Juliet Fleming

Biographic Data

ID3858544
NAMEJuliet Fleming
GIVEN NAMESJuliet
FAMILY NAMEFleming
SIGNATUREFLEMING J
AFFILIATIONSNew York University
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS2
WORKS AS AUTHOR11
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2022
H-INDEX1

  • Signing the Body

    Open AccessJuliet FlemingARTICLERenaissance Quarterly2022

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  • Graffiti Futures

    Open AccessJuliet FlemingARTICLEJournal of Early Modern Studies2020

    Historical graffiti survives in much greater quantities than has hitherto been understood. For those with eyes to see it, the technologies to restore it to visibility, and the patience to learn to read it, graffiti can be found everywhere. Graffiti is also a phenomenon of current consequence that continues to produce and constitute archives of immense historical importance. But there is nothing singular about it, and its global history – which mi…

  • Cultural Graphology

    Juliet FlemingBOOKCultural Graphology2016

  • Cultural Graphology

    Juliet FlemingBOOKCultural Graphology2016

  • The Renaissance Collage

    Juliet FlemingARTICLEJournal of Medieval and Early…2015Cited by: 1

    The essays gathered in this special issue of JMEMS describe processes of cutting, dismantling, and reassembling printed books in the early modern period. This focus on “collage” techniques in bookmaking should displace the commonsense understanding of the book as an undisturbed whole, as these essays posit alternative, dispersive, and layered models for the book. By showing that cutting and pasting can rightly be recognized as acts of reading and…

  • Scraping by

    Open AccessJuliet FlemingARTICLEpostmedieval a journal of…2012References: 1

  • Changed opinion as to flowers

    Open AccessJuliet FlemingCHAPTERRenaissance Paratexts2011

    The flower is one of the typical passions of the human spirit. One of the wheels of its contrivance. One of its routine metaphors . . .To liberate ourselves, let’s liberate the flower. Let’s change our minds about it . . .By some devolative revolution, Let us return it, safe from all definition, to what it is. – But what, then? – Quite obviously, a conceptacle.(Francis Ponge, ‘Changed Opinion as to Flowers’).

  • How Not to Look at a Printed Flower

    Juliet FlemingARTICLEJournal of Medieval and Early…2008Cited by: 1

    Research Article| May 01 2008 How Not to Look at a Printed Flower Juliet Fleming Juliet Fleming Search for other works by this author on: This Site Google Journal of Medieval and Early Modern Studies (2008) 38 (2): 345–371. https://doi.org/10.1215/10829636-2007-029 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Juliet Fleming; How Not to Look at a Printed Flower. Journal of Medieval and Early Mode…

  • Old Worlds

    Open AccessJuliet Fleming, Jennifer FlemingARTICLERenaissance Quarterly2004

    John Michael Archer. Old Worlds: Egypt, Southwest Asia, India, and Russia in Early Modern English Writing. Stanford: Stanford University Press, 2001. x + 242 pp. index, bibl. $49.50. ISBN: 0-8047-4337-1. - Volume 57 Issue 2

  • The Renaissance Tattoo

    Open AccessJuliet FlemingARTICLERes: Anthropology and Aesthetics1997

  • The French Garden

    Juliet FlemingARTICLEELH1989

    補正完畢