Allan Cameron
Biographic Data
| ID | 3856019 |
|---|---|
| NAME | Allan Cameron |
| GIVEN NAMES | Allan |
| FAMILY NAME | Cameron |
| SIGNATURE | CAMERON A |
| ORCID | 0009-0003-9295-0926 |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 1 |
Time-lapse and the projected body
The technique of time-lapse, which has been applied to all manner of subjects from the cellular to the celestial, has an ambiguous relationship with the human body. Whereas slow motion typically accentuates the force and aesthetics of physical movement, time-lapse tends to decorporealize human figures, projecting bodies forward through time while turning them into phantasmal projections in space. This article examines a number of experimental fil…
The Locals and the global
Recent years have seen a conspicuous resurgence of the horror genre in New Zealand cinema. What sets recent New Zealand horror films apart from their local antecedents, however, is their self-conscious reframing of local identity against an international backdrop. Contemporary Kiwi horrors such as The Locals, Black Sheep, The Tattooist and Perfect Creature effectively extend horror's characteristic focus on questions of otherness to the otherness…
Above the Bottom Line
The recently completed Australian Screen Producer Survey provides the most current and detailed picture of the culture, motivations and aspirations of a highly influential sector of the content production industries. Drawing upon the results of the survey, this article reflects on the historical and theoretical difficulties entailed in defining the producer as a professional category, before outlining some of the survey's key findings. In particu…
Old Age and Other Essays
Left and Right
Doni's satirical utopia
Above the Bottom Line
The recently completed Australian Screen Producer Survey provides the most current and detailed picture of the culture, motivations and aspirations of a highly influential sector of the content production industries. Drawing upon the results of the survey, this article reflects on the historical and theoretical difficulties entailed in defining the producer as a professional category, before outlining some of the survey's key findings. In particu…
Doni's satirical utopia
Left and Right
Old Age and Other Essays
The Locals and the global
Recent years have seen a conspicuous resurgence of the horror genre in New Zealand cinema. What sets recent New Zealand horror films apart from their local antecedents, however, is their self-conscious reframing of local identity against an international backdrop. Contemporary Kiwi horrors such as The Locals, Black Sheep, The Tattooist and Perfect Creature effectively extend horror's characteristic focus on questions of otherness to the otherness…
Above the Bottom Line
The recently completed Australian Screen Producer Survey provides the most current and detailed picture of the culture, motivations and aspirations of a highly influential sector of the content production industries. Drawing upon the results of the survey, this article reflects on the historical and theoretical difficulties entailed in defining the producer as a professional category, before outlining some of the survey's key findings. In particu…
Time-lapse and the projected body
The technique of time-lapse, which has been applied to all manner of subjects from the cellular to the celestial, has an ambiguous relationship with the human body. Whereas slow motion typically accentuates the force and aesthetics of physical movement, time-lapse tends to decorporealize human figures, projecting bodies forward through time while turning them into phantasmal projections in space. This article examines a number of experimental fil…
Art (3 works) · Aesthetics (2 works) · Cinema and Media Studies (2 works) · Computer Science (2 works) · Philosophy (2 works) · Politics (2 works) · Sociology (2 works) · 1909 (1 work) · Aging (1 work) · Aging (1 work)