Charles Ferrall
Biographic Data
| ID | 3859114 |
|---|---|
| NAME | Charles Ferrall |
| GIVEN NAMES | Charles |
| FAMILY NAME | Ferrall |
| SIGNATURE | FERRALL C |
| AFFILIATIONS | Victoria University of Wellington |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Sexual Symbolism in D.H. Lawrence”s “The Woman Who Rode Away”
Sexual Symbolism in D.H. Lawrence”s “The Woman Who Rode Away”." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 35(1), pp. 53–54
Hissing, Femme Fatales , and Male Friendship
On the face of it, the idea that there could be a connection between Raymond Chandler’s The Big Sleep and Coleridge’s “Christabel” might seem as farfetched as one of Marlowe’s more improbable cases
British Literature in Transition, 1920–1940
Literature from the 'political' 1930s has often been read in contrast to the 'aesthetic' 1920s. This collection suggests a different approach. Drawing on recent work expanding our sense of the political and aesthetic energies of interwar modernisms, these chapters track transitions in British literature. The strains of national break-up, class dissension and political instability provoked a new literary order, and reading across the two decades b…
Writing the 1926 General Strike
Charles Ferrall and Dougal McNeill's book analyses the vast literary response to the 1926 General Strike. The Strike not only drew writers into political action but inspired literature that served to shape twentieth-century British views of class, culture and politics. While major figures active at the time wrote on or responded to this crucial moment, this is the first volume to address their respective works. Ferrall and McNeill show how novels…
Two Lost Poems by Henry Lawson about the Boer War
Ferrall discusses Lawsonâ s ambivalent attitude to the Boer War in the light of two pro-war poems which first appeared in several newspapers in 1900 and which have never been republished
Modernist writing and reactionary politics
In Modernist Writing and Reactionary Politics, Charles Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the increasing separation of art from a society undergoing a second industrial revolution. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy. As a kind of parodic avantgarde, it therefore allowed the…
No prominent works on this page.
Modernist writing and reactionary politics
In Modernist Writing and Reactionary Politics, Charles Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the increasing separation of art from a society undergoing a second industrial revolution. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy. As a kind of parodic avantgarde, it therefore allowed the…
Two Lost Poems by Henry Lawson about the Boer War
Ferrall discusses Lawsonâ s ambivalent attitude to the Boer War in the light of two pro-war poems which first appeared in several newspapers in 1900 and which have never been republished
Writing the 1926 General Strike
Charles Ferrall and Dougal McNeill's book analyses the vast literary response to the 1926 General Strike. The Strike not only drew writers into political action but inspired literature that served to shape twentieth-century British views of class, culture and politics. While major figures active at the time wrote on or responded to this crucial moment, this is the first volume to address their respective works. Ferrall and McNeill show how novels…
British Literature in Transition, 1920–1940
Literature from the 'political' 1930s has often been read in contrast to the 'aesthetic' 1920s. This collection suggests a different approach. Drawing on recent work expanding our sense of the political and aesthetic energies of interwar modernisms, these chapters track transitions in British literature. The strains of national break-up, class dissension and political instability provoked a new literary order, and reading across the two decades b…
Hissing, Femme Fatales , and Male Friendship
On the face of it, the idea that there could be a connection between Raymond Chandler’s The Big Sleep and Coleridge’s “Christabel” might seem as farfetched as one of Marlowe’s more improbable cases
Sexual Symbolism in D.H. Lawrence”s “The Woman Who Rode Away”
Sexual Symbolism in D.H. Lawrence”s “The Woman Who Rode Away”." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 35(1), pp. 53–54
Art (4 works) · History (4 works) · 20th century (3 works) · Art history (3 works) · History and criticism (3 works) · Irish and British Studies (3 works) · Law (3 works) · Literature (3 works) · Political science (3 works) · Computer Science (2 works)