Bethany Hughes
Biographic Data
| ID | 3857523 |
|---|---|
| NAME | Bethany Hughes |
| GIVEN NAMES | Bethany |
| FAMILY NAME | Hughes |
| SIGNATURE | HUGHES B |
| AFFILIATIONS | University of Michigan |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Remapping Relations
Drawing on Indigenous feminist theories of futurity and care, interviews with Indigenous theatre artists, and a case study on decolonial acts of relational care refused, this article explores how carework in theatre production contracts reveals the labor of Indigenous artists to sustain and expand their communities. It explores the informal challenges Larissa FastHorse issues to producing companies, the contract riders about casting and consultat…
On Inclusion and Resurgence
This article follows the structure of a pop song-verse, chorus, verse, chorus, bridge, chorus-to put into relationship scholarship on North American Indigenous theatre and performance, the current state of academia, the politics of Indigeneity, and critiques of recognition and inclusion from Indigenous Studies. Historicizing Indigenous theatre scholarship and production alongside Peter Morin and Jimmie Kilpatrick's participatory karaoke performan…
Beautifully uncontainable
This article draws connections among horticultural understanding of invasive species, phenomenological participant observation of national remembrance with the Choctaw Nation of Oklahoma, and historical records of mass emigration. It is about honeysuckle, walking, and Indian Removal in the United States. In thinking about mobility and Indigeneity it draws on archival records, embodied research, and lyrical theorization grounded in the posture of …
Staging Indigeneity
Reviewed by: Staging Indigeneity: Salvage Tourism and the Performance of Native American History by Katrina M. Phillips Bethany Hughes Katrina M. Phillips. Staging Indigeneity: Salvage Tourism and the Performance of Native American History. 2021. Chapel Hill: University of North Carolina Press, 2021. 246 pp. Paper, $29.95; Hardcover, $95.00; E-book, $24.99. Staging Indigeneity by Katrina M. Phillips tells a compelling story of how Native American…
Witnessing Oka Apesvchi / Protecting the Water
Witnessing Oka Apesvchi / Protecting the Water1 Bethany Hughes (bio) Oceti Sakowin Land In 2016, water protectors joined together near the Standing Rock Sioux reservation in North Dakota to protest the installation of an oil pipeline on tribal homelands. The Sioux, known in their own language as Oceti Sakowin, led what became an international protest movement combining Native American rights and environmental activism. #NoDAPL and "Water Is Life"…
Oka Apesvchi
Using Chahta words—hvpia, we all are; oka ohoyo, water woman; apesvchi, to guard and care for—this essay builds an Indigenous-centered analysis of protest performances about water. A song, a dance, and a play created by three different Indigenous women and performed within a few months of one another focus the essay's analysis on the Indigenous feminist concept of radical relationality. By highlighting the relationship between water and humans, t…
Beautifully uncontainable
This article draws connections among horticultural understanding of invasive species, phenomenological participant observation of national remembrance with the Choctaw Nation of Oklahoma, and historical records of mass emigration. It is about honeysuckle, walking, and Indian Removal in the United States. In thinking about mobility and Indigeneity it draws on archival records, embodied research, and lyrical theorization grounded in the posture of …
Oka Apesvchi
Using Chahta words—hvpia, we all are; oka ohoyo, water woman; apesvchi, to guard and care for—this essay builds an Indigenous-centered analysis of protest performances about water. A song, a dance, and a play created by three different Indigenous women and performed within a few months of one another focus the essay's analysis on the Indigenous feminist concept of radical relationality. By highlighting the relationship between water and humans, t…
Witnessing Oka Apesvchi / Protecting the Water
Witnessing Oka Apesvchi / Protecting the Water1 Bethany Hughes (bio) Oceti Sakowin Land In 2016, water protectors joined together near the Standing Rock Sioux reservation in North Dakota to protest the installation of an oil pipeline on tribal homelands. The Sioux, known in their own language as Oceti Sakowin, led what became an international protest movement combining Native American rights and environmental activism. #NoDAPL and "Water Is Life"…
Oka Apesvchi
Using Chahta words—hvpia, we all are; oka ohoyo, water woman; apesvchi, to guard and care for—this essay builds an Indigenous-centered analysis of protest performances about water. A song, a dance, and a play created by three different Indigenous women and performed within a few months of one another focus the essay's analysis on the Indigenous feminist concept of radical relationality. By highlighting the relationship between water and humans, t…
Beautifully uncontainable
This article draws connections among horticultural understanding of invasive species, phenomenological participant observation of national remembrance with the Choctaw Nation of Oklahoma, and historical records of mass emigration. It is about honeysuckle, walking, and Indian Removal in the United States. In thinking about mobility and Indigeneity it draws on archival records, embodied research, and lyrical theorization grounded in the posture of …
Staging Indigeneity
Reviewed by: Staging Indigeneity: Salvage Tourism and the Performance of Native American History by Katrina M. Phillips Bethany Hughes Katrina M. Phillips. Staging Indigeneity: Salvage Tourism and the Performance of Native American History. 2021. Chapel Hill: University of North Carolina Press, 2021. 246 pp. Paper, $29.95; Hardcover, $95.00; E-book, $24.99. Staging Indigeneity by Katrina M. Phillips tells a compelling story of how Native American…
On Inclusion and Resurgence
This article follows the structure of a pop song-verse, chorus, verse, chorus, bridge, chorus-to put into relationship scholarship on North American Indigenous theatre and performance, the current state of academia, the politics of Indigeneity, and critiques of recognition and inclusion from Indigenous Studies. Historicizing Indigenous theatre scholarship and production alongside Peter Morin and Jimmie Kilpatrick's participatory karaoke performan…
Remapping Relations
Drawing on Indigenous feminist theories of futurity and care, interviews with Indigenous theatre artists, and a case study on decolonial acts of relational care refused, this article explores how carework in theatre production contracts reveals the labor of Indigenous artists to sustain and expand their communities. It explores the informal challenges Larissa FastHorse issues to producing companies, the contract riders about casting and consultat…
History (4 works) · Indigenous (4 works) · Political science (4 works) · Sociology (4 works) · Aesthetics (3 works) · Art (3 works) · Ecology (3 works) · History (3 works) · Indigenous Health, Education, and Rights (3 works) · Law (3 works)