Weiying Peng
Biographic Data
| ID | 3855935 |
|---|---|
| NAME | Weiying Peng |
| GIVEN NAMES | Weiying |
| FAMILY NAME | Peng |
| SIGNATURE | PENG W |
| AFFILIATIONS | Queensland University of Technology |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 20 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
Buying on Weixin/WeChat
This article examines the social-commercial activity of microcommerce ( wei shang ), which has become popular on Weixin (WeChat), one of the most popular messenger applications/social app installed on smartphones in China. By drawing on the notion of platform affordances and data collected from mixed methods centered on the analysis of primary and secondary data, we contend that microcommerce embodies Weixin’s structural (political economy) and c…
China’s soft power conundrum, film coproduction, and visions of shared prosperity
This paper looks at China’s soft power strategy in relation to the film industry, which since the early 2000s has opened to international co-productions and investment. Despite many coproduction projects being endorsed by government, results have not added significantly to China’s film-making reputation. The paper shows that coproductions have a diplomatic function, which implies a more conventional understanding of soft power. The paper also con…
Sino-US film coproduction
This China–US case study describes the negotiation between Chinese consumer demand and the growing Chinese market for cinema, the Chinese film industry’s aspiration for international success and domestic development, the Chinese government’s soft power ambitions and the largest and most successful film industry in the world – Hollywood. This article gives a brief look at the Sino-US film coproduction history, examines the root reason for the phen…
Chasing the dragon's tail
Sino-Australian film co-production was founded on a treaty signed in 2007 and implemented in 2008. This article looks at the impetus for Australian and Chinese film-makers to work together and analyses the challenges of Sino-Australia treaty co-production. It addresses the question of why only a few low-profile films have been made after several years. The rewards from the Chinese market remains elusive, but valuable lessons have been learnt. The…
China’s soft power conundrum, film coproduction, and visions of shared prosperity
This paper looks at China’s soft power strategy in relation to the film industry, which since the early 2000s has opened to international co-productions and investment. Despite many coproduction projects being endorsed by government, results have not added significantly to China’s film-making reputation. The paper shows that coproductions have a diplomatic function, which implies a more conventional understanding of soft power. The paper also con…
Buying on Weixin/WeChat
This article examines the social-commercial activity of microcommerce ( wei shang ), which has become popular on Weixin (WeChat), one of the most popular messenger applications/social app installed on smartphones in China. By drawing on the notion of platform affordances and data collected from mixed methods centered on the analysis of primary and secondary data, we contend that microcommerce embodies Weixin’s structural (political economy) and c…
Chasing the dragon's tail
Sino-Australian film co-production was founded on a treaty signed in 2007 and implemented in 2008. This article looks at the impetus for Australian and Chinese film-makers to work together and analyses the challenges of Sino-Australia treaty co-production. It addresses the question of why only a few low-profile films have been made after several years. The rewards from the Chinese market remains elusive, but valuable lessons have been learnt. The…
Sino-US film coproduction
This China–US case study describes the negotiation between Chinese consumer demand and the growing Chinese market for cinema, the Chinese film industry’s aspiration for international success and domestic development, the Chinese government’s soft power ambitions and the largest and most successful film industry in the world – Hollywood. This article gives a brief look at the Sino-US film coproduction history, examines the root reason for the phen…
Chasing the dragon's tail
Sino-Australian film co-production was founded on a treaty signed in 2007 and implemented in 2008. This article looks at the impetus for Australian and Chinese film-makers to work together and analyses the challenges of Sino-Australia treaty co-production. It addresses the question of why only a few low-profile films have been made after several years. The rewards from the Chinese market remains elusive, but valuable lessons have been learnt. The…
China’s soft power conundrum, film coproduction, and visions of shared prosperity
This paper looks at China’s soft power strategy in relation to the film industry, which since the early 2000s has opened to international co-productions and investment. Despite many coproduction projects being endorsed by government, results have not added significantly to China’s film-making reputation. The paper shows that coproductions have a diplomatic function, which implies a more conventional understanding of soft power. The paper also con…
Buying on Weixin/WeChat
This article examines the social-commercial activity of microcommerce ( wei shang ), which has become popular on Weixin (WeChat), one of the most popular messenger applications/social app installed on smartphones in China. By drawing on the notion of platform affordances and data collected from mixed methods centered on the analysis of primary and secondary data, we contend that microcommerce embodies Weixin’s structural (political economy) and c…
China (4 works) · Political science (4 works) · Asian Culture and Media Studies (3 works) · Hong Kong and Taiwan Politics (3 works) · Law (3 works) · Public relations (3 works) · Sociology (3 works) · Coproduction (2 works) · Economics (2 works) · Engineering (2 works)