Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

R D Williams

Biographic Data

ID3858682
NAMER D Williams
GIVEN NAMESR D
FAMILY NAMEWilliams
SIGNATUREWILLIAMS R D
AFFILIATIONSUniversity of Reading
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS31
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR1934
LATEST PUBLICATION YEAR2026
H-INDEX4
  • Incidence of physical non-communicable disease in people who have experienced imprisonment compared with the general population in high-income countries

    Open Access•Beth Dorrans, Martha Tindall et al.•ARTICLE•Journal of Epidemiology and…•2026

    Several NCDs, including multiple cancers, cardiovascular disease, respiratory disease and liver disease, are substantially more common in people who have experienced imprisonment compared with the general population, highlighting a need for primary prevention and NCD management

  • The Sadness of the King

    R D Williams•ARTICLE•Telos•2015•Cited by: 1

    “Betrayed or avenged, sadness is the condition of the King.”1 This typically lapidary formulation is Gillian Rose's attempt to sum up why philosophy is risky, unavoidable, and comic; and in this brief reflection on her work, I hope to draw out why all these adjectives might be argued to belong to the labor of philosophy. Rose is writing about the apparently tragic tension at the heart of the Arthurian legend. The King has established law for the …

  • The Aeneid

    Henry V Bender, R D Williams•ARTICLE•The Classical World•1989

  • The Aeneid of Virgil

    Johanna Glazewski, R D Williams•ARTICLE•The Classical World•1988

  • Virgil

    A G Mckay, Virgil et al.•ARTICLE•Phoenix•1983

  • Virgil, Aen. 6. 304

    Open Access•R D Williams•ARTICLE•The Classical Quarterly•1981

    In his note on Hesiod, WD 705 M. L. West tentatively suggests adeo for deo , saying rightly that ‘Charon is not a god in the literary tradition generally or in Virgil's scheme’ (see now Austin ad loc.). Palaeographically nothing could be more attractive than this emendation. But for all Virgil's fondness for adeo (see my note on Aen. 3. 203, Fordyce on 7. 427) he (like other authors) does not use it in this intensifying sense with adjectives othe…

  • The Eclogues & Georgics

    B C Virgil, Publius Vergilius Maro et al.•BOOK•Eclogues•1979

    The Eclogues, ten short pastoral poems, were composed between approximately 42 and 39 BC, during the time of the 'Second' Triumvirate of Lepidus, Anthony, and Octavian. In them Virgil subtly blended an idealized Arcadia with contemporary history. To his Greek model - the Idylls of Theocritus - he added a strong element of Italian realism: places and people, real or disguised, and contemporary events are introduced. The Eclogues display all Virgil…

  • The Aeneid of Virgil. Books 7-12

    Janet P Bews, R D Williams•ARTICLE•The Classical World•1975•Cited by: 4

  • The Aeneid of Virgil, Books 1-6

    Roger A Hornsby, R D Williams•ARTICLE•The Classical World•1974•Cited by: 5

  • The Technological Society and British Politics

    Open Access•R Williams, R D Williams•ARTICLE•Government and Opposition•1972•References: 16

    IN THEIR ANALYSES OF TECHNOLOGICAL SOCIETY AND THE TECHNOlogical state contemporary Western writers reveal a wide spectrum of opinions, and this article must evidently consider some at least of these, though unfortunately none at great length. First, the anguish of Arendt:The question therefore is not so much whether we are the masters or the slaves of our machines, but whether machines still serve the world and its things, or if, on the contrary…

  • The Aeneid

    Open Access•R D Williams•ARTICLE•New Surveys in the Classics•1967•Cited by: 1•References: 4

    We know that Virgil, like Milton, spent many preliminary years in planning an epic poem, turning over the possibilities, practising his skill and techniques on other genres before undertaking the most ambitious of all the literary types. He tells us himself at the beginning of the sixth eclogue that when he wished to sing of kings and battles, Apollo warned him to keep to pastoral poetry; and in the proem to Geo. iii he promises to make a temple …

  • "Virgil and the "Odyssey

    R D Williams•ARTICLE•Phoenix•1963

    THE SUETONIUS-DONATUS LIFE of Virgil refers to the Aeneid as quasi amborum Homeri carminum instar, sort of equivalent of both Homer's poems, and the relationship of the second half of the Aeneid to the Iliad and of the first half to the Odyssey has often been pointed out and discussed. The object of this paper is to define the nature and extent of Virgil's use of the Odyssey and to try to account for it. I shall be concerned with details and indi…

  • The Function and Structure of Virgil's Catalogue in Aeneid 7

    Open Access•R D Williams•ARTICLE•The Classical Quarterly•1961•Cited by: 15

    The list of Italian forces1 with which Virgil concluded Aeneid 7 was a piece of the ‘machinery’ of epic, that is to say an expected part of the content of an epic poem, established by Homer ( Il. 2. 484 f., the catalogue of Greek ships followed by the list of Trojan forces) and expected of his successors; cf. Apollonius 1. 20–228, Silius 3. 222 f., Statius, Th. 4. 32 f., Milton, P.L. 1. 376 f. The straightforward enumeration of Homer ( divina ili…

  • The Pictures on Dido's Temple

    Open Access•R D Williams•ARTICLE•The Classical Quarterly•1960•Cited by: 5

    Shortly after his arrival at Carthage, while he is waiting for Dido to meet him, Aeneas finds that the walls of her temple are adorned with pictures of the Trojan War. Sunt hie etiam sua praemia laudi , he cries to Achates, sunt lacrimae rerum et mentem mortalia tangunt . The description of the pictures which follows is a remarkable example of Virgil's ability to use a traditional device in such a way as to strengthen and illuminate the main them…

  • De Novis Libris Iudicia

    A Sizoo, A D Leeman et al.•ARTICLE•Mnemosyne•1956

    DE NOVIS LIBRIS IUDICIA Bulletin of the Institute of Classical Studies of the Univer- sity of London, no. I (I954). Id., Supplementary Papers no. I (I955): R. BROWNING, The Linear B Texts from Knossos, transliterated and edited. Id., Supple- mentary Papers no. 2 (I956): E. L. BENNETT, J. CHAD- WICK, M. VENTRIS, The Knossos Tablets. A revised trans- literation of all the texts in Mycenaean Greek recoverable from Evans' excavations of I900-I904 bas…

  • A Complex Problem

    R D Williams, Gladys C Schwesinger•ARTICLE•The Journal of Higher Education•1934

  • The Function and Structure of Virgil's Catalogue in Aeneid 7

    Open Access•R D Williams•ARTICLE•The Classical Quarterly•1961•Cited by: 15

    The list of Italian forces1 with which Virgil concluded Aeneid 7 was a piece of the ‘machinery’ of epic, that is to say an expected part of the content of an epic poem, established by Homer ( Il. 2. 484 f., the catalogue of Greek ships followed by the list of Trojan forces) and expected of his successors; cf. Apollonius 1. 20–228, Silius 3. 222 f., Statius, Th. 4. 32 f., Milton, P.L. 1. 376 f. The straightforward enumeration of Homer ( divina ili…

  • The Aeneid of Virgil, Books 1-6

    Roger A Hornsby, R D Williams•ARTICLE•The Classical World•1974•Cited by: 5

  • The Pictures on Dido's Temple

    Open Access•R D Williams•ARTICLE•The Classical Quarterly•1960•Cited by: 5

    Shortly after his arrival at Carthage, while he is waiting for Dido to meet him, Aeneas finds that the walls of her temple are adorned with pictures of the Trojan War. Sunt hie etiam sua praemia laudi , he cries to Achates, sunt lacrimae rerum et mentem mortalia tangunt . The description of the pictures which follows is a remarkable example of Virgil's ability to use a traditional device in such a way as to strengthen and illuminate the main them…

  • The Aeneid of Virgil. Books 7-12

    Janet P Bews, R D Williams•ARTICLE•The Classical World•1975•Cited by: 4

  • The Sadness of the King

    R D Williams•ARTICLE•Telos•2015•Cited by: 1

    “Betrayed or avenged, sadness is the condition of the King.”1 This typically lapidary formulation is Gillian Rose's attempt to sum up why philosophy is risky, unavoidable, and comic; and in this brief reflection on her work, I hope to draw out why all these adjectives might be argued to belong to the labor of philosophy. Rose is writing about the apparently tragic tension at the heart of the Arthurian legend. The King has established law for the …

  • The Aeneid

    Open Access•R D Williams•ARTICLE•New Surveys in the Classics•1967•Cited by: 1•References: 4

    We know that Virgil, like Milton, spent many preliminary years in planning an epic poem, turning over the possibilities, practising his skill and techniques on other genres before undertaking the most ambitious of all the literary types. He tells us himself at the beginning of the sixth eclogue that when he wished to sing of kings and battles, Apollo warned him to keep to pastoral poetry; and in the proem to Geo. iii he promises to make a temple …

  • A Complex Problem

    R D Williams, Gladys C Schwesinger•ARTICLE•The Journal of Higher Education•1934

  • De Novis Libris Iudicia

    A Sizoo, A D Leeman et al.•ARTICLE•Mnemosyne•1956

    DE NOVIS LIBRIS IUDICIA Bulletin of the Institute of Classical Studies of the Univer- sity of London, no. I (I954). Id., Supplementary Papers no. I (I955): R. BROWNING, The Linear B Texts from Knossos, transliterated and edited. Id., Supple- mentary Papers no. 2 (I956): E. L. BENNETT, J. CHAD- WICK, M. VENTRIS, The Knossos Tablets. A revised trans- literation of all the texts in Mycenaean Greek recoverable from Evans' excavations of I900-I904 bas…

  • The Pictures on Dido's Temple

    Open Access•R D Williams•ARTICLE•The Classical Quarterly•1960•Cited by: 5

    Shortly after his arrival at Carthage, while he is waiting for Dido to meet him, Aeneas finds that the walls of her temple are adorned with pictures of the Trojan War. Sunt hie etiam sua praemia laudi , he cries to Achates, sunt lacrimae rerum et mentem mortalia tangunt . The description of the pictures which follows is a remarkable example of Virgil's ability to use a traditional device in such a way as to strengthen and illuminate the main them…

  • The Function and Structure of Virgil's Catalogue in Aeneid 7

    Open Access•R D Williams•ARTICLE•The Classical Quarterly•1961•Cited by: 15

    The list of Italian forces1 with which Virgil concluded Aeneid 7 was a piece of the ‘machinery’ of epic, that is to say an expected part of the content of an epic poem, established by Homer ( Il. 2. 484 f., the catalogue of Greek ships followed by the list of Trojan forces) and expected of his successors; cf. Apollonius 1. 20–228, Silius 3. 222 f., Statius, Th. 4. 32 f., Milton, P.L. 1. 376 f. The straightforward enumeration of Homer ( divina ili…

  • "Virgil and the "Odyssey

    R D Williams•ARTICLE•Phoenix•1963

    THE SUETONIUS-DONATUS LIFE of Virgil refers to the Aeneid as quasi amborum Homeri carminum instar, sort of equivalent of both Homer's poems, and the relationship of the second half of the Aeneid to the Iliad and of the first half to the Odyssey has often been pointed out and discussed. The object of this paper is to define the nature and extent of Virgil's use of the Odyssey and to try to account for it. I shall be concerned with details and indi…

  • The Aeneid

    Open Access•R D Williams•ARTICLE•New Surveys in the Classics•1967•Cited by: 1•References: 4

    We know that Virgil, like Milton, spent many preliminary years in planning an epic poem, turning over the possibilities, practising his skill and techniques on other genres before undertaking the most ambitious of all the literary types. He tells us himself at the beginning of the sixth eclogue that when he wished to sing of kings and battles, Apollo warned him to keep to pastoral poetry; and in the proem to Geo. iii he promises to make a temple …

  • The Technological Society and British Politics

    Open Access•R Williams, R D Williams•ARTICLE•Government and Opposition•1972•References: 16

    IN THEIR ANALYSES OF TECHNOLOGICAL SOCIETY AND THE TECHNOlogical state contemporary Western writers reveal a wide spectrum of opinions, and this article must evidently consider some at least of these, though unfortunately none at great length. First, the anguish of Arendt:The question therefore is not so much whether we are the masters or the slaves of our machines, but whether machines still serve the world and its things, or if, on the contrary…

  • The Aeneid of Virgil, Books 1-6

    Roger A Hornsby, R D Williams•ARTICLE•The Classical World•1974•Cited by: 5

  • The Aeneid of Virgil. Books 7-12

    Janet P Bews, R D Williams•ARTICLE•The Classical World•1975•Cited by: 4

  • The Eclogues & Georgics

    B C Virgil, Publius Vergilius Maro et al.•BOOK•Eclogues•1979

    The Eclogues, ten short pastoral poems, were composed between approximately 42 and 39 BC, during the time of the 'Second' Triumvirate of Lepidus, Anthony, and Octavian. In them Virgil subtly blended an idealized Arcadia with contemporary history. To his Greek model - the Idylls of Theocritus - he added a strong element of Italian realism: places and people, real or disguised, and contemporary events are introduced. The Eclogues display all Virgil…

  • Virgil, Aen. 6. 304

    Open Access•R D Williams•ARTICLE•The Classical Quarterly•1981

    In his note on Hesiod, WD 705 M. L. West tentatively suggests adeo for deo , saying rightly that ‘Charon is not a god in the literary tradition generally or in Virgil's scheme’ (see now Austin ad loc.). Palaeographically nothing could be more attractive than this emendation. But for all Virgil's fondness for adeo (see my note on Aen. 3. 203, Fordyce on 7. 427) he (like other authors) does not use it in this intensifying sense with adjectives othe…

  • Virgil

    A G Mckay, Virgil et al.•ARTICLE•Phoenix•1983

  • The Aeneid of Virgil

    Johanna Glazewski, R D Williams•ARTICLE•The Classical World•1988

  • The Aeneid

    Henry V Bender, R D Williams•ARTICLE•The Classical World•1989

  • The Sadness of the King

    R D Williams•ARTICLE•Telos•2015•Cited by: 1

    “Betrayed or avenged, sadness is the condition of the King.”1 This typically lapidary formulation is Gillian Rose's attempt to sum up why philosophy is risky, unavoidable, and comic; and in this brief reflection on her work, I hope to draw out why all these adjectives might be argued to belong to the labor of philosophy. Rose is writing about the apparently tragic tension at the heart of the Arthurian legend. The King has established law for the …

  • Incidence of physical non-communicable disease in people who have experienced imprisonment compared with the general population in high-income countries

    Open Access•Beth Dorrans, Martha Tindall et al.•ARTICLE•Journal of Epidemiology and…•2026

    Several NCDs, including multiple cancers, cardiovascular disease, respiratory disease and liver disease, are substantially more common in people who have experienced imprisonment compared with the general population, highlighting a need for primary prevention and NCD management

Art (12 works) · Philosophy (11 works) · Literature (10 works) · Classical Antiquity Studies (9 works) · History (9 works) · Philosophy (8 works) · Classics (7 works) · History (7 works) · Classics (6 works) · Computer Science (5 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae