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Michael Zeitlin

Biographic Data

ID3859019
NAMEMichael Zeitlin
GIVEN NAMESMichael
FAMILY NAMEZeitlin
SIGNATUREZEITLIN M
AFFILIATIONSUniversity of California System
ORCID0000-0002-2958-7007
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS2
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1939
LATEST PUBLICATION YEAR1997
H-INDEX1
  • The Ego Psychologists in Lacan's Theory

    Michael Zeitlin•ARTICLE•American imago•1997•Cited by: 1

    The Ego Psychologists In Lacan’s Theory Michael Zeitlin If from a North American perspective Lacan has long seemed ambiguous in his basic ontological terms—a figure dispersed into his own discourse and so fundamentally inaccessible but as a series of traces—the recent work of Elisabeth Roudinesco (1990) has enabled us to approach the meaning of Lacan as an historical as opposed to a purely textual or theoretical subject. 1 Indeed, for the traditi…

  • Bartleby is Dead

    Michael Zeitlin•ARTICLE•Canadian Review of American Studies•1994•Cited by: 1

    J. Hillis Miller. Versions of Pygmalion. Cambridge: Harvard University Press, 1990. Pp. iii + 256. The origins of this book are traceable to A. Bartlett Giamatti's "vigorous attack on literary theory written while he was still president of Yale Uni- versity. He was of course implicitly criticizing some influential colleagues at Yale" (14). In response to Giamatti's charge that deconstruction is radically incapable of situating the literary text w…

  • Faulkner's Pylon

    Michael Zeitlin•ARTICLE•Canadian Review of American Studies•1991•References: 1

    What is paradoxical about the historical experience of modernism is that it designates very precisely that period in which Nature—or the in- or anti-human-is everywhere in the process of being displaced or destroyed, expunged, eliminated, by the achievements of human praxis and human production. The great modernist literature—from Baudelaire and Flaubert to Ulysses and beyond-is a city literature: its object is therefore the anti-natural, the hum…

  • First Portuguese Reader

    M A Zeitlin, Michael Zeitlin et al.•ARTICLE•Hispania•1943

  • Contos e anedotas brasileiros. A Graded Portuguese Reader

    M A Zeitlin, Michael Zeitlin et al.•ARTICLE•Hispania•1943

  • La Apocope de la -a final atona en espanol

    M A Zeitlin, Michael Zeitlin•ARTICLE•Hispanic Review•1939

  • Tomás Morus e a Utopia , por Ivan Montero de Barros Lins

    Open Access•M A Zeitlin, Michael Zeitlin•BOOK•Revista Iberoamericana•1939

  • The Ego Psychologists in Lacan's Theory

    Michael Zeitlin•ARTICLE•American imago•1997•Cited by: 1

    The Ego Psychologists In Lacan’s Theory Michael Zeitlin If from a North American perspective Lacan has long seemed ambiguous in his basic ontological terms—a figure dispersed into his own discourse and so fundamentally inaccessible but as a series of traces—the recent work of Elisabeth Roudinesco (1990) has enabled us to approach the meaning of Lacan as an historical as opposed to a purely textual or theoretical subject. 1 Indeed, for the traditi…

  • Bartleby is Dead

    Michael Zeitlin•ARTICLE•Canadian Review of American Studies•1994•Cited by: 1

    J. Hillis Miller. Versions of Pygmalion. Cambridge: Harvard University Press, 1990. Pp. iii + 256. The origins of this book are traceable to A. Bartlett Giamatti's "vigorous attack on literary theory written while he was still president of Yale Uni- versity. He was of course implicitly criticizing some influential colleagues at Yale" (14). In response to Giamatti's charge that deconstruction is radically incapable of situating the literary text w…

  • La Apocope de la -a final atona en espanol

    M A Zeitlin, Michael Zeitlin•ARTICLE•Hispanic Review•1939

  • Tomás Morus e a Utopia , por Ivan Montero de Barros Lins

    Open Access•M A Zeitlin, Michael Zeitlin•BOOK•Revista Iberoamericana•1939

  • First Portuguese Reader

    M A Zeitlin, Michael Zeitlin et al.•ARTICLE•Hispania•1943

  • Contos e anedotas brasileiros. A Graded Portuguese Reader

    M A Zeitlin, Michael Zeitlin et al.•ARTICLE•Hispania•1943

  • Faulkner's Pylon

    Michael Zeitlin•ARTICLE•Canadian Review of American Studies•1991•References: 1

    What is paradoxical about the historical experience of modernism is that it designates very precisely that period in which Nature—or the in- or anti-human-is everywhere in the process of being displaced or destroyed, expunged, eliminated, by the achievements of human praxis and human production. The great modernist literature—from Baudelaire and Flaubert to Ulysses and beyond-is a city literature: its object is therefore the anti-natural, the hum…

  • Bartleby is Dead

    Michael Zeitlin•ARTICLE•Canadian Review of American Studies•1994•Cited by: 1

    J. Hillis Miller. Versions of Pygmalion. Cambridge: Harvard University Press, 1990. Pp. iii + 256. The origins of this book are traceable to A. Bartlett Giamatti's "vigorous attack on literary theory written while he was still president of Yale Uni- versity. He was of course implicitly criticizing some influential colleagues at Yale" (14). In response to Giamatti's charge that deconstruction is radically incapable of situating the literary text w…

  • The Ego Psychologists in Lacan's Theory

    Michael Zeitlin•ARTICLE•American imago•1997•Cited by: 1

    The Ego Psychologists In Lacan’s Theory Michael Zeitlin If from a North American perspective Lacan has long seemed ambiguous in his basic ontological terms—a figure dispersed into his own discourse and so fundamentally inaccessible but as a series of traces—the recent work of Elisabeth Roudinesco (1990) has enabled us to approach the meaning of Lacan as an historical as opposed to a purely textual or theoretical subject. 1 Indeed, for the traditi…

Art (5 works) · Philosophy (5 works) · Linguistics (4 works) · Epistemology (3 works) · History (2 works) · Law (2 works) · Law (2 works) · Literature (2 works) · Philosophy (2 works) · Political science (2 works)

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