Ralph Berry
Biographic Data
| ID | 3858375 |
|---|---|
| NAME | Ralph Berry |
| GIVEN NAMES | Ralph |
| FAMILY NAME | Berry |
| SIGNATURE | BERRY R |
| AFFILIATIONS | Florida State University |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 15 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1967 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Can Literature Know Itself and Not Become Philosophy
Before puzzling over some possible conjunction between literature and philosophy, one has to agree on what such concepts mean. However, as soon as one wonders about their definitions, concepts like “literature” or “the novel” on the one hand, or “philosophy” or even “concept” on the other, prove all too elusive. If one thinks they know what a novel is, it proves virtually impossible to freeze a suitable definition of the aesthetic concept. The re…
Shakespeare in Performance
Wittgenstein's Use
The current "crisis" of the humanities foregrounds conceptual confusions about the humanities' use. Wittgenstein's account of meaning as use can help clarify these confusions, but only by making humanistic knowledge internal to the knower's form of life. Part of the reason recent debates over the practical value of the humanities have proven so unsatisfying is their failure to explain how it is possible for humanistic knowledge to be either usefu…
Shakespeare’s Playhouses
Shakespeare's Playhouses collects six essays about the four playhouses in which Shakespeare had at least a financial stake: The Theatre in Shoreditch, the Black- friars, the first and second Globe.These essays, all of them fascinating reading, are not easily categorised.As Herbert Berry explains, they stem
Shakespeare and Social Class
Banquets Set Forth
1Stratford-upon-Avon Banquets Set Forth: Banqueting in English Renaissance Drama ChrisMeads x + 257Manchester and New YorkManchester University Press, (The Revels Plays Companion Library) 2001£45.00 0-7190-5567-9
Shakespeare in Performance
These studies of Shakespeare in performance take stage history as a means of knowing the play. Half these studies deal with casting: doubling, Chorus and the crowd, the star of Hamlet and Measure for
Casting the Crowd
This is the opening stage direction for Coriolanus. It is a formidable and threatening gesture, an impulse of stage energy that is raw violence. In the play's dialectic of force and thought, the Roman people against Coriolanus, the people enter first. They appear and are spoken of as a collective. What does this collective mean, and how is it cast?
Shakespeare and the Awareness of the Audience
Shakespearean Structures
Hamlet
Much Ado about nothing
The Problem of Convention in Drama
Journal Article THE PROBLEM OF CONVENTION IN DRAMA Get access Ralph Berry Ralph Berry Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 9, Issue 3, July 1969, Pages 222–230, https://doi.org/10.1093/bjaesthetics/9.3.222 Published: 01 July 1969
A Note on the ‘Objet Trouve’
The Frontier of Metaphor and Symbol
THE FRONTIER OF METAPHOR AND SYMBOL Ralph Berry Ralph Berry Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 7, Issue 1, January 1967, Pages 76–83, https://doi.org/10.1093/bjaesthetics/7.1.76 Published: 01 January 1967
Wittgenstein's Use
The current "crisis" of the humanities foregrounds conceptual confusions about the humanities' use. Wittgenstein's account of meaning as use can help clarify these confusions, but only by making humanistic knowledge internal to the knower's form of life. Part of the reason recent debates over the practical value of the humanities have proven so unsatisfying is their failure to explain how it is possible for humanistic knowledge to be either usefu…
Shakespeare and the Awareness of the Audience
The Problem of Convention in Drama
Journal Article THE PROBLEM OF CONVENTION IN DRAMA Get access Ralph Berry Ralph Berry Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 9, Issue 3, July 1969, Pages 222–230, https://doi.org/10.1093/bjaesthetics/9.3.222 Published: 01 July 1969
A Note on the ‘Objet Trouve’
The Frontier of Metaphor and Symbol
THE FRONTIER OF METAPHOR AND SYMBOL Ralph Berry Ralph Berry Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 7, Issue 1, January 1967, Pages 76–83, https://doi.org/10.1093/bjaesthetics/7.1.76 Published: 01 January 1967
The Problem of Convention in Drama
Journal Article THE PROBLEM OF CONVENTION IN DRAMA Get access Ralph Berry Ralph Berry Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 9, Issue 3, July 1969, Pages 222–230, https://doi.org/10.1093/bjaesthetics/9.3.222 Published: 01 July 1969
Much Ado about nothing
Shakespearean Structures
Hamlet
Shakespeare and the Awareness of the Audience
Shakespeare in Performance
These studies of Shakespeare in performance take stage history as a means of knowing the play. Half these studies deal with casting: doubling, Chorus and the crowd, the star of Hamlet and Measure for
Casting the Crowd
This is the opening stage direction for Coriolanus. It is a formidable and threatening gesture, an impulse of stage energy that is raw violence. In the play's dialectic of force and thought, the Roman people against Coriolanus, the people enter first. They appear and are spoken of as a collective. What does this collective mean, and how is it cast?
Banquets Set Forth
1Stratford-upon-Avon Banquets Set Forth: Banqueting in English Renaissance Drama ChrisMeads x + 257Manchester and New YorkManchester University Press, (The Revels Plays Companion Library) 2001£45.00 0-7190-5567-9
Shakespeare’s Playhouses
Shakespeare's Playhouses collects six essays about the four playhouses in which Shakespeare had at least a financial stake: The Theatre in Shoreditch, the Black- friars, the first and second Globe.These essays, all of them fascinating reading, are not easily categorised.As Herbert Berry explains, they stem
Shakespeare and Social Class
Wittgenstein's Use
The current "crisis" of the humanities foregrounds conceptual confusions about the humanities' use. Wittgenstein's account of meaning as use can help clarify these confusions, but only by making humanistic knowledge internal to the knower's form of life. Part of the reason recent debates over the practical value of the humanities have proven so unsatisfying is their failure to explain how it is possible for humanistic knowledge to be either usefu…
Shakespeare in Performance
Can Literature Know Itself and Not Become Philosophy
Before puzzling over some possible conjunction between literature and philosophy, one has to agree on what such concepts mean. However, as soon as one wonders about their definitions, concepts like “literature” or “the novel” on the one hand, or “philosophy” or even “concept” on the other, prove all too elusive. If one thinks they know what a novel is, it proves virtually impossible to freeze a suitable definition of the aesthetic concept. The re…
Art (9 works) · History (8 works) · Computer Science (4 works) · Epistemology (4 works) · History (4 works) · Philosophy (4 works) · Shakespeare, Adaptation, and Literary Criticism (4 works) · Sociology (4 works) · Aesthetics (3 works) · Historical Art and Culture Studies (3 works)