David Carlin
Biographic Data
| ID | 3856023 |
|---|---|
| NAME | David Carlin |
| GIVEN NAMES | David |
| FAMILY NAME | Carlin |
| SIGNATURE | CARLIN D |
| AFFILIATIONS | RMIT University |
| ORCID | 0000-0002-8902-0918 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Towards a National Data Architecture for Cultural Collections
This article summarises the aims, methods, information architecture, outputs, and innovations of the Australian Cultural Data Engine (ACD-Engine), a project that harnesses leading cultural databases to build bridges to research, industry, and government. The project investigates digital heritage collections, data ontologies, and interoperability, building an information architecture to enhance the open sharing of Australian cultural data. Working…
Science-based principles for corporate climate transition risk quantification
Marx and Lenin Walk Again
Today’s scenario for Revolution—as far as the would-be revolutionaries are concerned—is essentially the same as the old Marxism-Leninism scenario. Only the dramatist personae are changed. Now, instead of proletarians versus capitalists, it is persons of color versus whites
A Digital Archive in the Circus
This article discusses the phenomenon of the digital archive, in the context of performance practice and studies, as a potential liminal performance space blurring the boundaries between archive and repertoire (Taylor 2003). It takes the Circus Oz Living Archive as a case study to examine the opportunities and challenges facing cultural organisations wanting to take charge of the multimodal telling of their own histories, as digital technologies …
Poetic witnessing in the archive
In this paper I analyse the textual strategies employed in Ross Gibson and Kate Richards's interactive database narrative project Life after Wartime (2002), which I argue generates a form of narrative that embodies a 'poetics of haunting'. Shifting juxtapositions of image and text, archive and fiction within Life after Wartime serve to foreground the ambiguities within testimony and to set in motion the connections we make with the past. I explor…
Poetic witnessing in the archive
In this paper I analyse the textual strategies employed in Ross Gibson and Kate Richards's interactive database narrative project Life after Wartime (2002), which I argue generates a form of narrative that embodies a 'poetics of haunting'. Shifting juxtapositions of image and text, archive and fiction within Life after Wartime serve to foreground the ambiguities within testimony and to set in motion the connections we make with the past. I explor…
Poetic witnessing in the archive
In this paper I analyse the textual strategies employed in Ross Gibson and Kate Richards's interactive database narrative project Life after Wartime (2002), which I argue generates a form of narrative that embodies a 'poetics of haunting'. Shifting juxtapositions of image and text, archive and fiction within Life after Wartime serve to foreground the ambiguities within testimony and to set in motion the connections we make with the past. I explor…
A Digital Archive in the Circus
This article discusses the phenomenon of the digital archive, in the context of performance practice and studies, as a potential liminal performance space blurring the boundaries between archive and repertoire (Taylor 2003). It takes the Circus Oz Living Archive as a case study to examine the opportunities and challenges facing cultural organisations wanting to take charge of the multimodal telling of their own histories, as digital technologies …
Towards a National Data Architecture for Cultural Collections
This article summarises the aims, methods, information architecture, outputs, and innovations of the Australian Cultural Data Engine (ACD-Engine), a project that harnesses leading cultural databases to build bridges to research, industry, and government. The project investigates digital heritage collections, data ontologies, and interoperability, building an information architecture to enhance the open sharing of Australian cultural data. Working…
Science-based principles for corporate climate transition risk quantification
Marx and Lenin Walk Again
Today’s scenario for Revolution—as far as the would-be revolutionaries are concerned—is essentially the same as the old Marxism-Leninism scenario. Only the dramatist personae are changed. Now, instead of proletarians versus capitalists, it is persons of color versus whites
Art (2 works) · Computer Science (2 works) · Digital and Traditional Archives Management (2 works) · Epistemology (2 works) · History (2 works) · Literature (2 works) · Memory, Trauma, and Commemoration (2 works) · Sociology (2 works) · Aesthetics (1 works) · Anthropology (1 works)