Laura Mandell

Biographic Data

ID3858751
NAMELaura Mandell
GIVEN NAMESLaura
FAMILY NAMEMandell
SIGNATUREMANDELL L
AFFILIATIONSMiami University
ORCID0000-0002-4013-114X
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS0
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2019
H-INDEX0

  • Gender and Cultural Analytics

    Laura MandellCHAPTERDebates in the Digital Humanities…2019

  • The Identity Issue

    Open AccessSusan Brown, Susan G Brown et al.ARTICLEJournal of Cultural Analytics2018

    This special issue of Cultural Analyticstackles the urgent question of how so-cial identities can be addressed through computational methods. In particular, it probes the extent to which large datasets can be used to elucidate the kindsof questions that humanities scholars want to ask about historical and represen-tational processes that structure social relations and positions

  • Special Issue

    Open AccessLaura MandellARTICLELiterature Compass2010References: 8

    This piece is a conclusion to the Literature Compass special issue on ‘Scholarly Editing in the Twenty‐First Century’. The special issue is made up of the following pieces: ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Preface’, Regenia Gagnier, Literature Compass 7.2 (2010): 33–34, doi: 10.1111/j.1741‐4113.2009.00672.x . ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Introduction’, Arthur F. Marotti, Literatu…

  • Special Issue

    Open AccessJerome Mcgann, Hans Walter Gabler et al.ARTICLELiterature Compass2010

    This piece is the combined bibliography for the Literature Compass special issue on ‘Scholarly Editing in the Twenty‐First Century’. The special issue is made up of the following pieces: ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Preface’, Regenia Gagnier, Literature Compass 7.2 (2010): 33–34, doi: 10.1111/j.1741‐4113.2009.00672.x . ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Introduction’, Arthur F. Mar…

  • Imaging Interiority

    Laura MandellARTICLEVictorian Studies2007References: 6

    Considered together, William Blake's Songs of Innocence and of Experience and William Wordsworth's "Tintern Abbey" suggest how the romantic lyric anticipates photography. Offering up imagery deployed both graphically and typographically, these songs provide a model for the photographer's work of capturing inner states, thereby exploring what printed media up to 1810 could not. In thematizing the loss of sound, both poems produce a sense of psycho…

  • What Is the Matter? Or, What Literary Theory Neither Hears nor Sees

    Laura MandellARTICLENew Literary History2007

    Concerned with the relationship between sound and images on the printed page, this essay analyzes two poems by William Wordsworth, connecting their cognitive operations to the changes in print technology that affected reading practices of the time. I show in Wordsworth's lyrics a shift in the stimulus that he deploys to evoke sound. The process of code-reading afforded by computers and software reveals Wordsworth's practice of making sounds for t…

  • Plots of Enlightenment

    Clieton H Johnson, Christopher Johnson et al.ARTICLESouth Atlantic Review2000

    Plots of Enlightenment explores the emergence of the English novel during the early 1700s as a preeminent form of popular education at a time when educators were defining a new kind of English citizenship for both men and women. This new individual was imagined neither as the free, self-determined figure of early modern liberalism or republicanism, nor, at the other extreme, as the product of a nearly totalized disciplinary regimen. Instead, this…

  • Authorship, Commerce, and Gender in Early Eighteenth-Century England

    Laura M Stevens, Laura Stevens et al.ARTICLETulsa Studies in Women s Literature1999

  • Bawds and Merchants

    Laura MandellARTICLEELH1992

    In this paper, I will be discussing how Bernard Mandeville's The Fable of Bees and A Modest Defence of Publick STEWS engender capitalist desires. By first gendering these desires female, these texts can scapegoat figure of woman for morally repugnant aspects of capitalist pursuits. Such scapegoating engenders desire to maximize profits not only by cleaning it off and rendering it morally respectable, but also by eroticizing quest to capitalize on…