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Ayanah Moor

Biographic Data

ID3856400
NAMEAyanah Moor
GIVEN NAMESAyanah
FAMILY NAMEMoor
SIGNATUREMOOR A
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Reveal and Restraint

    Open Access•Sampada Aranke, Ayanah Moor•ARTICLE•liquid blackness•2023•Cited by: 1•References: 3

    Sampada Aranke and Ayanah Moor dialogue on the myriad ways Moor intervenes upon art histories of abstraction in her studio practice. This conversation leads to threads and themes in her practice that open up avenues for rethinking liminality, suspension, and ongoingness that are central to this issue of liquid blackness. Moor calls her method “social abstraction,” by reconsidering how abstraction, a practice mis-categorized as one that transcends…

  • Still

    Ayanah Moor•ARTICLE•Meridians•2008

    Images of women surrounding male rap stars in music videos are as common as the jewel-encrusted subject matter of today's rap lyrics. Females are seen in packs hovering around male rap stars, playing the part of enthusiastic cheerleader or die-hard groupie. Rap music videos sell not only hip-hop culture, but also the very image of its women. They serve as eye candy designed to satisfy an assumed male video audience, affirming critiques of the cul…

  • Still

    Ayanah Moor•ARTICLE•Meridians•2007

  • Reveal and Restraint

    Open Access•Sampada Aranke, Ayanah Moor•ARTICLE•liquid blackness•2023•Cited by: 1•References: 3

    Sampada Aranke and Ayanah Moor dialogue on the myriad ways Moor intervenes upon art histories of abstraction in her studio practice. This conversation leads to threads and themes in her practice that open up avenues for rethinking liminality, suspension, and ongoingness that are central to this issue of liquid blackness. Moor calls her method “social abstraction,” by reconsidering how abstraction, a practice mis-categorized as one that transcends…

  • Still

    Ayanah Moor•ARTICLE•Meridians•2007

  • Still

    Ayanah Moor•ARTICLE•Meridians•2008

    Images of women surrounding male rap stars in music videos are as common as the jewel-encrusted subject matter of today's rap lyrics. Females are seen in packs hovering around male rap stars, playing the part of enthusiastic cheerleader or die-hard groupie. Rap music videos sell not only hip-hop culture, but also the very image of its women. They serve as eye candy designed to satisfy an assumed male video audience, affirming critiques of the cul…

  • Reveal and Restraint

    Open Access•Sampada Aranke, Ayanah Moor•ARTICLE•liquid blackness•2023•Cited by: 1•References: 3

    Sampada Aranke and Ayanah Moor dialogue on the myriad ways Moor intervenes upon art histories of abstraction in her studio practice. This conversation leads to threads and themes in her practice that open up avenues for rethinking liminality, suspension, and ongoingness that are central to this issue of liquid blackness. Moor calls her method “social abstraction,” by reconsidering how abstraction, a practice mis-categorized as one that transcends…

Art (2 works) · Computer Science (2 works) · Psychology (2 works) · Sociology (2 works) · Visual arts (2 works) · Abstraction (1 work) · Aesthetics (1 work) · Architecture, Art, Education (1 work) · Art, Politics, and Modernism (1 work) · Communication (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae