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Xiaolu Ma

Biographic Data

ID3855806
NAMEXiaolu Ma
GIVEN NAMESXiaolu
FAMILY NAMEMa
SIGNATUREMA X
AFFILIATIONSXiaoLu Ma is a doctoral student at Griffith University, working on a documentary about the Cultural Revolution.
ORCID0000-0003-1208-198X
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS2
AUTHOR COUNT7
EDITOR COUNT2
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Lu Xun and World Literature

    Xiaolu Ma, Carlos Rojas•BOOK•Lu Xun and World Literature•2025

    This volume examines the work of Lu Xun, known as the father of modern Chinese literature and regarded as one of twentieth century China’s most influential literary figures. Our focus in on Lu Xun’s works in relation to notions of world literature and literary worlding, and our volume offers detailed analyses of Lu Xun’s own literary oeuvre as well as of foreign works that engage with his writings. We also give detailed attention to different asp…

  • Lu Xun and World Literature

    Xiaolu Ma, Carlos Rojas•BOOK•Lu Xun and World Literature•2025

  • Clinical Characteristics and Influencing Factors of Feeding Intolerance After Surgery for Neonatal Necrotizing Enterocolitis

    Open Access•Mengting Hu, Fan Wu et al.•ARTICLE•Children•2025

    A lower 5 min Apgar score, shorter interval from diagnosis to surgery and intestine resection with ostomy are associated with a higher incidence of FI after surgery. FI after NEC surgery can prolong recovery and increase family burden

  • Relayed Revolutionary Sentiment

    Xiaolu Ma•ARTICLE•Comparative Literature Studies•2024

    This article examines the relay translation of William Tufnell Le Queux’s (1864–1927) Strange Tales of a Nihilist, which the prominent Chinese translator of nihilist fiction, Chen Jinghan 陳景韓 (1878–1965), completed based on Matsui Shōyō’s 松居松葉 (1870–1933) Japanese rendering. By exploring the transcultural process through which a story of Russian nihilism traveled from Europe to East Asia, the author tests the translatability of the revolutionary …

  • An Object In Between

    Xiaolu Ma•ARTICLE•The Journal of Asian Studies•2024•References: 13

    By interrogating how the original composition and textual reincarnations of Lu Xun's "Diary of a Madman" manifest his idea of an "object in between," this article celebrates an intertextual event in world literature. It traces how Lu Xun's "Diary of a Madman" came into being in conversation with preexisting literary creations and how the intertextual recasting of Lu Xun's story both within and beyond the Sinophone world incorporates postcolonial …

  • Minor Literature as a Vital Component of World Literature

    Open Access•Xiaolu Ma•ARTICLE•Modern Chinese Literature and…•2023

    At the turn of the twentieth century, many Chinese translators departed from the mainstream approach to world literature advocated by Western powers and turned their attention to what Chinese theorists call the “literature of weak and small nations.” China’s marginalized position in the international political and economic order of the time prompted the pursuit of a discourse to address imperialism and national identity, as well as problems of so…

  • Transculturation of Madness

    Xiaolu Ma•ARTICLE•Literature and medicine•2015

    Over the years scholars have examined the allegorical features of the depiction of madness in Lu Xun’s “Diary of a Madman,” yet to date little research has taken into consideration the intercultural angle embedded in the narrative’s intersection of three cultures, namely Russian, Japanese and Chinese. This paper traces the European-Japanese-Sino route of modern neologisms of madness to explore the introduction of such neologisms into the modern C…

  • Hong Kong and the Cepa

    Anthony May, Xiaolu Ma•ARTICLE•Continuum•2014•Cited by: 2•References: 3

    Hong Kong has long been the centre of Cantonese film-making. Its history from the 1970s to the handover of 1997 has been well documented as the recognition of its role as a supplier of films to the Chinese global diaspora became increasingly apparent. Since 1997, however, its production capability has been governed by the cultural policies of the People's Republic of China (PRC). This essay argues that the recent history, dominated by the differe…

  • Hong Kong

    Open Access•Anthony May, Xiaolu Ma•ARTICLE•Media International Australia•2007•References: 2

    Thanks to its stunning entry into the ranks of world cinema in the 1970s, the history of the Hong Kong film industry up to 1997 is relatively well known. However, the coincidence of the Asian economic recession and the city's reintegration into the People's Republic of China (PRC) has worked to obscure recent developments. This article analyses contemporary Hong Kong cinema and its relations with the government of the mainland. We argue that the …

  • Hong Kong and the Cepa

    Anthony May, Xiaolu Ma•ARTICLE•Continuum•2014•Cited by: 2•References: 3

    Hong Kong has long been the centre of Cantonese film-making. Its history from the 1970s to the handover of 1997 has been well documented as the recognition of its role as a supplier of films to the Chinese global diaspora became increasingly apparent. Since 1997, however, its production capability has been governed by the cultural policies of the People's Republic of China (PRC). This essay argues that the recent history, dominated by the differe…

  • Hong Kong

    Open Access•Anthony May, Xiaolu Ma•ARTICLE•Media International Australia•2007•References: 2

    Thanks to its stunning entry into the ranks of world cinema in the 1970s, the history of the Hong Kong film industry up to 1997 is relatively well known. However, the coincidence of the Asian economic recession and the city's reintegration into the People's Republic of China (PRC) has worked to obscure recent developments. This article analyses contemporary Hong Kong cinema and its relations with the government of the mainland. We argue that the …

  • Hong Kong and the Cepa

    Anthony May, Xiaolu Ma•ARTICLE•Continuum•2014•Cited by: 2•References: 3

    Hong Kong has long been the centre of Cantonese film-making. Its history from the 1970s to the handover of 1997 has been well documented as the recognition of its role as a supplier of films to the Chinese global diaspora became increasingly apparent. Since 1997, however, its production capability has been governed by the cultural policies of the People's Republic of China (PRC). This essay argues that the recent history, dominated by the differe…

  • Transculturation of Madness

    Xiaolu Ma•ARTICLE•Literature and medicine•2015

    Over the years scholars have examined the allegorical features of the depiction of madness in Lu Xun’s “Diary of a Madman,” yet to date little research has taken into consideration the intercultural angle embedded in the narrative’s intersection of three cultures, namely Russian, Japanese and Chinese. This paper traces the European-Japanese-Sino route of modern neologisms of madness to explore the introduction of such neologisms into the modern C…

  • Minor Literature as a Vital Component of World Literature

    Open Access•Xiaolu Ma•ARTICLE•Modern Chinese Literature and…•2023

    At the turn of the twentieth century, many Chinese translators departed from the mainstream approach to world literature advocated by Western powers and turned their attention to what Chinese theorists call the “literature of weak and small nations.” China’s marginalized position in the international political and economic order of the time prompted the pursuit of a discourse to address imperialism and national identity, as well as problems of so…

  • Relayed Revolutionary Sentiment

    Xiaolu Ma•ARTICLE•Comparative Literature Studies•2024

    This article examines the relay translation of William Tufnell Le Queux’s (1864–1927) Strange Tales of a Nihilist, which the prominent Chinese translator of nihilist fiction, Chen Jinghan 陳景韓 (1878–1965), completed based on Matsui Shōyō’s 松居松葉 (1870–1933) Japanese rendering. By exploring the transcultural process through which a story of Russian nihilism traveled from Europe to East Asia, the author tests the translatability of the revolutionary …

  • An Object In Between

    Xiaolu Ma•ARTICLE•The Journal of Asian Studies•2024•References: 13

    By interrogating how the original composition and textual reincarnations of Lu Xun's "Diary of a Madman" manifest his idea of an "object in between," this article celebrates an intertextual event in world literature. It traces how Lu Xun's "Diary of a Madman" came into being in conversation with preexisting literary creations and how the intertextual recasting of Lu Xun's story both within and beyond the Sinophone world incorporates postcolonial …

  • Lu Xun and World Literature

    Xiaolu Ma, Carlos Rojas•BOOK•Lu Xun and World Literature•2025

    This volume examines the work of Lu Xun, known as the father of modern Chinese literature and regarded as one of twentieth century China’s most influential literary figures. Our focus in on Lu Xun’s works in relation to notions of world literature and literary worlding, and our volume offers detailed analyses of Lu Xun’s own literary oeuvre as well as of foreign works that engage with his writings. We also give detailed attention to different asp…

  • Lu Xun and World Literature

    Xiaolu Ma, Carlos Rojas•BOOK•Lu Xun and World Literature•2025

  • Clinical Characteristics and Influencing Factors of Feeding Intolerance After Surgery for Neonatal Necrotizing Enterocolitis

    Open Access•Mengting Hu, Fan Wu et al.•ARTICLE•Children•2025

    A lower 5 min Apgar score, shorter interval from diagnosis to surgery and intestine resection with ostomy are associated with a higher incidence of FI after surgery. FI after NEC surgery can prolong recovery and increase family burden

History (7 works) · Art (5 works) · Literature (5 works) · Political science (5 works) · Japanese History and Culture (4 works) · Law (4 works) · Linguistics (4 works) · Philosophy (4 works) · Sociology (4 works) · Asian Culture and Media Studies (3 works)

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