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Nigel Leask

Biographic Data

ID3858575
NAMENigel Leask
GIVEN NAMESNigel
FAMILY NAMELeask
SIGNATURELEASK N
AFFILIATIONSUniversity of Glasgow
ORCID0000-0001-7839-7034
VERIFIEDNo
TOTAL WORKS20
TOTAL CITATIONS0
AUTHOR COUNT17
EDITOR COUNT3
FIRST PUBLICATION YEAR1800
LATEST PUBLICATION YEAR2023
H-INDEX0
  • The Cambridge Companion to Byron: Second Edition

    Open Access•Paul Douglas, Tom Mole et al.•BOOK•The Cambridge Companion to Byron•2023

    Deeply informed and appealingly written, this revised and updated second edition gives fresh life to the enthralling sexual, poetic and political contradictions that make Byron the first literary celebrity. Encompassing his entire oeuvre, the volume both provides an authoritative guide for students, and points to emerging new areas of research, highlighting Byron's ongoing relevance in an increasingly complex world both within academia and beyond…

  • The Oxford Edition of The Works of Robert Burns, Vol. 2: The Scots Musical Museum, Part One: Introduction and Text: Introduction and Text

    Robert Burns, Gerard Carruthers et al.•BOOK•Oxford Edition of the Works of…•2018

  • The Oxford Edition of The Works of Robert Burns, Vol. 3: The Scots Musical Museum, Part Two: Notes and Appendices: Notes and Appendices

    Robert Burns, Gerard Carruthers et al.•BOOK•Oxford Edition of the Works of…•2018

  • Ossianic Unconformities: Bardic Poetry in the Industrial Age, Eric Gidal

    Open Access•Nigel Leask•ARTICLE•Journal of Historical Geography•2016

  • The Oxford Edition of The Works of Robert Burns, Vol. 1: Commonplace Books, Tour Journals, and Miscellaneous Prose

    Robert Burns, Elizabeth Scot [Rutherford Scott] et al.•BOOK•Commonplace Books, Tour Journals,…•2014

  • Travel writing and tourism in Britain and Ireland

    Nigel Leask•ARTICLE•Studies in Travel Writing•2014

  • Loss and Permanence

    Nigel Leask•ARTICLE•History Workshop Journal•2013

    Journal Article Loss and Permanence Get access Andrew Blaikie, The Scots Imagination and Modern Memory, Edinburgh University Press, 2010. pp. 262 + ix; ISBN 9780748617869 Nigel Leask Nigel Leask Nigel [email protected] is Regius Professor of English Language and Literature and Head of the School of Critical Studies at the University of Glasgow. His 2010 monograph Burns and Pastoral won the Saltire Research Book of the Year Prize. He …

  • Travel Writing in the Nineteenth Century: Filling the Blank Spaces

    Vesna Goldsworthy, Stephen Donovan et al.•BOOK•Travel Writing in the Nineteenth…•2006

  • Land, Nation and Culture, 1740–1840

    Open Access•Peter De Bolla, Nigel Leask et al.•BOOK•Land, Nation and Culture, 1740-1840•2005

    Over the last twenty years, critics and historians of the late Eighteenth-century have developed a multidisciplinary approach to the history of culture. This dialogue between literary critics and theo

  • Easts

    Nigel Leask•CHAPTER•Romanticism•2005

    ‘Stick to the East;—the oracle [Madame de Staël] told me it was the only poetical policy. The North, South, and West, have all been exhausted . . . the public are orientalizing, and pave the path for you.’ Thus Lord Byron to the Irish poet Tom Moore in May 1813, a year after he had achieved fame with the first two cantos of Childe Harold’s Pilgrimage , based on his own Levantine Grand Tour of 1809–11. Byron’s remarks give us insight into the work…

  • Byron and the Eastern Mediterranean: Childe Harold ii and the ‘polemic of Ottoman Greece’

    Open Access•Nigel Leask•CHAPTER•The Cambridge companion to Byron•2004

    Slow sinks, more lovely ere his race be run, Along Morea’s hills the setting sun; Not, as in Northern climes, obscurely bright, But one unclouded blaze of yellow light! . . . On old Aegina’s rock and Idra’s isle, The god of gladness sheds his parting smile; O’er his own regions lingering, loves to shine, Though there his altars are no more divine. ( The Corsair , iii .1–4, 7–10) In the opening lines of the third canto of The Corsair (1814), Byron…

  • The Cambridge Companion to Byron

    Open Access•J Drummond Bone, Paul Douglas et al.•BOOK•The Cambridge companion to Byron•2004

    Byron's life and work have fascinated readers around the world for two hundred years, but it is the complex interaction between his art and his politics, beliefs and sexuality that has attracted so many modern critics and students. In three sections devoted to the historical, textual and literary contexts of Byron's life and times, these specially commissioned essays by a range of eminent Byron scholars provide a compelling picture of the diversi…

  • The Complexion of Race: Categories of Difference in Eighteenth-Century British Culture

    Nigel Leask•ARTICLE•History Workshop Journal•2002

    1The English Faculty at Cambridge University and a Fellow of Queens College The Complexion of Race: Categories of Difference in Eighteenth‐Century British Culture RoxannWheeler University of Pennsylvania PressPhiladelphia 20003710‐8122‐1722‐5

  • Irish Republicans and Gothic Eleutherarchs: Pacific Utopias in the Writings of Theobald Wolfe Tone and Charles Brockden Brown

    Nigel Leask•ARTICLE•Huntington Library Quarterly•2000

    Repudiating Montesquieu's and Rousseau's contention that the virtuous republic was an impossibility in the complex commercial states of modern Europe, the French revolutionaries sought to fuse utopianism with constitutional politics. The statist utopias of twentieth-century totalitarian regimes that (arguably) built on that foundation have given utopianism a bad name in our epoch. In this essay I want to examine Gregory Claeys's argument that the…

  • Fire or flood? Wordsworth and romantic geology

    Open Access•Nigel Leask•ARTICLE•Studies in History and Philosophy…•1998

  • The Imperial Encounter

    Gautam Chakravarty, Nigel Leask•ARTICLE•Social Scientist•1993

  • The Politics of Imagination in Coleridge’s Critical Thought

    Nigel Leask•BOOK•The Politics of Imagination in…•1988

  • Art and Knowledge: Chapters Twelve and Thirteen of the Biographia Literaria

    Nigel Leask•CHAPTER•The Politics of Imagination in…•1988

  • Coleridge’s Lecture ‘On the Prometheus of Aeschylus’

    Nigel Leask•CHAPTER•The Politics of Imagination in…•1988

  • First Commonplace Book, 1783-1785

    Robert Burns, Nigel Leask•CHAPTER•The Oxford Edition of The Works…•1800

    "First Commonplace Book, 1783-1785" published on by null.

No prominent works on this page.

  • First Commonplace Book, 1783-1785

    Robert Burns, Nigel Leask•CHAPTER•The Oxford Edition of The Works…•1800

    "First Commonplace Book, 1783-1785" published on by null.

  • The Politics of Imagination in Coleridge’s Critical Thought

    Nigel Leask•BOOK•The Politics of Imagination in…•1988

  • Art and Knowledge: Chapters Twelve and Thirteen of the Biographia Literaria

    Nigel Leask•CHAPTER•The Politics of Imagination in…•1988

  • Coleridge’s Lecture ‘On the Prometheus of Aeschylus’

    Nigel Leask•CHAPTER•The Politics of Imagination in…•1988

  • The Imperial Encounter

    Gautam Chakravarty, Nigel Leask•ARTICLE•Social Scientist•1993

  • Fire or flood? Wordsworth and romantic geology

    Open Access•Nigel Leask•ARTICLE•Studies in History and Philosophy…•1998

  • Irish Republicans and Gothic Eleutherarchs: Pacific Utopias in the Writings of Theobald Wolfe Tone and Charles Brockden Brown

    Nigel Leask•ARTICLE•Huntington Library Quarterly•2000

    Repudiating Montesquieu's and Rousseau's contention that the virtuous republic was an impossibility in the complex commercial states of modern Europe, the French revolutionaries sought to fuse utopianism with constitutional politics. The statist utopias of twentieth-century totalitarian regimes that (arguably) built on that foundation have given utopianism a bad name in our epoch. In this essay I want to examine Gregory Claeys's argument that the…

  • The Complexion of Race: Categories of Difference in Eighteenth-Century British Culture

    Nigel Leask•ARTICLE•History Workshop Journal•2002

    1The English Faculty at Cambridge University and a Fellow of Queens College The Complexion of Race: Categories of Difference in Eighteenth‐Century British Culture RoxannWheeler University of Pennsylvania PressPhiladelphia 20003710‐8122‐1722‐5

  • Byron and the Eastern Mediterranean: Childe Harold ii and the ‘polemic of Ottoman Greece’

    Open Access•Nigel Leask•CHAPTER•The Cambridge companion to Byron•2004

    Slow sinks, more lovely ere his race be run, Along Morea’s hills the setting sun; Not, as in Northern climes, obscurely bright, But one unclouded blaze of yellow light! . . . On old Aegina’s rock and Idra’s isle, The god of gladness sheds his parting smile; O’er his own regions lingering, loves to shine, Though there his altars are no more divine. ( The Corsair , iii .1–4, 7–10) In the opening lines of the third canto of The Corsair (1814), Byron…

  • The Cambridge Companion to Byron

    Open Access•J Drummond Bone, Paul Douglas et al.•BOOK•The Cambridge companion to Byron•2004

    Byron's life and work have fascinated readers around the world for two hundred years, but it is the complex interaction between his art and his politics, beliefs and sexuality that has attracted so many modern critics and students. In three sections devoted to the historical, textual and literary contexts of Byron's life and times, these specially commissioned essays by a range of eminent Byron scholars provide a compelling picture of the diversi…

  • Land, Nation and Culture, 1740–1840

    Open Access•Peter De Bolla, Nigel Leask et al.•BOOK•Land, Nation and Culture, 1740-1840•2005

    Over the last twenty years, critics and historians of the late Eighteenth-century have developed a multidisciplinary approach to the history of culture. This dialogue between literary critics and theo

  • Easts

    Nigel Leask•CHAPTER•Romanticism•2005

    ‘Stick to the East;—the oracle [Madame de Staël] told me it was the only poetical policy. The North, South, and West, have all been exhausted . . . the public are orientalizing, and pave the path for you.’ Thus Lord Byron to the Irish poet Tom Moore in May 1813, a year after he had achieved fame with the first two cantos of Childe Harold’s Pilgrimage , based on his own Levantine Grand Tour of 1809–11. Byron’s remarks give us insight into the work…

  • Travel Writing in the Nineteenth Century: Filling the Blank Spaces

    Vesna Goldsworthy, Stephen Donovan et al.•BOOK•Travel Writing in the Nineteenth…•2006

  • Loss and Permanence

    Nigel Leask•ARTICLE•History Workshop Journal•2013

    Journal Article Loss and Permanence Get access Andrew Blaikie, The Scots Imagination and Modern Memory, Edinburgh University Press, 2010. pp. 262 + ix; ISBN 9780748617869 Nigel Leask Nigel Leask Nigel [email protected] is Regius Professor of English Language and Literature and Head of the School of Critical Studies at the University of Glasgow. His 2010 monograph Burns and Pastoral won the Saltire Research Book of the Year Prize. He …

  • The Oxford Edition of The Works of Robert Burns, Vol. 1: Commonplace Books, Tour Journals, and Miscellaneous Prose

    Robert Burns, Elizabeth Scot [Rutherford Scott] et al.•BOOK•Commonplace Books, Tour Journals,…•2014

  • Travel writing and tourism in Britain and Ireland

    Nigel Leask•ARTICLE•Studies in Travel Writing•2014

  • Ossianic Unconformities: Bardic Poetry in the Industrial Age, Eric Gidal

    Open Access•Nigel Leask•ARTICLE•Journal of Historical Geography•2016

  • The Oxford Edition of The Works of Robert Burns, Vol. 2: The Scots Musical Museum, Part One: Introduction and Text: Introduction and Text

    Robert Burns, Gerard Carruthers et al.•BOOK•Oxford Edition of the Works of…•2018

  • The Oxford Edition of The Works of Robert Burns, Vol. 3: The Scots Musical Museum, Part Two: Notes and Appendices: Notes and Appendices

    Robert Burns, Gerard Carruthers et al.•BOOK•Oxford Edition of the Works of…•2018

  • The Cambridge Companion to Byron: Second Edition

    Open Access•Paul Douglas, Tom Mole et al.•BOOK•The Cambridge Companion to Byron•2023

    Deeply informed and appealingly written, this revised and updated second edition gives fresh life to the enthralling sexual, poetic and political contradictions that make Byron the first literary celebrity. Encompassing his entire oeuvre, the volume both provides an authoritative guide for students, and points to emerging new areas of research, highlighting Byron's ongoing relevance in an increasingly complex world both within academia and beyond…

History (18 works) · Art (14 works) · Literature (10 works) · Art history (8 works) · Sociology (6 works) · Philippine History and Culture (5 works) · Archaeology (4 works) · Geography (4 works) · Political science (4 works) · Scottish History and National Identity (4 works)

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