Gay Mcdonald
Biographic Data
| ID | 3855779 |
|---|---|
| NAME | Gay Mcdonald |
| GIVEN NAMES | Gay |
| FAMILY NAME | Mcdonald |
| SIGNATURE | MCDONALD G |
| AFFILIATIONS | UNSW Sydney |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
From fluent to Culture Warriors
In recent decades, Indigenous artists have been strongly represented in exhibitions of Australian art offshore. This article explores two such exhibitions: fluent, staged at the Venice Biennale in 1997, and Culture Warriors, shown at the Katzen Arts Center at the American University in Washington, DC, in 2009. These exhibitions took place during an era in which issues around Indigenous rights and recognition were frequently the subject of domesti…
Aboriginal art and cultural diplomacy
Sending exhibitions of Aboriginal art offshore to promote Australia's international identity as a tolerant and enlightened nation has a relatively short history. Viewed with indifference at home by Australian art museums until the early 1980s, Aboriginal art is now regularly presented abroad as the nation's preeminent art form and leading cultural export, capable of representing Australia in the area of cultural diplomacy. To date, little attenti…
Aboriginal art and cultural diplomacy
Sending exhibitions of Aboriginal art offshore to promote Australia's international identity as a tolerant and enlightened nation has a relatively short history. Viewed with indifference at home by Australian art museums until the early 1980s, Aboriginal art is now regularly presented abroad as the nation's preeminent art form and leading cultural export, capable of representing Australia in the area of cultural diplomacy. To date, little attenti…
From fluent to Culture Warriors
In recent decades, Indigenous artists have been strongly represented in exhibitions of Australian art offshore. This article explores two such exhibitions: fluent, staged at the Venice Biennale in 1997, and Culture Warriors, shown at the Katzen Arts Center at the American University in Washington, DC, in 2009. These exhibitions took place during an era in which issues around Indigenous rights and recognition were frequently the subject of domesti…
Aboriginal art and cultural diplomacy
Sending exhibitions of Aboriginal art offshore to promote Australia's international identity as a tolerant and enlightened nation has a relatively short history. Viewed with indifference at home by Australian art museums until the early 1980s, Aboriginal art is now regularly presented abroad as the nation's preeminent art form and leading cultural export, capable of representing Australia in the area of cultural diplomacy. To date, little attenti…
From fluent to Culture Warriors
In recent decades, Indigenous artists have been strongly represented in exhibitions of Australian art offshore. This article explores two such exhibitions: fluent, staged at the Venice Biennale in 1997, and Culture Warriors, shown at the Katzen Arts Center at the American University in Washington, DC, in 2009. These exhibitions took place during an era in which issues around Indigenous rights and recognition were frequently the subject of domesti…
Art (2 works) · Cultural Heritage Management and Preservation (2 works) · Cultural Industries and Urban Development (2 works) · Exhibition (2 works) · History (2 works) · Indigenous (2 works) · Law (2 works) · Media studies (2 works) · Museums and Cultural Heritage (2 works) · Political science (2 works)