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Emily Steiner

Biographic Data

ID3858463
NAMEEmily Steiner
GIVEN NAMESEmily
FAMILY NAMESteiner
SIGNATURESTEINER E
AFFILIATIONSUniversity of Pennsylvania
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS3
WORKS AS AUTHOR10
WORKS AS EDITOR2
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Communities in Crisis

    Emily Steiner•ARTICLE•Exemplaria•2022•References: 3

    This essay considers how the experience of being a Jewish heritage traveler inflects the author’s approach to reading and teaching medieval literature. For the author, Jewish heritage travel, whether medieval or modern, tells alternative histories which rely upon alternative ways of seeing and interpreting in the face of ongoing, chronic crisis. Just as the medieval travel narrative of Benjamin of Tudela lists Jewish monuments in Rome alongside C…

  • Neck Verse

    Emily Steiner•ARTICLE•New Literary History•2022

    Mitigations in medieval criminal law, designed to prevent or defer execution, have been regarded in a variety of ways: as acts of mercy, as discretionary measures, and as travesties of justice. For post-medieval English and American writers they also represent the past of the law; since at least the eighteenth century they have formed the backbone of legal histories describing the passage from premodern to modern law and from a less to a more equ…

  • John Trevisa's Information Age

    Emily Steiner, Emily M Steiner•BOOK•John Trevisa's Information Age•2021

  • Encyclopedic Style

    Emily Steiner•CHAPTER•John Trevisa's Information Age•2021

    This chapter turns to Trevisa’s accomplished translation of Bartholomaeus Anglicus’s natural encyclopedia, De proprietatibus rerum . Medieval encyclopedias like Trevisa’s subvert modern expectations of natural history by showing first, that the history of information culture includes both literature and the literary, and second, that the history of English literature includes the translation of big Latin encyclopedias into the vernacular. Trevisa…

  • Encyclopedic Verse and Vernacular Science

    Emily Steiner•CHAPTER•John Trevisa's Information Age•2021

    Le Livre de Sydrac , originally composed in French for the French court in the last decades of the thirteenth century, was translated into English before 1400 and survives in eight medieval copies. The most complete versions of the English translation, a versified redaction of the French prose, add up to approximately 11,000 lines of verse. This chapter argues that the English Sydrac , which addresses topics ranging from the best body parts to th…

  • Medieval Historical Writing

    Open Access•Jennifer Jahner, Emily Steiner et al.•EDITOR•BOOK•Medieval Historical Writing•2019

    History writing in the Middle Ages did not belong to any particular genre, language or class of texts. Its remit was wide, embracing the events of antiquity; the deeds of saints, rulers and abbots; archival practices; and contemporary reportage. This volume addresses the challenges presented by medieval historiography by using the diverse methodologies of medieval studies: legal and literary history, art history, religious studies, codicology, th…

  • Medieval Historical Writing

    Elizabeth M Tyler, Emily Steiner et al.•BOOK•Medieval Historical Writing•2019

  • Alliterative Poetry and the Time of Antiquity

    Emily Steiner•CHAPTER•Oxford History of Classical…•2016

  • Compendious Genres

    Emily Steiner•ARTICLE•Exemplaria•2015•Cited by: 3

    Medieval compendia, the Wikipedia of the Middle Ages, are a rich and productive source for medieval thinking about genre. For some medieval writers, writing in Latin or in the vernacular, compendiousness was not only an indicator of genre but also a pretext for genre thinking. It is at once a characteristic of a medieval genre and the means through which medieval writers experimented with genre. In this essay I focus on two compendious writers, t…

  • The Culture of Inquisition in Medieval England

    Mary C Flannery, Katie L Walter et al.•EDITOR•BOOK•Culture of Inquisition in…•2013

    Groundbreaking essays show the variety and complexity of the roles played by inquisition in medieval England. Inquisition in medieval and early modern England has typically been the subject of historical rather than cultural investigation, and focussed on heresy. Here, however, inquisition is revealed as playing a broader role in medievalEnglish culture, not only in relation to sanctions like excommunication, penance and confession, but also in t…

  • Piers Plowman, Diversity, and the Medieval Political Aesthetic

    Emily Steiner•ARTICLE•Representations•2005

    This essay argues that later medieval English poetry, and William Langland's Piers Plowman in particular, developed strains of political thought that originated with Continental legal scholars. More specifically, Langland, in concert with other fourteenth-century alliterative poets, helped shape political thought about diversity, an "unfinished" project of earlier Continental philosophers and jurists, through radical experiments in poetic form

  • Interpretation in "Piers Plowman" . William Elford Rogers

    Emily Steiner•ARTICLE•Speculum•2004

  • Compendious Genres

    Emily Steiner•ARTICLE•Exemplaria•2015•Cited by: 3

    Medieval compendia, the Wikipedia of the Middle Ages, are a rich and productive source for medieval thinking about genre. For some medieval writers, writing in Latin or in the vernacular, compendiousness was not only an indicator of genre but also a pretext for genre thinking. It is at once a characteristic of a medieval genre and the means through which medieval writers experimented with genre. In this essay I focus on two compendious writers, t…

  • Interpretation in "Piers Plowman" . William Elford Rogers

    Emily Steiner•ARTICLE•Speculum•2004

  • Piers Plowman, Diversity, and the Medieval Political Aesthetic

    Emily Steiner•ARTICLE•Representations•2005

    This essay argues that later medieval English poetry, and William Langland's Piers Plowman in particular, developed strains of political thought that originated with Continental legal scholars. More specifically, Langland, in concert with other fourteenth-century alliterative poets, helped shape political thought about diversity, an "unfinished" project of earlier Continental philosophers and jurists, through radical experiments in poetic form

  • The Culture of Inquisition in Medieval England

    Mary C Flannery, Katie L Walter et al.•EDITOR•BOOK•Culture of Inquisition in…•2013

    Groundbreaking essays show the variety and complexity of the roles played by inquisition in medieval England. Inquisition in medieval and early modern England has typically been the subject of historical rather than cultural investigation, and focussed on heresy. Here, however, inquisition is revealed as playing a broader role in medievalEnglish culture, not only in relation to sanctions like excommunication, penance and confession, but also in t…

  • Compendious Genres

    Emily Steiner•ARTICLE•Exemplaria•2015•Cited by: 3

    Medieval compendia, the Wikipedia of the Middle Ages, are a rich and productive source for medieval thinking about genre. For some medieval writers, writing in Latin or in the vernacular, compendiousness was not only an indicator of genre but also a pretext for genre thinking. It is at once a characteristic of a medieval genre and the means through which medieval writers experimented with genre. In this essay I focus on two compendious writers, t…

  • Alliterative Poetry and the Time of Antiquity

    Emily Steiner•CHAPTER•Oxford History of Classical…•2016

  • Medieval Historical Writing

    Open Access•Jennifer Jahner, Emily Steiner et al.•EDITOR•BOOK•Medieval Historical Writing•2019

    History writing in the Middle Ages did not belong to any particular genre, language or class of texts. Its remit was wide, embracing the events of antiquity; the deeds of saints, rulers and abbots; archival practices; and contemporary reportage. This volume addresses the challenges presented by medieval historiography by using the diverse methodologies of medieval studies: legal and literary history, art history, religious studies, codicology, th…

  • Medieval Historical Writing

    Elizabeth M Tyler, Emily Steiner et al.•BOOK•Medieval Historical Writing•2019

  • John Trevisa's Information Age

    Emily Steiner, Emily M Steiner•BOOK•John Trevisa's Information Age•2021

  • Encyclopedic Style

    Emily Steiner•CHAPTER•John Trevisa's Information Age•2021

    This chapter turns to Trevisa’s accomplished translation of Bartholomaeus Anglicus’s natural encyclopedia, De proprietatibus rerum . Medieval encyclopedias like Trevisa’s subvert modern expectations of natural history by showing first, that the history of information culture includes both literature and the literary, and second, that the history of English literature includes the translation of big Latin encyclopedias into the vernacular. Trevisa…

  • Encyclopedic Verse and Vernacular Science

    Emily Steiner•CHAPTER•John Trevisa's Information Age•2021

    Le Livre de Sydrac , originally composed in French for the French court in the last decades of the thirteenth century, was translated into English before 1400 and survives in eight medieval copies. The most complete versions of the English translation, a versified redaction of the French prose, add up to approximately 11,000 lines of verse. This chapter argues that the English Sydrac , which addresses topics ranging from the best body parts to th…

  • Communities in Crisis

    Emily Steiner•ARTICLE•Exemplaria•2022•References: 3

    This essay considers how the experience of being a Jewish heritage traveler inflects the author’s approach to reading and teaching medieval literature. For the author, Jewish heritage travel, whether medieval or modern, tells alternative histories which rely upon alternative ways of seeing and interpreting in the face of ongoing, chronic crisis. Just as the medieval travel narrative of Benjamin of Tudela lists Jewish monuments in Rome alongside C…

  • Neck Verse

    Emily Steiner•ARTICLE•New Literary History•2022

    Mitigations in medieval criminal law, designed to prevent or defer execution, have been regarded in a variety of ways: as acts of mercy, as discretionary measures, and as travesties of justice. For post-medieval English and American writers they also represent the past of the law; since at least the eighteenth century they have formed the backbone of legal histories describing the passage from premodern to modern law and from a less to a more equ…

History (9 works) · Medieval Literature and History (8 works) · Art (7 works) · Literature (7 works) · Philosophy (5 works) · Classics (4 works) · Encyclopedia (3 works) · Law (3 works) · Linguistics (3 works) · Political science (3 works)

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