This case study investigates a media narrative produced by the Memory Center in Colombia, about a political assassination of a community leader. On February 12, 2009, Luis Arango was murdered in the Colombian region known as Magdalena Medio. Arango was a fisherman and a leader of local and regional fishing comm…

  • Four challenges in the field of alternative, radical and citizens’ media research

    Open Access•Clemencia Rodríguez, Benjamin Ferron et al.•ARTICLE•Media Culture & Society•2014•Cited by: 10•References: 30

    In January 1994 the Zapatista movement in southern Mexico inaugurated a new era of media use for dissent. Since that time, an array of dissenting collectives and individuals have appropriated media technologies in order to make their voices heard or to articulate alternative identities. From Zapatista media to the Arab Spring, social movements throughout the world are taking over, hybridizing, recycling, and adapting media technologies. This new …

  • Citizens' Media against Armed Conflict: Disrupting Violence in Colombia

    Clemencia Rodríguez•BOOK•Citizens' media against armed…•2011

    For two years, the author did ethnographic fieldwork in regions of Colombia where leftist guerrillas, right-wing paramilitary groups, the army, and drug traffickers made their presence felt in the lives of unarmed civilians. Here, she tells the story of how these civilians use community radio, television, video, digital photography, and the internet to shield their communities from armed violence's negative impacts.

  • Citizens’ Media against Armed Conflict: Disrupting Violence in Colombia

    Clemencia Rodríguez•BOOK•Citizens' Media Against Armed…•2010

    For two years, fieldwork was carried out in regions of Colombia where leftist guerillas, right-wing paramilitary groups, the army, and drug traffickers made their presence felt in the lives of unarmed civilians. This book tells the story of the ways in which people living in the shadow of these armed intruders use community radio, television, video, digital photography, and the Internet to shield their communities from armed violence's negative i…

  • Dioxins, Furans and PCBs in Recycled Water for Indirect Potable Reuse

    Open Access•Clemencia Rodríguez, Angus Cook et al.•ARTICLE•International Journal of…•2008

    An assessment of potential health impacts of dioxin and dioxin-like compounds in recycled water for indirect potable reuse was conducted. Toxic equivalency factors (TEFs) for 2,3,7,8-substituted polychlorinated dibenzo-p-dioxins (PCDD) and dibenzofurans (PCDFs) and dioxin-like polychlorinated biphenyls (PCBs) congeners have been developed by the World Health Organization to simplify the risk assessment of complex mixtures. Samples of secondary tr…

  • The poetics of indigenous radio in Colombia

    Open Access•Clemencia Rodríguez, Jeanine El Gazi•ARTICLE•Media Culture & Society•2007•Cited by: 5•References: 3

    In 2002, 14 indigenous radio stations began operating in Colombia reaching 78.6 percent of the national indigenous population. Colombian indigenous radio stations are shaped by intense deliberations among each indigenous people about the poetics of information and communication technologies, understood as the exploration of the specific sets of social, cultural and political relations in which each radio station would exist if brought into each i…

  • Introduction: Between Macondo and McWorld: communication and culture studies in Latin America

    Open Access•Patrick D Murphy, Clemencia Rodríguez•ARTICLE•Global Media and Communication•2006•Cited by: 5•References: 2

    However, as new hybrid cultural configurations reflective of recent 'globalizing' processes such as liberalization, privatization, and democratization have surfaced (Garca Canclini, 1989), theorists have been forced to reconsider the relationship(s) between culture and power.For mass communication scholars, this has meant rethinking how the cultural industries serve to enable certain kinds of social control while also stimulating the expression o…

  • Citizens' Media and the Voice of the Angel/Poet

    Open Access•Clemencia Rodríguez, Wide Fields•ARTICLE•Media International Australia•2002•Cited by: 3•References: 2

    This article is an in depth critique of a 1 minute film titled 'Wide Fields', produced in 1997 by 3 young girls. It uses the film to highlight the concept of 'citizens' media', and examines the processes of authorization and the fragmentation of power that arises when people gain access to media. French philosopher Luce Irigaray's angel/poet theory extends the concept into the regions of ontology, aesthetics and ethics

  • Shattering Butterflies and Amazons: Symbolic Constructions of Women in Colombian Development Discourse

    Open Access•Clemencia Rodríguez•ARTICLE•Communication Theory•2001•Cited by: 3•References: 4

    This article analyzes the construction of gender in development discourse. As development projects are designed and implemented by Third World men and women, local symbolic constructions of gender, class, and race permeate development discourse. The result is a multilayered discourse of development that negotiates Western discourse of modernity with local discourses of race, class, and gender. This analysis examines the intersection of developmen…

  • Sociedad civil y medios ciudadanos: Arquitectos De Paz Para El Nuevo Milenio

    Open Access•Clemencia Rodríguez•ARTICLE•Revista de Estudios Sociales•2001•Cited by: 1

    Aunque le ha tomado varias decadas, la comunicacion para el desarrollo ha aprendido que el cambio social raramente podra prevalecer sin la inclusion activa de las comunidades locales, de los movimientos locales y de los ciudadanos en general

  • Shedding useless notions of alternative media

    Open Access•Clemencia Rodríguez•ARTICLE•Peace Review•1996•Cited by: 3•References: 2

    The time is 1984. Somehow I find myself riding one of the mules that form our expedition, slowly wandering up and down a winding Andean trail. I can see our video equipment shaking and swaying on the mule ahead of me. “I hope the vibrations don't damage the camera,” I think. Four men travel with me and the mules. They belong to a grassroots organization of campesinos (peasants), what in Latin America we call grupos populates. This grupo popular s…

  • The Rise and Fall of the Popular Correspondents' Movement in Revolutionary Nicaragua, 1982–90

    Open Access•Clemencia Rodríguez•ARTICLE•Media Culture & Society•1994

  • Four challenges in the field of alternative, radical and citizens’ media research

    Open Access•Clemencia Rodríguez, Benjamin Ferron et al.•ARTICLE•Media Culture & Society•2014•Cited by: 10•References: 30

    In January 1994 the Zapatista movement in southern Mexico inaugurated a new era of media use for dissent. Since that time, an array of dissenting collectives and individuals have appropriated media technologies in order to make their voices heard or to articulate alternative identities. From Zapatista media to the Arab Spring, social movements throughout the world are taking over, hybridizing, recycling, and adapting media technologies. This new …

  • The poetics of indigenous radio in Colombia

    Open Access•Clemencia Rodríguez, Jeanine El Gazi•ARTICLE•Media Culture & Society•2007•Cited by: 5•References: 3

    In 2002, 14 indigenous radio stations began operating in Colombia reaching 78.6 percent of the national indigenous population. Colombian indigenous radio stations are shaped by intense deliberations among each indigenous people about the poetics of information and communication technologies, understood as the exploration of the specific sets of social, cultural and political relations in which each radio station would exist if brought into each i…

  • Introduction: Between Macondo and McWorld: communication and culture studies in Latin America

    Open Access•Patrick D Murphy, Clemencia Rodríguez•ARTICLE•Global Media and Communication•2006•Cited by: 5•References: 2

    However, as new hybrid cultural configurations reflective of recent 'globalizing' processes such as liberalization, privatization, and democratization have surfaced (Garca Canclini, 1989), theorists have been forced to reconsider the relationship(s) between culture and power.For mass communication scholars, this has meant rethinking how the cultural industries serve to enable certain kinds of social control while also stimulating the expression o…

  • Media, communication and the struggle for social progress

    Open Access•N Couldry, Clemencia Rodríguez et al.•ARTICLE•Global Media and Communication•2018•Cited by: 4•References: 3

    This article discusses the role of media and communications in contributing to social progress, as elaborated in a landmark international project – the International Panel on Social Progress. First, it analyses how media and digital platforms have contributed to global inequality by examining media access and infrastructure across world regions. Second, it looks at media governance and the different mechanisms of corporatized control over media p…

  • How Can We Tell the Story of the Colombian War: Bastardized Narratives and Citizen Celebrities

    Omar Rincón, Clemencia Rodríguez•ARTICLE•Popular Communication•2015•Cited by: 3•References: 1

    This article explores how popular culture theory can be used in postconflict situations to raise awareness about human rights violations. This case study investigates a media narrative produced by the Memory Center in Colombia, about a political assassination of a community leader. On February 12, 2009, Luis Arango was murdered in the Colombian region known as Magdalena Medio. Arango was a fisherman and a leader of local and regional fishing comm…

  • Citizens' Media and the Voice of the Angel/Poet

    Open Access•Clemencia Rodríguez, Wide Fields•ARTICLE•Media International Australia•2002•Cited by: 3•References: 2

    This article is an in depth critique of a 1 minute film titled 'Wide Fields', produced in 1997 by 3 young girls. It uses the film to highlight the concept of 'citizens' media', and examines the processes of authorization and the fragmentation of power that arises when people gain access to media. French philosopher Luce Irigaray's angel/poet theory extends the concept into the regions of ontology, aesthetics and ethics

  • Shattering Butterflies and Amazons: Symbolic Constructions of Women in Colombian Development Discourse

    Open Access•Clemencia Rodríguez•ARTICLE•Communication Theory•2001•Cited by: 3•References: 4

    This article analyzes the construction of gender in development discourse. As development projects are designed and implemented by Third World men and women, local symbolic constructions of gender, class, and race permeate development discourse. The result is a multilayered discourse of development that negotiates Western discourse of modernity with local discourses of race, class, and gender. This analysis examines the intersection of developmen…

  • Shedding useless notions of alternative media

    Open Access•Clemencia Rodríguez•ARTICLE•Peace Review•1996•Cited by: 3•References: 2

    The time is 1984. Somehow I find myself riding one of the mules that form our expedition, slowly wandering up and down a winding Andean trail. I can see our video equipment shaking and swaying on the mule ahead of me. “I hope the vibrations don't damage the camera,” I think. Four men travel with me and the mules. They belong to a grassroots organization of campesinos (peasants), what in Latin America we call grupos populates. This grupo popular s…

  • Sociedad civil y medios ciudadanos: Arquitectos De Paz Para El Nuevo Milenio

    Open Access•Clemencia Rodríguez•ARTICLE•Revista de Estudios Sociales•2001•Cited by: 1

    Aunque le ha tomado varias decadas, la comunicacion para el desarrollo ha aprendido que el cambio social raramente podra prevalecer sin la inclusion activa de las comunidades locales, de los movimientos locales y de los ciudadanos en general

  • The Rise and Fall of the Popular Correspondents' Movement in Revolutionary Nicaragua, 1982–90

    Open Access•Clemencia Rodríguez•ARTICLE•Media Culture & Society•1994

  • Shedding useless notions of alternative media

    Open Access•Clemencia Rodríguez•ARTICLE•Peace Review•1996•Cited by: 3•References: 2

    The time is 1984. Somehow I find myself riding one of the mules that form our expedition, slowly wandering up and down a winding Andean trail. I can see our video equipment shaking and swaying on the mule ahead of me. “I hope the vibrations don't damage the camera,” I think. Four men travel with me and the mules. They belong to a grassroots organization of campesinos (peasants), what in Latin America we call grupos populates. This grupo popular s…

  • Shattering Butterflies and Amazons: Symbolic Constructions of Women in Colombian Development Discourse

    Open Access•Clemencia Rodríguez•ARTICLE•Communication Theory•2001•Cited by: 3•References: 4

    This article analyzes the construction of gender in development discourse. As development projects are designed and implemented by Third World men and women, local symbolic constructions of gender, class, and race permeate development discourse. The result is a multilayered discourse of development that negotiates Western discourse of modernity with local discourses of race, class, and gender. This analysis examines the intersection of developmen…

  • Sociedad civil y medios ciudadanos: Arquitectos De Paz Para El Nuevo Milenio

    Open Access•Clemencia Rodríguez•ARTICLE•Revista de Estudios Sociales•2001•Cited by: 1

    Aunque le ha tomado varias decadas, la comunicacion para el desarrollo ha aprendido que el cambio social raramente podra prevalecer sin la inclusion activa de las comunidades locales, de los movimientos locales y de los ciudadanos en general

  • Citizens' Media and the Voice of the Angel/Poet

    Open Access•Clemencia Rodríguez, Wide Fields•ARTICLE•Media International Australia•2002•Cited by: 3•References: 2

    This article is an in depth critique of a 1 minute film titled 'Wide Fields', produced in 1997 by 3 young girls. It uses the film to highlight the concept of 'citizens' media', and examines the processes of authorization and the fragmentation of power that arises when people gain access to media. French philosopher Luce Irigaray's angel/poet theory extends the concept into the regions of ontology, aesthetics and ethics

  • Introduction: Between Macondo and McWorld: communication and culture studies in Latin America

    Open Access•Patrick D Murphy, Clemencia Rodríguez•ARTICLE•Global Media and Communication•2006•Cited by: 5•References: 2

    However, as new hybrid cultural configurations reflective of recent 'globalizing' processes such as liberalization, privatization, and democratization have surfaced (Garca Canclini, 1989), theorists have been forced to reconsider the relationship(s) between culture and power.For mass communication scholars, this has meant rethinking how the cultural industries serve to enable certain kinds of social control while also stimulating the expression o…

  • The poetics of indigenous radio in Colombia

    Open Access•Clemencia Rodríguez, Jeanine El Gazi•ARTICLE•Media Culture & Society•2007•Cited by: 5•References: 3

    In 2002, 14 indigenous radio stations began operating in Colombia reaching 78.6 percent of the national indigenous population. Colombian indigenous radio stations are shaped by intense deliberations among each indigenous people about the poetics of information and communication technologies, understood as the exploration of the specific sets of social, cultural and political relations in which each radio station would exist if brought into each i…

  • Dioxins, Furans and PCBs in Recycled Water for Indirect Potable Reuse

    Open Access•Clemencia Rodríguez, Angus Cook et al.•ARTICLE•International Journal of…•2008

    An assessment of potential health impacts of dioxin and dioxin-like compounds in recycled water for indirect potable reuse was conducted. Toxic equivalency factors (TEFs) for 2,3,7,8-substituted polychlorinated dibenzo-p-dioxins (PCDD) and dibenzofurans (PCDFs) and dioxin-like polychlorinated biphenyls (PCBs) congeners have been developed by the World Health Organization to simplify the risk assessment of complex mixtures. Samples of secondary tr…

  • Citizens’ Media against Armed Conflict: Disrupting Violence in Colombia

    Clemencia Rodríguez•BOOK•Citizens' Media Against Armed…•2010

    For two years, fieldwork was carried out in regions of Colombia where leftist guerillas, right-wing paramilitary groups, the army, and drug traffickers made their presence felt in the lives of unarmed civilians. This book tells the story of the ways in which people living in the shadow of these armed intruders use community radio, television, video, digital photography, and the Internet to shield their communities from armed violence's negative i…

  • Citizens' Media against Armed Conflict: Disrupting Violence in Colombia

    Clemencia Rodríguez•BOOK•Citizens' media against armed…•2011

    For two years, the author did ethnographic fieldwork in regions of Colombia where leftist guerrillas, right-wing paramilitary groups, the army, and drug traffickers made their presence felt in the lives of unarmed civilians. Here, she tells the story of how these civilians use community radio, television, video, digital photography, and the internet to shield their communities from armed violence's negative impacts.

  • Four challenges in the field of alternative, radical and citizens’ media research

    Open Access•Clemencia Rodríguez, Benjamin Ferron et al.•ARTICLE•Media Culture & Society•2014•Cited by: 10•References: 30

    In January 1994 the Zapatista movement in southern Mexico inaugurated a new era of media use for dissent. Since that time, an array of dissenting collectives and individuals have appropriated media technologies in order to make their voices heard or to articulate alternative identities. From Zapatista media to the Arab Spring, social movements throughout the world are taking over, hybridizing, recycling, and adapting media technologies. This new …

  • How Can We Tell the Story of the Colombian War: Bastardized Narratives and Citizen Celebrities

    Omar Rincón, Clemencia Rodríguez•ARTICLE•Popular Communication•2015•Cited by: 3•References: 1

    This article explores how popular culture theory can be used in postconflict situations to raise awareness about human rights violations. This case study investigates a media narrative produced by the Memory Center in Colombia, about a political assassination of a community leader. On February 12, 2009, Luis Arango was murdered in the Colombian region known as Magdalena Medio. Arango was a fisherman and a leader of local and regional fishing comm…

  • Studying media at the margins: Learning from the field

    Clemencia Rodríguez•CHAPTER•Media Activism in the Digital Age•2017

    This chapter draws from specific research studies on community/alternative/citizens' media to reflect on how we theorize media at the margins. At the margins, media tend to be less universal, less driven by global trends and markets, and more grounded in local time, place, interest, and need; this is one of the first aspects we can identify as a major difference between media at the center and media at the margins. At the margins, media have gene…

  • Media and Communications

    Open Access•N Couldry, Clemencia Rodríguez et al.•CHAPTER•Rethinking Society for the 21st…•2018

    Developments in digital technologies over the last 30 years have expanded massively human beings' capacity to communicate across time and space (Section 13.1).Media infrastructures have simultaneously acquired huge complexity.By "media" we mean technologies for the production, dissemination, and reception of communication, but also the contents distributed through those technologies and the institutions associated with their production, dissemina…

  • Media, communication and the struggle for social progress

    Open Access•N Couldry, Clemencia Rodríguez et al.•ARTICLE•Global Media and Communication•2018•Cited by: 4•References: 3

    This article discusses the role of media and communications in contributing to social progress, as elaborated in a landmark international project – the International Panel on Social Progress. First, it analyses how media and digital platforms have contributed to global inequality by examining media access and infrastructure across world regions. Second, it looks at media governance and the different mechanisms of corporatized control over media p…

  • Between incursions and appropriations: Digital technologies and pluriversal modernities in the Global South

    Open Access•Sreedhar Nemmani, Clemencia Rodríguez•ARTICLE•Communication Culture and Critique•2023•References: 11

    Based on a recent body of scholarship that addresses the epistemologies of the South, our goal is to incite a shift in how we conceptualize technology adoption in the Global South. We interrogate the notion that the role of digital technologies in these regions follows a linear model of progress from traditional lifeways toward industrial modernity. Joining a recent shift toward decolonizing the study of the flow of digital technologies in the Gl…

  • PhillyCAM: A Hub for Media Makers on Ranstead Street

    Open Access•Clemencia Rodríguez•ARTICLE•MEDIACIONES•2024

    This article fulfills a double objective: on the one hand, it presents in detail and richly an outstanding experience of community television in an important city such as Philadelphia. It does so based on a particular event, such as the presence and work of a lady -television producer, who has a track record in this field and is recognized for her experience and creativity. And on the other hand, it presents a narrative based on the ethnographic …

  • Roots and trajectories: Essays on the legacy of Jesús Martín-Barbero in global communication studies

    Open Access•Clemencia Rodríguez, Patrick D Murphy et al.•ARTICLE•Media Culture & Society•2024•References: 18

    “Roots and Trajectories: Essays on the Legacy of Jesús Martín-Barbero in Global Communication Studies” is an introduction to this special collection for Media, Culture & Society’s Crosscurrents. Our introduction serves to contextualize and frame the role of Martín-Barbero’s theoretical roots and epistemological gaze in the essays authored by Omar Rincón (Colombia), Amparo Marroquín Parducci (El Salvador), Marwan Kraidy (Lebanon) and Nick Couldry …

Political science (12 works) · Sociology (12 works) · Politics (8 works) · Law (7 works) · Law (7 works) · Media studies (7 works) · Computer Science (5 works) · Media Studies and Communication (5 works) · Social Media and Politics (4 works) · Art (3 works)

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