Stuart Burrow
Biographic Data
| ID | 3858312 |
|---|---|
| NAME | Stuart Burrow |
| GIVEN NAMES | Stuart |
| FAMILY NAME | Burrow |
| SIGNATURE | BURROW S |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
The Roar of the Minotaur
This essay proposes that W. G. Sebald’s distinctive contribution to the global novel is his reordering of the space of representation. This reordering is both literal and metaphorical. It is literal, in the sense that Sebald sets his work within actual spaces: the pages upon which his novels are written as much as the landscape being traversed by his narrator. It is metaphorical, in the sense that Sebald explores a set of imaginary spaces nested …
You Heard Her, You Ain't Blind
Research Article| November 01 2001 "You Heard Her, You Ain't Blind": Seeing What's Said in Their Eyes Were Watching God STUART BURROWS STUART BURROWS Search for other works by this author on: This Site Google Novel (2001) 34 (3): 434-452. https://doi.org/10.2307/1346075 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation STUART BURROWS; "You Heard Her, You Ain't Blind": Seeing What's Said in Their Eye…
The Roar of the Minotaur
This essay proposes that W. G. Sebald’s distinctive contribution to the global novel is his reordering of the space of representation. This reordering is both literal and metaphorical. It is literal, in the sense that Sebald sets his work within actual spaces: the pages upon which his novels are written as much as the landscape being traversed by his narrator. It is metaphorical, in the sense that Sebald explores a set of imaginary spaces nested …
You Heard Her, You Ain't Blind
Research Article| November 01 2001 "You Heard Her, You Ain't Blind": Seeing What's Said in Their Eyes Were Watching God STUART BURROWS STUART BURROWS Search for other works by this author on: This Site Google Novel (2001) 34 (3): 434-452. https://doi.org/10.2307/1346075 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation STUART BURROWS; "You Heard Her, You Ain't Blind": Seeing What's Said in Their Eye…
You Heard Her, You Ain't Blind
Research Article| November 01 2001 "You Heard Her, You Ain't Blind": Seeing What's Said in Their Eyes Were Watching God STUART BURROWS STUART BURROWS Search for other works by this author on: This Site Google Novel (2001) 34 (3): 434-452. https://doi.org/10.2307/1346075 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation STUART BURROWS; "You Heard Her, You Ain't Blind": Seeing What's Said in Their Eye…
The Roar of the Minotaur
This essay proposes that W. G. Sebald’s distinctive contribution to the global novel is his reordering of the space of representation. This reordering is both literal and metaphorical. It is literal, in the sense that Sebald sets his work within actual spaces: the pages upon which his novels are written as much as the landscape being traversed by his narrator. It is metaphorical, in the sense that Sebald explores a set of imaginary spaces nested …
Aesthetics (1 work) · Art (1 work) · Boundary (topology (1 work) · Computer Science (1 work) · Download (1 work) · Fictional universe (1 work) · Icon (1 work) · Latin American and Latino Studies (1 work) · Linguistics (1 work) · Literal (mathematical logic (1 work)