Laura Di Bianco
Biographic Data
| ID | 3858033 |
|---|---|
| NAME | Laura Di Bianco |
| GIVEN NAMES | Laura |
| FAMILY NAME | Di Bianco |
| SIGNATURE | DI BIANCO L |
| AFFILIATIONS | Johns Hopkins University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Calvino and Cinema
Rightfully deemed one the most cinematic of all Italian writers, Italo Calvino has been an endless source of inspiration for contemporary directors and visual artists. Calvino, however, had an ambiguous relationship with the world of cinema. Despite being an avid moviegoer for most of his life, he displayed both a fascination with and a certain disdain for film. While cinematic adaptations of his literary works have been rare, and not always succ…
Ecocinema Ars et Praxis
Ecocinema places the relationship between humans, nonhumans, and the environment at the centre of film narration. As an earth-centred approach rather than an anthropocentric one, ecocinema is ethically charged and political, offering a bioegalitarian view of the world while denying human moral preeminence. As I view it, it is a diegetic feature, a modality of representation and storytelling, as well as an environmentally aware production mode. Dr…
Donna Imma's ‘Dream of Domination’ (‘Il ruggito della leonessa’, Francesca Comencini)
In contrast to most mafia-centred films including Matteo Garrone's Gomorra where women are marginal to the narrative, in Gomorra: la serie women protagonists take on central roles. Episodes 1.5 and
No prominent works on this page.
Donna Imma's ‘Dream of Domination’ (‘Il ruggito della leonessa’, Francesca Comencini)
In contrast to most mafia-centred films including Matteo Garrone's Gomorra where women are marginal to the narrative, in Gomorra: la serie women protagonists take on central roles. Episodes 1.5 and
Ecocinema Ars et Praxis
Ecocinema places the relationship between humans, nonhumans, and the environment at the centre of film narration. As an earth-centred approach rather than an anthropocentric one, ecocinema is ethically charged and political, offering a bioegalitarian view of the world while denying human moral preeminence. As I view it, it is a diegetic feature, a modality of representation and storytelling, as well as an environmentally aware production mode. Dr…
Calvino and Cinema
Rightfully deemed one the most cinematic of all Italian writers, Italo Calvino has been an endless source of inspiration for contemporary directors and visual artists. Calvino, however, had an ambiguous relationship with the world of cinema. Despite being an avid moviegoer for most of his life, he displayed both a fascination with and a certain disdain for film. While cinematic adaptations of his literary works have been rare, and not always succ…
Art (3 works) · Art history (3 works) · Literature (3 works) · Philosophy (3 works) · Italian Fascism and Post-war Society (2 works) · Italian Literature and Culture (2 works) · Narrative (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Anthropocentrism (1 work)